Dante's Inferno Irony Analysis

The first example of situational irony would be Fortunato’s name, which means fortunate in Italian, an ironic name for someone who is about to be left in the catacombs to die. Another example of irony is when Montresor says, “It must be understood that neither by word nor deed had I given Fortunato cause to doubt my good will. I continued as was my wont, to smile in his face, and he did not perceive that my smile now was at the thought of his immolation” (Poe, 3). Obviously this is dramatic irony as Fortunato has no idea that Montresor is smiling because he will kill him rather than actually being happy to meet him. Also verbal irony is present when Montresor says,

Yelling “oh great!” after failing a test demonstrates one example. Someone wouldn’t really be happy about that; the irony is being overly positive about a negative occurrence. When the author writes, “you’re a game hunter not a philosopher, who cares how the jaguar feels” (Connell 18), and when Rainsford becomes the “Jaguar” later it is a little ironic. Connell wanted us to think about how a jaguar feels, and why they would be talking about that. When it came to the part in the story where he was being hunted, the readers think back to where the jaguar is mentioned and might think how that was ironic. The author was effective at showing irony. Another example of irony is, “ ‘...you’ll have a cocktail, Mr. Rainsford,’ he suggested” (Connell 22). He wanted the audience to think about how General Zaroff was being overly nice to a stranger he just met, but then, all of a sudden, changed into a psychopath, a murderer who hunts people for fun. The author made the reader believe Zaroff was generous and kind, and Rainsford probably believed it too. Zaroff acted this way to get Rainsford’s trust, so he could set him free and hunt him

An example of dramatic irony is when Fortunato tells Montresor not to worry about his health and that “the cough is a mere nothing; it will not kill me. I will not die of a cough” (POE 238) Montresor then replies, “True–true.” When the reader reads this, they see that Fortunato is clueless of Montresor’s true plan is and while he tells Fortunato he will be all right. That he will not die, he is planning to kill him. This is dramatic because we as the reader feel a sense of sorrow because we know the truth about what will

"Irony is a device that protects him (the artist) from the pain of his experience so that he may use it objectively in his art(Susquehanna. "New Critical")." In The Glass Menagerie, it is ironic how Tom speaks badly of his father and his leaving home but in the end he leaves home just like his father, the man "in love with long distances (Williams 30)''. The fact that Amanda wants what is best for her children is ironic because she worries so much over it that she doesn't realize what is best for them.

One of the many types of irony used to demonstrate the characters’ actions is verbal irony. The court scene in Act III shows an example of verbal irony. Mary Warren and John Proctor are being questioned in affiliation to Elizabeth’s possession of any poppets. Parris was trying to validate the fact that maybe they were uninformed of her custody of these, that maybe she could have hidden her poppets.(The Crucible Verbal Irony 1) In reply to Proctor, Parris says, “We are here, Your Honor, precisely to discover what no one has ever seen.”(Miller 104) He is simply meaning the court is trying to come upon the poppets that allegedly Elizabeth had hidden in her house, that no one has ever

Dumas’s reason for the inclusion of verbal irony can likely interpreted as an enrichment of the reading experience. Additionally, the snippets of verbal irony provide some important foreshadowing. Although Dantes does not mean any sarcasm when he called Villefort “kindness itself” (29), Dumas certainly did. Dumas’s indirect characterization of Villefort in the early part of the novel (i.e. this quote) is belied by his later actions, such as framing the innocent Dantes and ordering his wife to kill herself (472). Although perhaps pointless in terms of plot, accents like this sort of speech augment the reader’s interest. Another instance in which verbal irony is employed is when Dantes asks Mercedes if she “means Fernand, don’t you, madame?” when she references Monsieur de Morcerf (375). This irony is evidenced by how dedicated Dantes had been to maintaining a high level of decorum by only referring to people by their titles and demanding that others call him by his. His sarcasm seeks to

From the introduction of Edmond Dantès to the final revenge of Count of Monte Cristo, Dumas uses irony in many parts of the novel to provide readers a better understanding of the character’s personality and actions. Dumas uses dramatic irony in situations when the different personas of Edmond Dantes interact with others in the novel, who don’t know that the personas are all Edmond Dantes. Situational irony takes effect when actions of various characters do not match their expected actions. Most verbal irony occurs at the same time as most dramatic irony since he lies about his fake names when he is in his other personas. Without irony being used, the readers wouldn’t be able to connect ideas occurring in the novel with the characters.

In Ray Bradbury’s novel, Fahrenheit 451, he created a sense of irony making the novel more intriguing. The irony keeps the story interesting. The government does everything in its power to keep the people mindless. Knowledge and freedom cannot exist together.

The first case in which he uses irony is when Montresor comes in contact with Fortunato at the Carnival. In this meeting Montresor says, “My dear Fortunato, you are luckily met." (Poe 80) This is an example of dramatic irony. Although the readers know of Montresor’s plans for revenge, Fortunato has no idea how truly unlucky he is to have come into contact with Montresor at that

Dante’s work Inferno is a vivid walkthrough the depths of hell and invokes much imagery, contemplation and feeling. Dante’s work beautifully constructs a full sensory depiction of hell and the souls he encounters along the journey. In many instances within the work the reader arrives at a crossroads for interpretation and discussion. Canto XI offers one such crux in which Dante asks the question of why there is a separation between the upper levels of hell and the lower levels of hell. By discussing the text, examining its implications and interpretations, conclusions can be drawn about why there is delineation between the upper and lower levels and the rationale behind the separation.

Irony is usually termed as a technique or way or presenting a topic with one meaning, not disclosing to the reader that a totally different thing has happened. For instance, one might say it is ironic to save up the money to buy your dream car and it sells minutes before you get there. In the mind of someone like Edgar Allan Poe, irony can take one a far deeper meaning. One piece of irony is the name of the victim, Fortunato. This is an Italian word suggesting good fortune. (Cummings, 2005) However, we know from the beginning of the story that his fortune is not good. The more one looks for it, sometimes the more minute the irony can be. Take the description of Fortunato:

   In The Inferno, Dante explores the ideas of Good and Evil. He expands on the possibilities of life and death, and he makes clear that consequences follow actions. Like a small generator moving a small wheel, Dante uses a single character to move through the entire of Hell's eternity. Yet, like a clock, that small wheel is pivotal in turning many, many others. This single character, Dante himself, reveals the most important abstract meaning in himself: A message to man; a warning about mankind's destiny. Through his adventures, Dante is able to reveal many global concepts of good and evil in humanity.

Every day people experience ironic situations. Whether it is the bus leaving early when someone is already running late for work or an obstetrician missing a delivery because she is in labor; irony happens. Poetry is life in the form of art, and without irony, it would not be as interesting or relatable. “Irony in poetry occurs when a discrepancy exists between two levels of meaning or experience… Skillfully used, irony is a powerful way of making a pointed comment or manipulating a reader’s emotions” (445). Be it situational irony where the situation itself is opposite a reader’s expectation, verbal irony where a poet manipulates tone to say something opposite of what the words say or dramatic irony which is when the reader sees something

In Dante’s Inferno, Dante is taken on a journey through hell. On this journey, Dane sees the many different forms of sins, and each with its own unique contrapasso, or counter-suffering. Each of these punishments reflects the sin of a person, usually offering some ironic way of suffering as a sort of revenge for breaking God’s law. As Dante wrote this work and developed the contrapassos, he allows himself to play God, deciding who is in hell and why they are there. He uses this opportunity to strike at his foes, placing them in the bowels of hell, saying that they have nothing to look forward to but the agony of suffering and the separation from God.

Religious people always fear that they will not make it to Heaven or the place their God resides. The bible and other religious text give advice on how to avoid the pain of Hell. Dante Alighieri, a famous Italian poet, wrote about the physical description of Hell and the punishments each sinner would receive for their sins. Although The Divine Comedy chronicles Dante's journey from the depths of Hell to the glory of Heaven it contains a deeper meaning. Dante reveals the true meaning of the Inferno through his leading motif, his interactions between the sinners, and the intertwining of other literary works into the Inferno.