Dante's Inferno: The Theme of Anti-love in Canto XXVIII Essay

In Dante’s Inferno, part of The Divine Comedy, Canto V introduces the torments of Hell in the Second Circle. Here Minos tells the damned where they will spend eternity by wrapping his tail around himself. The Second Circle of Hell holds the lustful; those who sinned with the flesh. They are punished in the darkness by an unending tempest, which batters them with winds and rain. Hell is not only a geographical place, but also a representation of the potential for sin and evil within every individual human soul. As Dante travels through Hell, he sees sinners in increasingly more hideous and disgusting situations. For Dante, each situation is an image of the quality of any soul that is determined to sin in

Dante and Virgil have just left limbo, the first circle of hell, and are now on their way into the second circle of hell, where hell really begins. It is here that Dante first witnesses the punishment brought upon the sinners. They encounter Minos, the beast-judge who blocks the way into the second circle. He examines each soul as they pass through and determines which circle of hell they must go to by winding his tail around himself. Minos warns Dante of passing through but Virgil silences him. Dante encounters a dark place completely sucked of any light and filled with noises more horrible than a tempest and sees the souls being whirled around in a

Imagine a place where tyrants stand up to their ears in boiling blood, the gluttonous experience monsoons of human filth, and those who commit sins of the flesh are blown about like pieces of paper in a never-ending wind storm. Welcome to Dante 's Inferno, his perspective on the appropriate punishments for those who are destined to hell for all eternity. Dante attempts to make the punishments fit the crimes, but because it is Dante dealing out the tortures and not God, the punishments will never be perfect because by nature, man is an imperfect creature. Only God is capable of being above reproach and of metering out a just punishment. While Dante 's treatment towards the tyrants is fitting, his views on the

Who is Dante? He was a man that had a desire to find the truths of heaven and earth even from a very young age; his goal was to understand the three worlds in his mind of hell, purgatory and paradise so that he could find the true everlasting happiness. In Dante’s age there was not really a separation between church and state. “Dante 's philosophical view was also a political view. In Dante 's time, there were two major political factions, the Guelphs and the Ghibellines. Originally, the Ghibellines represented the medieval aristocracy, which wished to retain the power of the Holy Roman Emperor in Italy, as well as in other parts of Europe. The Ghibellines fought hard in this struggle for the nobility to retain its feudal powers over the land and the people in contrast, the Guelphs, of which Dante was a member, were mainly supported by the rising middle class, represented by rich merchants, bankers, and new landowners. The enemy was politically, philosophically, and theologically wrong — and thus a Heretic” He was a supporter of the papacy which was a direct opposition to the Holy Roman Emperor, therefore putting himself in danger of his beliefs.

The text answers the question in a direct way using the works of Aristotle, “How his Ethics describes, and deals with at length, the three dispositions rejected by Heaven, Incontinence, malice, and bestial rage and how one of these offends God less and so incurs less blame?” (Canto XI 80-83). At this explanation a reader could draw the conclusion that God’s judgment is merciful and perfect. The question though still remains, if those of previous levels offend God less why do they still incur such a horrible punishment? This question leaves implications that God’s punishment might not be perfect and just. In previous cantos Dante seems to have developed some pity for those shades he has met in previous circles, such as Ciacco, and Francesca. He sympathizes with those damned almost as if he is realizing his own sins of his world. The implications of an imperfect and unjust God can ripple right to the very core of our own existence. If god is not perfect then

Dante is a poet who wrote an epic poem called The Divine Comedy. This epic poem is about Dante’s journey as he goes through 3 levels, which he calls Inferno, Purgatory and Paradise. In the Inferno, he meets Virgil, his guide throughout his voyage. They both pass through the nine circles of Hell, where they witness many different punishments for those who have done awful things in their past. Good versus evil is a major theme that occurred throughout Hell. In the Inferno, there are times where Dante sees good and evil and also represents it himself.

   In The Inferno, Dante explores the ideas of Good and Evil. He expands on the possibilities of life and death, and he makes clear that consequences follow actions. Like a small generator moving a small wheel, Dante uses a single character to move through the entire of Hell's eternity. Yet, like a clock, that small wheel is pivotal in turning many, many others. This single character, Dante himself, reveals the most important abstract meaning in himself: A message to man; a warning about mankind's destiny. Through his adventures, Dante is able to reveal many global concepts of good and evil in humanity.

Dante’s Inferno is an epic poem that is clearly centered on his hate for Pope Boniface VIII. Dante’s “circles of hell” described so vividly in his poem are the result of Dante’s angst toward Boniface as he was once on top of the world until Boniface exiled him only because of his political opinions. Although, he does not clearly name Boniface in the epic he makes sure to include him in five obscure allusions. The first instance alludes to the incumbent pope before Boniface, Pope Celestine V, as the one “who made the great refusal” in the circle of neutrals; as he allowed Boniface to plant seeds of doubt in the months before he suddenly and unexpectedly resigned, leaving Boniface the Pope. The second allusion would place Boniface perfectly in the eighth circle, sixth pouch as the fraudulent sinner he was to prey on Celestine with his utter gift of fraudulent gab to gain a political position of power. The third, fourth, and fifth instances all point to his questionable practice of selling indulgences or absolution. So, therefore, just because he cannot directly mention Boniface in his epic due to him still being alive during the time of his writing, he still manages to make it a point to let him know there is a place for him in Hell.

     Infidelity, murder, betrayal, and conspiracy all play an integral part in the story of the relationship between Jason and Medea. Jason is guilty of all four acts and Medea involves herself in three. Yet, perhaps, in the eyes of Dante, Medea might fall further into the realm of Dis than Jason. But, should she? And, is Dante's view of Jason and his sentence in Hell appropriate?

The contrapassos for the sinners in Pouch Nine of Circle Eight are parallel to the sins that they committed, and they were based off Alighieri’s opinions and life experiences. In this pouch, Alighieri writes about schismatic people such as Ali, Muhammad, and Curio, as well as others. When Dante and Virgil enter Pouch Nine they notice that all the sinners have been divided. Ali is known for how he split Islam into the Sunni and the Shia sect. Therefore, when Dante sees him he is “cleft in the face from forelock unto chin,” split in two, just like the religion he split (Alighieri XXVIII.33). Ali is credited with splitting Islam, but the people supporting the Sunni sect were not placed in this circle because Ali wanted to change, or falsify, the process of selecting a leader from how it had previously been done, since Muhammad’s death, thereby causing the conflict and schism. Ali is the only one from the Shia sect seen in this circle because he was the one that was outwardly trying to falsify the rule of others by declaring himself the rightful ruler. Dante and Virgil also recognize Curio, who convinced Caesar to invade Rome and betray his friend, thus causing a civil war in Rome. In Hell, he can no longer speak, “with his tongue slit in his gorge” as punishment (Alighieri XXVIII.62). Curio caused division within a city, a civil war, and mislead Cesar, using his convincing voice so hi punishment is to have his tongue divided to represent how he divided the city through speech. Cesar is not punished because it was Curio who told him what to do and indirectly caused the civil war.

In The Inferno, Dante descends through the nine circles of Hell, encountering increasingly serious sins, most of which are crimes. The levels of Hell can be interpreted as a gradation of crimes, with penalties in proportion to their relative gravity of sin. While crimes are transgressions against human law, Dante’s Christian orthodox ambitions translate the treatment of these seemingly earthly crimes as sins, transgressions against divine law. For the purposes of this paper, the two terms can be used interchangeably because Dante’s perception of crimes on Earth is in parallel to the punishment of those crimes as sins in Hell. For Dante, the most punishable sins are those of betrayal. With a lucid examination of Dante’s political

“The Christian church … conceived of hell as a place where the good were separate from the evil, and the deeds on earth were weighed and judges.”(Bondanella XXXIII) Hell is a place that was created as a punishment for those people who died with mortal sins and did not ask for forgiveness. In this case Dante’s hell in the Inferno is divided into three sections and nine circles. These circles within hell were based off of the seven deadly sins: lust, gluttony, greed, sloth, wrath, envy, and pride. Along with the seven deadly sins Dante’s Catholic religion also influenced him in his choices about who to put and where to put people in Hell. According to his beliefs, if you were not a Christian, you automatically went to Hell. (Trotter) As well even though Dante's hell affected all people no matter their religion, the representation of how Hell

Dante had his fair share of the real human experience, whilst traveling through hell in Dante Alighieri’s “The Divine Comedy”. Characters in literature have been popularized since this masterpiece to favor sins as a type of personality trope. The lazy bum, the angry husband, or the prideful peacocks; the list goes on and on. The cause and effect of these traits have served well to teach generations of readers, the ideas and meanings of our actions as humans. Although it is rare, some works leave open ended plots for us to contemplate the meaning of said sin. In conjunction to some of the deadly sins, the main characters from “The Cask of Amontillado”, “The Veldt”, and “Soliloquy of the Spanish Cloister”, all display a truth about human nature.

Often when we set out to journey in ourselves, we come to places that surprise us with their strangeness. Expecting to see what is straightforward and acceptable, we suddenly run across the exceptions. Just as we as self‹examiners might encounter our inner demons, so does Dante the writer as he sets out to walk through his Inferno. Dante explains his universe - in terms physical, political, and spiritual - in the Divine Comedy. He also gives his readers a glimpse into his own perception of what constitutes sin. By portraying characters in specific ways, Dante the writer can shape what Dante the pilgrim feels about each sinner. Also, the reader can look deeper in the text and examine the

In Dante's Inferno, Dante places people of all types into one of the nine different circles depending on what they had done in their life and what punishments they deserve. His religion is what said which sins made someone have to spend eternity in Hell and what sins were worse than others. Some of the sins Dante chose to be included in his own version of Hell are wrath, sloth, greed, lust, and gluttony. These sins were seen as some of the worst in the Catholic religion, which influences Dante’s decision to have them in Dante's Inferno. Some of the other sins Dante chose also exemplified his strong Catholic faith. For example, the people who fall in Limbo did not believe in God and in the Catholic religion, this means they were not saved and would therefore end up in Hell (Brantl 208). Dante, just like all catholics, believed that going against God was a sin. In Dante's Inferno, there are punishments for people who go against the catholic religion and the Lord as well as betray them. Dante’s religion also influenced his choices for whom he put in hell and where. According to Dante, no madder how good of a person you are, if you didn't believe in God and Christianity, you were sent to hell. Hawkins says that “…Limbo, the first circle of hell. It is beautiful, refined, civil, and dead. Knowledge may well be perfection, but it is the knowledge of God, the beatific vision, that is the journey’s true end” (107).