Dante's Paradiso And Cur Deus Daman Analysis

Often, we cannot see the good until we have experienced the bad. Dante Alighieri, a poet who makes himself the main character in his Divine Comedy, finds himself lost in a dark wood at the start of The Inferno. Though he sees a safe path out of the wood towards an alluring light, he is forced to take an alternate route through an even darker place. As the ending of the pilgrim Dante’s voyage is bright and hopeful, Alighieri the poet aims to encourage even the most sinful Christians to hope for a successful end. Thus, Dante the pilgrim goes to hell in The Inferno to better understand the nature of sin and its consequences in order to move closer to salvation; his journey an allegory representing that of the repenting Christian soul.

He wanted to build creatures that are capable of recognizing him, serving and loving him and this is when the world was created. And he created this to show the unity of his essence through his unity in his works. God “wanted to choose a subject to be a work of his own, which was unique, singular and unlike any other; rare and surpassing all the other works of his hands.” (pg 111). This subject would have a perfect relationship with God and a perfect relationship with his own unity. This is all known as the mystery of the Incarnation. Out of all the different natures God choose human nature to receive his greatness. He chose only one and that is the “Son of God”. Jesus is stated as a world. We adore in Jesus the “unity of a divine person” who exists in two natures and who serves the supreme unity of the divine

What goes around comes around. When sinners reach hell they are forced to experience the counter-suffering of contrapasso. For each sin, Dante gives a specific punishment relating to that sin. Some of these sins include violence towards self, violence towards God, sorcery, and hypocrisy. For the despicable lives they lived on earth, they are doomed to suffer relating consequences for all of eternity.

In Dante’s Inferno, the author Dante Alighieri described the journey of his fictionalized self going through Hell. Dante describes all nine circles as grisly and grave. Gustave Doré’s paintings relate the most to Dante’s descriptions. Doré’s paintings of the Inferno are dark and mysterious, which is how Dante explains Hell in his story. Doré does not use color in his paintings; all of his painting of the Inferno are black, white, and in some shade of grey. His paintings reflect the mood that Dante was trying to interpret in his story. This is why Dante would choose Gustave Doré to illustrate Inferno.

In the 24th canto of Dante’s “Inferno”, we see how Dante depicts forgiveness and the idea keeping an excellent mindset through troubling times by enlisting an epic simile. “The peasants who lack fodder then arise and look about and see the fields all white… go back to the house, walk here and here, pacing, fretting, wondering what to do… I saw my masters eyebrows lower, and my spirits fell and I was sorely vexed”. This quotation compares Virgil to a humble farmer: both are stumped by a seemingly impossible problem to conquer, are both mad that it’s happening and also that no matter what they can’t overcome it. However, both stories continue, “Despair falls from them when they see how the earth’s face has changed in in so little time… he stood and turned on me that sweet and open look”. We see that, like how the farmer is pleased to see that winter has finished so he can feed his herd, Virgil has seen that there is another way down. This simile that shows forgiveness is an important and underlying theme through the entire comedy. Had all of these people repented and asked forgiveness while still in their mortal life then they would have to suffer tar pits or hands bound by snakes. This is also a subliminal message to those that read it that he should no longer be banished from Florence.

Often, we cannot see the good in something until we’ve experienced the bad. Dante Aghileri, a poet who stars in his Divine Comedy as a pilgrim, finds himself lost in a dark wood. Though he sees a safe path to the light and out of the wood, he is forced to take an alternate route through an even darker place. The Divine Comedy is an allegory representative of the Christian soul. As the ending is bright and hopeful for Dante, Aghileri spreads that the ending for even the most sinful Christians can be as hopeful as dante’s, provided that they take the steps needed to achieve salvation. Thus, Dante the pilgrim goes to hell to better understand the nature of sin and its consequences in order to move closer to salvation, his journey an representing that of the repenting Christian soul.

I think Dante’s description of Hell is a wonderful work of literature. Dante uses numerous literary techniques to describe his vision of Hell to the reader. In my opinion, one of the most affective techniques used by Dante is symbolism. It would be a very difficult task to compile a brief list of significant symbols from the Cantos that we read in class. Dante utilized many symbols throughout each canto. Some of the symbols that Dante used in Inferno are well defined and easy to interpret, while other symbols are much more difficult to recognize and understand. For this paper, I will be analyzing multiple symbols from Dante’s Inferno. Some of the symbols came from the Canto’s that were included in class

Dante's character in The Inferno has come across many terrifying sights and creatures on his journey through Hell. Hell is filled with an abundance of sinners who have done wrong towards God, others, and natures cycle. The lost souls of Hell have no way of escaping their fate of being doomed to treacherous conditions for the rest of eternity. Once a person is sent inside the gates of Hell there is no escaping. The sins that are committed are matched up with a specific punishment that mirrors their wrong doing.

In the beginning of the first book of Cur Deus Homo, Boso and St. Anselm are having a conversation. The two men discuss different topics and issues all involving God. Boso fills the role of the questioner, while Anselm explains his thoughts and beliefs. He still does not really understand what he believes in and is slowly trying to put all all the pieces together. Boso asked why it was necessary for God to become human and why the son of God had to suffer. Anselm answered with the idea that only a divine person could save people from sin and evil, so that is why someone resembling God had to be placed on this earth. God was placed here as a human to show us his power and capabilities. Anselm also talked about how in order to enter

Journeys can be taken many ways. Some people take the path less traveled and some people take the easy way out. Dante happens to be on journey that is less traveled, by exploring the depths of Hell in the Inferno. The epic poem’s story is about self-realization and transformation. It sees Dante over coming many things to realize he is a completely different person from the start of the Inferno journey. Dante sees many things that help him gain courage in order to prove to himself and the reader that accepting change and gaining courage can help one to grow as a person and realize their full potential. After seeing people going through certain punishment Dante realizes that he must not seek pity on himself and others in order to fully realize his true potential.

As Dante makes his ascent through hell and purgatory, he is guided by two figures. The first is Virgil, who saves him from peril and accompanies him, as a friend, through the layers of both afterlifes. The second is Beatrice, who inspired Dante’s journey of salvation in the first place, and who he longs to be reunited with. Yet although these guides are leading him towards God, Dante mistakes their guiding as the end itself. He makes a God of Beatrice, sees her as the ultimate good towards which one strives, and makes a Jesus of Virgil, the man through whom this ultimate good is reached. In this way, Dante creates his own trinity, much to the detriment of his ascent to the True God.

God is the creator of the heavens and the earth. He created the expanse of the sky down to the tiniest cell. He created man distinct from the rest of His creation. God created man in his own image and likeness and gave him dominion over the rest of His creation. The Bible affirms this in Genesis 1:26, “Then God said, ‘Let us make mankind in our image, in our likeness, so that they may rule over the fish in the sea and the birds in the sky, over the livestock and all the wild animals, and over all the creatures that move along the ground.’” Humans were created in God’s image, yet after the fall occurred, this image was severely distorted. The image of God in us will be completely restored when Jesus comes again for His church. “Dear friends, now we are children of God, and what we will be has not yet been made known. But we know that when Christ appears, we shall be like him, for we shall see him as he is.” Throughout church history, theologians have debated what being

However, the concept incarnation is at work in the New Testament. The Greek equivalent of incarnate is found in scripture. The Greek equivalent of incarnate is in carne (en sarki) meaning that God came in the flesh (1 Timothy 3:16; 1 John 4:2; 2 John 7). Jesus took on the form of man so that he might bridge the gap between human creation and His father. God sent Jesus as a child to a lost and dying world. Jesus came to us as human. He did not lay down his divinity and pick up humanity. He came to us as both divine and human. Through this act God was revealed in a personal way to humankind, and therefore in a way which is more adequate for a personal God to interact with his creation. God now was an advocate to his people. He no longer had to communicate his words through prophets, lawgivers, or even wise men. It allowed God to be united with humanity, so that he might be able to bear their sins, and make atonement for them in one act of sacrifice and reconciliation (2 Corinthians 5:19 – 21). What humanity itself could not do was done in human beings by the Son of God (Romans 5:8) .

Around 1314, Dante Alighieri completed the Inferno, the first section of what would make up The Divine Comedy, a collection of three poems reflecting Dante’s imaginative journey through Hell, Purgatory, and Heaven. In these poems, Dante the poet describes the pilgrimage that Dante the pilgrim must complete to attain salvation. With the Roman poet Virgil as his guide, Dante the pilgrim must purge himself of his own sinful nature, which can only be achieved by observing and learning from those that have landed themselves in either Hell, Purgatory, or Heaven. Described in Inferno, his excursion begins in Hell where Dante learns about the stories and the sufferings of many sinners. As Dante the pilgrim progresses through Hell it is clear that he assumes different personas. In some instances, Dante the pilgrim is portrayed as an empathetic man who pities the sinners while on other occasions, Dante the pilgrim is portrayed as a callous and indignant being in regard to the sinners. While Dante the pilgrim is depicted in these two completely different ways, it is the insensitive portrayal that more precisely depicts Dante the pilgrim, as that is his true identity when he leaves Hell. His journey affected him so greatly that by the end of his pilgrimage, Dante the pilgrim has transformed from a compassionate man into an impervious and even cruel individual.

God did not change his mind about who he would accept as the chosen, but when Jesus died on the cross, He opened the doors to everyone who accepts Christ to be God’s child. This label of being God’s child show that God wants to be in a relationship with His creation. Man was made uniquely in the image of God.