Dante's Argumentative Essay

When Calpurnia brings Scout and Jem to a black church, a black woman named Lula approached them. She treated them harshly and they thought they would not be accepted into the church. When Lula finally left them alone they went into the church and everyone else welcomed them (Lee 119).

Dante's use of allegory in the Inferno greatly varies from Plato's "Allegory of the Cave" in purpose, symbolism, characters and mentors, and in attitude toward the world. An analysis of each of these elements in both allegories will provide an interesting comparison. Dante uses allegory to relate the sinner's punishment to his sin, while Plato uses allegory to discuss ignorance and knowledge. Dante's Inferno describes the descent through Hell from the upper level of the opportunists to the most evil, the treacherous, on the lowest level. His allegorical poem describes a hierarchy of evil.

Economic Pressure was used in the speech regularly to show the large division between the rich and the poor. The speaker refers to ‘the rich unnaturally elevated’, ‘weight of taxation, misrule and oppression’. ‘Destitution in horrid form stalks through street, lane and thourghfare’ ‘emaciated frames’. The terminology reflects on the economic pressures that the poor endured, high tax and poor working conditions that often led to illness and death. He emphasised how the richer of the society, the aristocracy, were ‘in exclusive possession of power’. This speech would have stirred the emotions of the crowds as they heard how hard their lives were to those belonging to the upper classes. The speaker creates horrid, desperate images of the poorer classes ‘insufferable despair,’ toll of the death-bell’ to highlight how hard their lives were. (Briggs, 1959, P.50) a secondary source reflected how Chartism ‘seems to have been strongest in the two kinds of places… centres of decaying or contracting industry’ and ‘new or expanding single industry towns’. Briggs ‘s writing shows that Chartism was prominent in only certain areas such as those of industry. Whereas, ‘almost non-existent in completely agricultural villages’.

This canto begins to delve into the more sublime, dark, and mysterious. Words like, "moaning," "screeching," and "lamenting" give this canto a sad and depressed feeling. Spatially, I can imagine a dark, black whole type of place that seems like a vacuum. A lot of the words refer to dark colors and describe the

Phiscie leaned back, allowed themselves another hurried breath before slumping. Bringing a hand up to their forehead, they found sweat beading up on the thin skin; if they were to look in the mirror, they were sure their normally robust complexion would now be turned waxy and ill.

During the mid 15th century to the early 18th century almost half of Europe’s total population could be considered poor and destitute. The attitudes of the clergy and the attitudes of the socially elite toward these people varied from pity to disgust, and their proposed solution to these problems differed. Some suggested helping all of the poor by giving them alms, some warned others to be careful of whom the money was given to and some people believed that being poor was a voluntary decision and if they wanted to get out of that situation, they do so without the help of others. In particular the clergy supported alms giving, government officials and the nobility advocated controlled giving, and some of the middle class were suspicious

What goes around comes around. When sinners reach hell they are forced to experience the counter-suffering of contrapasso. For each sin, Dante gives a specific punishment relating to that sin. Some of these sins include violence towards self, violence towards God, sorcery, and hypocrisy. For the despicable lives they lived on earth, they are doomed to suffer relating consequences for all of eternity.

Dante’s work Inferno is a vivid walkthrough the depths of hell and invokes much imagery, contemplation and feeling. Dante’s work beautifully constructs a full sensory depiction of hell and the souls he encounters along the journey. In many instances within the work the reader arrives at a crossroads for interpretation and discussion. Canto XI offers one such crux in which Dante asks the question of why there is a separation between the upper levels of hell and the lower levels of hell. By discussing the text, examining its implications and interpretations, conclusions can be drawn about why there is delineation between the upper and lower levels and the rationale behind the separation.

Virgil came to be regarded as one of Rome's greatest poets. His Aeneid can be considered a national epic of Rome and has been extremely popular from its publication to the present day.

Dante’s descent into Hell in Inferno, the first part of his Divine Comedy, tells of the author’s experiences in Hades as he is guided through the abyss by the Roman author, Virgil. The text is broken into cantos that coincide with the different circles and sub-circles of Hell that Dante and Virgil witness and experience. Inferno is heavily influenced by classic Greek and Roman texts and Dante makes references to a myriad of characters, myths, and legends that take place in Virgil’s Aeneid, Homer’s Iliad and Odyssey, and Ovid’s Metamorphoses. Some of the most important references, however, are the most obvious ones that are easily overlooked simply because of the fact that they are so blatant. Dante is being escorted through Hell by the

In the note to Canto V regarding Francesca and Paulo, the Hollanders exclaim that “Sympathy for the damned, in the Inferno, is nearly always and nearly certainly the sign of a wavering moral disposition” (112). Indeed, many of the touching, emotional, or indignation rousing tales told by the souls in Hell can evoke pity, but in the telling of the tales, it is always possible to derive the reasons for the damned souls’ placement in Hell. However, there is a knee-jerk reaction to separate Virgil and, arguably, some of the other souls in limbo from this group of the damned, though, with careful perusal of the text, the thoughtful reader can discern the machinations behind their damnation.

   In The Inferno, Dante explores the ideas of Good and Evil. He expands on the possibilities of life and death, and he makes clear that consequences follow actions. Like a small generator moving a small wheel, Dante uses a single character to move through the entire of Hell's eternity. Yet, like a clock, that small wheel is pivotal in turning many, many others. This single character, Dante himself, reveals the most important abstract meaning in himself: A message to man; a warning about mankind's destiny. Through his adventures, Dante is able to reveal many global concepts of good and evil in humanity.

Dante and Machiavelli define opposite sides of the Renaissance in several ways.  Certainly the former believes that God will reveal all and call people to account for their behavior, while the latter gives every sign of believing in no God and supposing that scrupulous behavior only makes one a target for ruthless exploitation.  This difference in the two could be expressed in terms of religious faith—but they could also be said to have differing views of human nature.  Try to get to the heart of the distinction.  Why is Machiavelli’s sense of right and wrong so opposed to Dante’s?

In Dante’s Inferno, Dante is taken on a journey through hell. On this journey, Dane sees the many different forms of sins, and each with its own unique contrapasso, or counter-suffering. Each of these punishments reflects the sin of a person, usually offering some ironic way of suffering as a sort of revenge for breaking God’s law. As Dante wrote this work and developed the contrapassos, he allows himself to play God, deciding who is in hell and why they are there. He uses this opportunity to strike at his foes, placing them in the bowels of hell, saying that they have nothing to look forward to but the agony of suffering and the separation from God.

Religious people always fear that they will not make it to Heaven or the place their God resides. The bible and other religious text give advice on how to avoid the pain of Hell. Dante Alighieri, a famous Italian poet, wrote about the physical description of Hell and the punishments each sinner would receive for their sins. Although The Divine Comedy chronicles Dante's journey from the depths of Hell to the glory of Heaven it contains a deeper meaning. Dante reveals the true meaning of the Inferno through his leading motif, his interactions between the sinners, and the intertwining of other literary works into the Inferno.