Dante's Work

Often, we cannot see the good until we have experienced the bad. Dante Alighieri, a poet who makes himself the main character in his Divine Comedy, finds himself lost in a dark wood at the start of The Inferno. Though he sees a safe path out of the wood towards an alluring light, he is forced to take an alternate route through an even darker place. As the ending of the pilgrim Dante’s voyage is bright and hopeful, Alighieri the poet aims to encourage even the most sinful Christians to hope for a successful end. Thus, Dante the pilgrim goes to hell in The Inferno to better understand the nature of sin and its consequences in order to move closer to salvation; his journey an allegory representing that of the repenting Christian soul.

In Dante’s Inferno, part of The Divine Comedy, Canto V introduces the torments of Hell in the Second Circle. Here Minos tells the damned where they will spend eternity by wrapping his tail around himself. The Second Circle of Hell holds the lustful; those who sinned with the flesh. They are punished in the darkness by an unending tempest, which batters them with winds and rain. Hell is not only a geographical place, but also a representation of the potential for sin and evil within every individual human soul. As Dante travels through Hell, he sees sinners in increasingly more hideous and disgusting situations. For Dante, each situation is an image of the quality of any soul that is determined to sin in

The Inferno is a tale of cautionary advice. In each circle, Dante the pilgrim speaks to one of the shades that reside there and the readers learn how and why the damned have become the damned. As Dante learns from the mistakes of the damned, so do the readers. And as Dante feels the impacts of human suffering, so do the readers. Virgil constantly encourages Dante the pilgrim to learn why the shades are in Hell and what were their transgressions while on Earth. This work’s purpose is to educate the reader. The work’s assertions on the nature of human suffering are mostly admonition, with each shade teaching Dante the pilgrim and by extension the reader not to make the same mistakes. Dante views his journey through hell as a learning experience and that is why he made it out alive.

Dante takes his readers to a dark world by giving details of the afterlife. He relates the characters to the reader and shows the sins these characters committed. Along with a summary of Inferno, Francesca and Paolo will be discussed. They both appear in Canto V, in the Second Circle of Hell which is saved for the lustful. This sin stood out because it can be more related to most people—then and now. According to the Bible, God states in 1 Peter 2: 11-12, “Dearly beloved, I beseech you as strangers and pilgrims, abstain from fleshly lusts, which war against the soul… they speak against you as evildoers… glorify God in the day of visitation.” Whether Francesca and Paolo’s sin is just or not is ultimately God’s decision.

While every person has a different depiction of Hell, Dante provides fascinating imagery of his portrayal, so the reader can truly experience the

Dante, the pilgrim, is surprised by invitation to be among the most respected and noted poets in the World. He was not boastful and didn’t even pride of the experience. Instead, felt unworthy to join but remembered that it was an invitation by another classical

We see Dante’s first step is to acknowledge his inferiority to Virgil; it is to him he owes his modest authorial prowess. This sentiment is understandable indeed. It is only natural for Dante to have nothing but the utmost respect for the great poet who, having preceded him by thirteen hundred years, merits such treatment.

Dante structures the Commedia in such a way as to enable the pilgrim to function as a progressively more sophisticated reader of confessional texts throughout his journey, and as such he becomes a reflection of our own possibilities as interpreters of these canti. Our initial attempts at interpreting the equivocal texts provided by the sinners are fitful, inadequate, and constantly in need of later correction and reassessment, thus reflecting the pilgrim's own progress. In the reading and re-reading, these confessional passages and canti define themselves as exercises in humility: as understanding becomes the product of a series of misreadings and revisions of the text. In the case of Francesca we have a confession that is more a literary rationale for her offense than an admission of individual culpability, for Francesca seeks to use the language of dolce stil novo poetry as a kind of cloaking device to hide herself as the historical agent or subject who bears responsibility for her

Domenico di Michelino (1417-1491), an Italian painter and medieval poet was known best for his epic poem, The Divine Comedy, which includes sections representing the three tiers of the Christian afterlife: Purgatory (Purgatorio), Hell (Inferno), and Paradise (Paradiso). This poem was a great work of medieval literature and was considered the greatest work of literature composed in Italian. The Divine Comedy was a Christian vision of mankind’s eternal fate. When The Divine Comedy was written, Dante made a cathedral painting that represents his poem called Dante and His Poem. In the painting, the Dante shows the 3 tiers related to the Christian afterlife. Dante was standing in a red robed colossus, revealing his poem to the city of Florence. The painting was full of great meaning, inspiring so many artists from Rodin to Robert Rauschenberg.

Dante has experienced many different things while exploring the Inferno that help him realize his full potential and his true self. The biggest change Dante made was the amount of courage he had while going through the Inferno. This can be seen through the way he acts throughout the book. This is shown when Dante in the beginning of the Inferno faints due to fear. While in the first circle of Hell after entering the gates of Hell Dante faints after seeing “[a] whirl burst out of the tear drenched earth, a wind that crackled with bloodred light” (III;133). If Dante was more courageous by this point in his journey Dante wouldn’t have fainted. However, as Dante continues on his journey he runs into more things that

The Guelphs assumed power but split themselves up into Whites and Blacks, the Whites taking the antipapal position of the Ghibellines. Dante eventually cast his lot in with the Whites. When the Blacks seized power in Florence in 1302, they condemned him to death, forcing him to leave his wife, Gemma Donati, and their four children in his beloved native city for the rest of his life. Dante spent most of his time in exile writing new pieces of literature (Siegal). It is believed that around 1307 he stops work on Convivio to begin The Comedy (later known as The Divine Comedy). He completed it shortly before he dies in 1321. The Divine Comedy is

Dante Alighieri grew up among Florentine nobility. As a youth, Dante struck up a friendship with a renowned poet who urged Dante to write in Italian rather than Latin. Dante’s greatest work, The Divine Comedy, is a narrative poem in the Italian dialect common in Florence. Dante also wrote lyric poetry and works on moral and political philosophy. During his life, Florentines experienced civil wars and were often politically divided. Dante began actively opposing papal policies around 1300, and by 1302 a death sentence effectively exiled him from the city. Dante worked on The Divine Comedy from around 1308 until the end of his life. As he aged, he traveled through the north of Italy, visiting many noble homes. He was buried with honor following

Furthermore, the Dante’s way of reasoning shows his confession about his imagination of hell through the dark wood perhaps based on the various traditional ideas. The characteristic of the reasoning as witnessed can be assumed to follow the medieval platonic image of the chaotic world and the classical word as describe by Virgil. Evidently, the confession of the journey through hell is painted out through the cultures of medieval period. Dante’s seems to confess that there is some darkness in the cultures of the people particularly as he discovers in his journey through hell. Clearly, he confesses that people are sinful and he does it by showing how each level of hell has its own members.

It was a text that inspired artists and reflected heavily on the major questions of living life, such as, its meaning and its virtue. Professor Joseph Nagy (English) spoke on Dante’s love story, Professor June-Ann Greeley (Theology & Religious Studies) spoke on the seven deadly sins, and Professor Nathan Lewis (Art and Design) spoke on how he influenced art in his time and beyond. All three faculty members’ presentations were based on papers given at a conference this past September. Dante

When you think of Hell, what do you see, perhaps a burning pit full of criminals and crazed souls? Or maybe you’re like Dante and have a well organized system of levels in correspondence with each person’s sins. In Dante Alighieri’s epic The Inferno, Dante and his real life hero, Virgil, go on an adventure through a rather elaborate version of Hell. In this version of Hell numerous thoughts and ideals are brought to the attention of the readers. Through Dante’s use of both imaginative and artistic concepts one can receive a great visual impression of how Dante truly views Hell, and by analyzing his religious and philosophical concepts the reader can connect with the work to better understand how rewarding this work was for the time period.