Dante's Afterlife Beliefs

Since ancient civilizations people have been trying to explain what goes on after death. Throughout history, many cultures have had different theories about what happens. Two distinguished ideas of where people go after death are the underworld and Hell. The idea of the underworld came from the Greeks and Romans. A few famous works by the Greeks and Romans that talk about the underworld are The Iliad, The Aeneid, and, The Odyssey. A famous work that discusses Hell is Dante's Inferno. Hell is an accepted part of the Christianity religion and taught all over the world. The two beliefs are very similar but some distinct differences can be seen.

There are many similarities between Dante’s The Inferno and Virgil’s The Aeneid, be it their characterizations or descriptive imagery, but foremost in their ideas of what the afterlife consisted of. Each each epic hero in the works here have descended in to the depths of hell, with The Inferno depicting Dante’s descent into the depths of hell and with Virgil in Book VI of The Aeneid depicting Aeneas’s decent into hell. It can be argued that although different, the knowledge acquired by each character’s descent was equally important to accomplishing their greater tasks at the ends of their journey. Had their descent into hell been skipped their outcomes would have concluded in a different way because their voyages to Hell each played a crucial role in the advancing each narrative.

Dante's Inferno explores the nature of human suffering through a precautionary light. As Dante and Virgil move through the Inferno, Dante sees what has become of people who overindulged in things such as, lust, gluttony, violence, and bribery. Few of the punishments described in the Inferno have a direct correlation to the sin that the souls committed while they were living. Rather, they are a representation of what happens when we commit those crimes against ourselves and others. We create hells for not only ourselves, but those who we have sinned against. These hells are almost impossible to come back from as most of these sins cannot be taken back or undone. Some of the punishments that were clear representations were the punishments of

As humans, we are always imagining what our lives will be like when we die. While the depictions of what hell or heaven may be from the ancient times and now, what has stayed consist is the idea of an afterlife altogether.

Dante had different thoughts when seeing the good and the evil sinners. As Dante goes through the Inferno, he sees sinners who are tearing up and looking terrible. In circle eight, he witnessed sinners who have committed fraud and rape, yet also saw some who were accidently accused of those crimes and did not deserve to be in Hell. “Here pity, or here piety, must die if the other lives; who’s wickeder than one that’s agonized by God’s high equity?” (Aligheri, Canto 20). He felt pity for some, in which Virgil had to tell him to bear with it and that there is no pity in Hell. Dante was biased about his thoughts of good and evil when determining which sinner was good and which sinner was evil. Sinners are also in Purgatory and are considered good too, since they repented their sins.

Does hell have its own history? For Dante, the structural and thematic history of ‘hell’ in the Inferno begins with the Roman epic tradition and its champion poet, Virgil. By drawing heavily from the characteristics of hell in Book VI of The Aeneid, Dante carries the epic tradition into the medieval world and affirms his indebtedness to Virgil’s poetry. Moreover, Virgil becomes a central character in the Inferno as he guides Dante, the pilgrim, who has no knowledge of hell, through his own historical model. Similarly, the protagonist of The Aeneid, Aeneas, lacks the foresight necessary to make the journey through hell on his own and thus places his trust in the

Inferno, the first part of Divina Commedia, or the Divine Comedy, by Dante Alighieri, is the story of a man's journey through Hell and the observance of punishments incurred as a result of the committance of sin. In all cases the severity of the punishment, and the punishment itself, has a direct correlation to the sin committed. The punishments are fitting in that they are symbolic of the actual sin; in other words, "They got what they wanted." (Literature of the Western World, p.1409) According to Dante, Hell has two divisions: Upper Hell, devoted to those who perpetrated sins of incontinence, and Lower Hell, devoted to those who perpetrated sins of malice. The

In the first place, Christians of the new and old age primarily believe that after death their souls live on in the grace of God's presence. For example, in the Bible it states, “Jesus said, ‘I am the resurrection and the life. He who believes in me will live even though he dies.”’ In Dante’s Inferno, Dante is shunned by God’s grace and is trying to find his way back. In the concluding lines of inferno; “...and beauteous shining of the Heavenly cars. And we walked out once more beneath the Stars” (Alighieri 287). These last words represent Dante climbing out of the nightmare he called Hell and he is gazing upon the beautiful stars of Heaven. Which represents a sense of hope as if his sins are forgiven. Heaven and hell in the Bible have a rather vague description of the details embedded in the experience you will face in the afterlife. All that is very well known and established is Heaven is a place of light and God's love and Hell is the land in which you experience eternal suffering for your sins. These loose interpretations of hell are greatly represented in Inferno because Dante takes these thoughts and roughly based Christian ideology of the after life into his own “Visions of Hell” Henceforth, the Christian faith and ideas are the base to many other religions. Dante’s Inferno a like Christianity has multiple representations of faith including an abundance of Christian Beliefs.

Dante’s descent into Hell in Inferno, the first part of his Divine Comedy, tells of the author’s experiences in Hades as he is guided through the abyss by the Roman author, Virgil. The text is broken into cantos that coincide with the different circles and sub-circles of Hell that Dante and Virgil witness and experience. Inferno is heavily influenced by classic Greek and Roman texts and Dante makes references to a myriad of characters, myths, and legends that take place in Virgil’s Aeneid, Homer’s Iliad and Odyssey, and Ovid’s Metamorphoses. Some of the most important references, however, are the most obvious ones that are easily overlooked simply because of the fact that they are so blatant. Dante is being escorted through Hell by the

In the note to Canto V regarding Francesca and Paulo, the Hollanders exclaim that “Sympathy for the damned, in the Inferno, is nearly always and nearly certainly the sign of a wavering moral disposition” (112). Indeed, many of the touching, emotional, or indignation rousing tales told by the souls in Hell can evoke pity, but in the telling of the tales, it is always possible to derive the reasons for the damned souls’ placement in Hell. However, there is a knee-jerk reaction to separate Virgil and, arguably, some of the other souls in limbo from this group of the damned, though, with careful perusal of the text, the thoughtful reader can discern the machinations behind their damnation.

​This paper will analyze afterlife in Hinduism and in Catholicism. Afterlife will be considered in the Catechism of the Catholic Church 1020-1060 and in Romans 10. Afterlife will also be considered in Bhagavad Gita 2:27, Obayashi page 146 and in Rig Veda 10.14.8. This topic is intriguing because death is a part of life and it is interesting to see the different perspectives of their two religions and of what happens in the afterlife. Besides the perspectives, this topic studies the greatest mystery of life, death which is an uncommon topic since people usually shy away from talking about this because of the emotional implications that it brings to people.

One of the most ancient mystery yet unsolved is the question pertaining to death and the afterlife. This mystery is one of the fundamental studies in both field of philosophy and religion. Comparing those who believe in a god-existing religion against those who don’t, we often see many differences in the answers relating to death. In the contrary, the similar answers to theist and atheist are evident strongly in two great thinkers and their works. The focus will be on Socrates’ speech in the Apology by Plato setting in 399 BCE and De Rerum Natura by Titus Lucretius 300 years later.

When you think of Hell, what do you see, perhaps a burning pit full of criminals and crazed souls? Or maybe you’re like Dante and have a well organized system of levels in correspondence with each person’s sins. In Dante Alighieri’s epic The Inferno, Dante and his real life hero, Virgil, go on an adventure through a rather elaborate version of Hell. In this version of Hell numerous thoughts and ideals are brought to the attention of the readers. Through Dante’s use of both imaginative and artistic concepts one can receive a great visual impression of how Dante truly views Hell, and by analyzing his religious and philosophical concepts the reader can connect with the work to better understand how rewarding this work was for the time period.

In Dante's Inferno, Dante places people of all types into one of the nine different circles depending on what they had done in their life and what punishments they deserve. His religion is what said which sins made someone have to spend eternity in Hell and what sins were worse than others. Some of the sins Dante chose to be included in his own version of Hell are wrath, sloth, greed, lust, and gluttony. These sins were seen as some of the worst in the Catholic religion, which influences Dante’s decision to have them in Dante's Inferno. Some of the other sins Dante chose also exemplified his strong Catholic faith. For example, the people who fall in Limbo did not believe in God and in the Catholic religion, this means they were not saved and would therefore end up in Hell (Brantl 208). Dante, just like all catholics, believed that going against God was a sin. In Dante's Inferno, there are punishments for people who go against the catholic religion and the Lord as well as betray them. Dante’s religion also influenced his choices for whom he put in hell and where. According to Dante, no madder how good of a person you are, if you didn't believe in God and Christianity, you were sent to hell. Hawkins says that “…Limbo, the first circle of hell. It is beautiful, refined, civil, and dead. Knowledge may well be perfection, but it is the knowledge of God, the beatific vision, that is the journey’s true end” (107).

Many different religions around the world see the importance in life after death but these beliefs do vary a lot and each religion will believe completely different things. Two core religions in this essay that will be looked into are Islamic and Catholic. What do they believe will happen when someone dies? Is there another life after they die? Heaven? Hell? Or Paradise? Through this you will the importance in the belief of life after death, and the practices, rituals, and prayers that provide evidence and physical proof of how they show this belief. Then to go onto to discuss the wider implications holding onto these beliefs can have.