Dante 's Inferno And The Divine Comedy

Dante Alighieri went on a journey that was motivated by acrimony, revenge and retribution. The Divine Comedy is a story of Dante’s expedition through the afterlife with the help from a Roman poet, Virgil. In the Divine Comedy living in Hell is the same as living on earth in poverty today. Today, there are many politicians who are trying to help with the welfare of poverty, but they never follow through with their goals. Throughout Dante’s life on earth he witnesses the corruption of the church and power given to higher authorities because of their image. Many of the journeys that Dante has experienced in his journey through Hell are just like what we have experienced on earth whether you are rich or poor. However, there are significant differences between the two through symbolic signs and other non-religious meanings.

Dante’s descent into Hell in Inferno, the first part of his Divine Comedy, tells of the author’s experiences in Hades as he is guided through the abyss by the Roman author, Virgil. The text is broken into cantos that coincide with the different circles and sub-circles of Hell that Dante and Virgil witness and experience. Inferno is heavily influenced by classic Greek and Roman texts and Dante makes references to a myriad of characters, myths, and legends that take place in Virgil’s Aeneid, Homer’s Iliad and Odyssey, and Ovid’s Metamorphoses. Some of the most important references, however, are the most obvious ones that are easily overlooked simply because of the fact that they are so blatant. Dante is being escorted through Hell by the

Dante's `Divine Comedy', the account of his journey through hell, purgatory and heaven is one of the worlds great poems, and a prime example of a most splendidly realized integration of life with art. More than being merely great poetry, or a chronicle of contemporary events, which it also is, the `Comedy' is a study of human nature by a man quite experienced with it. The main argument I will make in this essay is that Dante's `Comedy' is chiefly a work of historical significance because in it lies the essence of human life across all boundaries of time and place. I feel that such a reading is justified, nay invited, by Dante himself when he says;

When you think of Hell, what do you see, perhaps a burning pit full of criminals and crazed souls? Or maybe you’re like Dante and have a well organized system of levels in correspondence with each person’s sins. In Dante Alighieri’s epic The Inferno, Dante and his real life hero, Virgil, go on an adventure through a rather elaborate version of Hell. In this version of Hell numerous thoughts and ideals are brought to the attention of the readers. Through Dante’s use of both imaginative and artistic concepts one can receive a great visual impression of how Dante truly views Hell, and by analyzing his religious and philosophical concepts the reader can connect with the work to better understand how rewarding this work was for the time period.

The Inferno is a tale of cautionary advice. In each circle, Dante the pilgrim speaks to one of the shades that reside there and the readers learn how and why the damned have become the damned. As Dante learns from the mistakes of the damned, so do the readers. And as Dante feels the impacts of human suffering, so do the readers. Virgil constantly encourages Dante the pilgrim to learn why the shades are in Hell and what were their transgressions while on Earth. This work’s purpose is to educate the reader. The work’s assertions on the nature of human suffering are mostly admonition, with each shade teaching Dante the pilgrim and by extension the reader not to make the same mistakes. Dante views his journey through hell as a learning experience and that is why he made it out alive.

Ancient and modern day philosophers have often toiled over the notion of sin and the punishment for sinful practices. Readings such as The Confessions and The Divine Comedy both touch on atonement of sins, but they do not seek out penance in the same way. Both Saint Augustine and Dante place themselves in their novels as both are going about a journey of salvation. Augustine uses The Confessions to address his earlier sins and organize proper perspective on theological issues he himself and the Catholic Church have disputed over. Dante uses The Divine Comedy to tell of a journey through Heaven, Hell, and Purgatory in which he is sanctified and purified through the experience of watching other souls engage in the process of purgation. Although both texts have the same goal of purification of the soul, Augustine and Dante go about to separate journeys that atone for their sins in contrasting ways.

Dante Alighieri was a major Italian poet of the Late Middle Ages. His most known is his “Divine Comedy”, which are comprised of Hell “Inferno”, Purgatory “Purgatorio”, and Paradise “Paradiso”. Dante Alighieri is most famous for describing and illustrating “hell” in his work. His work, “Inferno”, is widely praised as one of the greatest classics of Western literature, which is about Dante's journey through the nine circles of Hell. He describes “hell” as a gigantic tunnel that leads to the center of the Earth. According to Dante, due to Lucifer’s prideful attempt to storm “Heaven”, God threw Lucifer out of “Heaven”. The sheer force of thrust created the gigantic hole in the Earth. Thus, Lucifer was cast all the way to the very center of the Earth.

   In The Inferno, Dante explores the ideas of Good and Evil. He expands on the possibilities of life and death, and he makes clear that consequences follow actions. Like a small generator moving a small wheel, Dante uses a single character to move through the entire of Hell's eternity. Yet, like a clock, that small wheel is pivotal in turning many, many others. This single character, Dante himself, reveals the most important abstract meaning in himself: A message to man; a warning about mankind's destiny. Through his adventures, Dante is able to reveal many global concepts of good and evil in humanity.

As Dante explores the Second Circle of Hell, he is horrified by the punishments that the sinners must suffer through. When he hears the story of Francesca and Paolo’s lustful actions, Dante relates deeply to their stuggles because he reflects on his own sins and believes he may be cast to a similar fate in the afterlife. Dante reacts to the story when he says, “I fainted, as if I had met my death. / And then I fell as a dead body falls” (5.142-143). Dante faints from compassion for the two sinners’ pitiful story. Dante struggles to grasp the wrongdoing these people have participated in to be placed in Hell because he continues to search for the noble qualities in everyone. On the one hand, Dante believes God’s punishment for the lustful sinners, relentless winds and storms, is unethical. On the other hand, this belief is naive because it is known that all of God’s punishments are just. The lustful are condemned to an eternity in Hell because they did not care about their actions on Earth, so the raging storm that torments them is not concerned with what is in its path. Dante is not only attempting to discover the possible consequences of his own actions, but also learning to trust in God’s judgement.

In the Divine Comedy, more specifically Inferno, Dante as a person changes. Dante Alighieri wrote the Divine Comedy in the early 1300s in his early 30s. In the beginning of the book Dante mentions being midway through his life. Now, Dante is a religious man, and has read the entire Bible. In the book of Psalms within the Bible, God says that a man’s life is three score and a decade, or seventy years. Using this information, we can gather that Dante is 35 years old at the start of Inferno.

Dante and Chaucer were both great writers and poets born in medieval times, and their great works have been read and saved by many generations since their inception. Dante’s great work, The Divine Comedy, and Chaucer’s most well-known works, The Canterbury Tales, are both read in many literature and English classes even today. Their two tales are often read with each other, due to their similar ideas, yet different viewpoints offered. Dante, with his Divine Comedy condemning those who squandered and perverted love, and pointing out the corruption of the world, or Chaucer in his Canterbury Tales clearly showing his dislike of greed and corruption of the church, both produced works that provided a great insight into the politics and problems of

In The Inferno, Dante descends through the nine circles of Hell, encountering increasingly serious sins, most of which are crimes. The levels of Hell can be interpreted as a gradation of crimes, with penalties in proportion to their relative gravity of sin. While crimes are transgressions against human law, Dante’s Christian orthodox ambitions translate the treatment of these seemingly earthly crimes as sins, transgressions against divine law. For the purposes of this paper, the two terms can be used interchangeably because Dante’s perception of crimes on Earth is in parallel to the punishment of those crimes as sins in Hell. For Dante, the most punishable sins are those of betrayal. With a lucid examination of Dante’s political

    Some people think that the medieval churches view on sin, redemption, heaven and hell was very complex, but actually the churches views were straight and to the point. I will discuss with you what sin, redemption, heaven and hell were to the medieval churches and I will also share some examples in the story that will help you better understand The Inferno and the medieval churches views.

Dante had his fair share of the real human experience, whilst traveling through hell in Dante Alighieri’s “The Divine Comedy”. Characters in literature have been popularized since this masterpiece to favor sins as a type of personality trope. The lazy bum, the angry husband, or the prideful peacocks; the list goes on and on. The cause and effect of these traits have served well to teach generations of readers, the ideas and meanings of our actions as humans. Although it is rare, some works leave open ended plots for us to contemplate the meaning of said sin. In conjunction to some of the deadly sins, the main characters from “The Cask of Amontillado”, “The Veldt”, and “Soliloquy of the Spanish Cloister”, all display a truth about human nature.

In the beginning of Dante’s Inferno, Dante engages the reader in a personal way by including them in his story. He allows the reader to relate and emphasizes that they will or most likely have gone through an experience of losing their path in life. Midway on our life’s journey, I found myself/ In dark woods, the right road lost (Dante, 1408). The Inferno is often described as the quintessence of the medieval worldview, a codification of the values of the high Middle Ages in art, science, theology and philosophy (Wilke, Hurt). He was a pious man whose own experiences in a corrupt society shaped his writing style and the symbolism he included in his stories. There are graphic details of each circle of hell by describing the appropriate