Dark And Light In The Poems Of Robert Frost And Dylan Thomas

In ‘We grow accustomed to the dark”, Emily Dickinson uses figurative language to elucidate her voice. Dickinson uses imagery and metaphor in this poem. The “darkness” is used metaphorically throughout this poem. The “darkness” is an obstacle in life that is holding you back in life. Then Dickinson mentions about light for a little bit to say that obstacles will disappear for awhile and will reappear again. The imagery Dickinson uses in the poem is very descriptive. As she is describing everything with sight, she suddenly takes away the light and takes you into the darkness. The meaning behind the poem is that there is an obstacle in life that is hard to get through in life and that it gets easier if the strength is there and you will conquer

In the fourth and final stanza Frost uses the riming of all four sentences to draw the reader into the climax of the poem, “the woods are lovely dark and deep/ But I have promises to keep/ and miles to go before I sleep/ and miles to go before I sleep”. This grouping leads the reader to feel that

     Frost?s poem delves deeper into the being and essence of life with his second set of lines. The first line states, ?Her early leaf?s a flower.? After the budding and sprouting, which is the birth of nature, is growth into a flower. This is the moment where noon turns to evening, where childhood turns into maturity, and where spring turns into summer. At this very moment is the ripe and prime age of things. The young flower stands straight up and basks in the sun, the now mature teenager runs playfully in the light, and the day and sunlight peak before descending ever so quickly into dusk. The second line of the second set states, ?But only so an hour,? which makes clear that yet again time is passing by and that a beginning will inevitably have an end.

What are the rhythm patterns that Frost uses in the poem (include the scansion and technical methods: alliteration, assonance, and consonance)? Frost uses both masculine rhyme and end rhyme. The masculine rhyme is the rhyming sounds that contain only one syllable such as wood, stood, and should. The end rhyme pattern that Frost uses is, A, B, A, A, B C, D, C, C, D E, F, E, E, F and G, H, G, G, H. (Arp & Johnson, 2009). There are lines of this poem that show the alliteration method, two examples are found in line 6-“then took the”, and line 8- “wanted wear” Assonance also

The experience of darkness is both individual and universal. Within Emily Dickinson’s “We grow accustomed to the Dark” and Robert Frost’s “Acquainted with the Night,” the speakers engage in an understanding of darkness and night as much greater than themselves. Every individual has an experience of the isolation of the night, as chronicled in Frost’s poem, yet it is a global experience that everyone must face, on which Dickinson’s poem elaborates. Through the use of rhythm, point of view, imagery, and mood, each poet makes clear the fact that there is no single darkness that is too difficult to overcome.

Lightness and darkness is a common theme throughout literature, most writers use it through symbols in their writing. In Poe’s story “Masque of the Red Death” and Hawthorne’s story “Minister’s Black Veil” both portray themes of lightness and darkness using symbolism throughout.

The poetic techniques were symbolism, imagery, and tone. Symbolism is the most powerfully used technique due to the fact a good number of lines located in this poem is used to signify a certain object or idea related to our life or today’s world. Imagery in the sense that you can visualize the path, the yellow wood, the undergrowth, the divergence; it is all made very vivid. Frost did this throughout; you know trying to stimulate the reader’s mood using one’s senses. In this poem, imagery permits the reader to imagine the scene that this poem takes place in resulting in an enhanced understanding of the theme. The tone Frost’s work presents is an insecure attitude which allows the theme to be brought out due to the fact the theme relates to a dilemma in one’s life. These techniques strongly aid in the revealing of this specific theme.

Frost uses imagery in the colors and descriptions of how the under growth looked to the narrator. He describes the wood as yellow, the path was “grassy and wanted wear”.

There are several likenesses and differences in these poems. They each have their own meaning; each represent a separate thing and each tell a different story. However, they are all indicative of Frost’s love of the outdoors, his true enjoyment of nature and his wistfulness at growing old. He seems to look back at youth with a sad longing.

Frost uses a lot of end-stopped lines and enjambment in the lines of his poem. Both have an effect on the way the poem is read by the readers. The lines which use end-stops can be found throughout the beginnings of the poem.

The style of the poem is more of a narrative, it paints a picture in my head of what is happening in it. It is not too long, but in the short length it spills a lot about the ideal of it. Frost is the main person speaking to us in this he is telling about his experience and how he's warning us about what could possibly happen.

As mentioned in the title and the first line, "Traveling Through the Dark", the darkness creates a tense and disoriented setting, for the narrator is confused on what exactly to do with the carcass. The darkness can also symbolize the insensitivity of man towards nature, a moral darkness. The syntax of the first line is also interesting in that it is not told that the deer is dead until the beginning of the second line, so the poem may start off almost as a happy one until discovered that the deer is in fact dead. The word "dead" is used to kick off the second line, which creates a thud-like sound when read aloud.

At the same time, perhaps the clock could also be a literal clock and describing its height as “unearthly” an example of hyperbole. When the narrator examines the clock as it proclaims the time, he states that “the time was neither right nor wrong” (line 13). Through this diction, Frost creates a sense of ambiguity about the nature of time and the narrator’s feelings about his life choices. Concluding the poem with the line “I have been one acquainted with the night,” Frost indicates that understanding “the night” seems to be the poet’s destination on his

The poem, "She Walks in Beauty," plays with the opposing forces dark and light. Immediately the poem begins by the speaker saying that "the best of dark and bright meet" in the woman's eyes. Additionally, the words "shade" and "ray" in the first line of the second stanza make the reader think of dark and bright. Further into that stanza, once again, the opposites are combined when her "every raven tress...softly lightens o'er her face." "So We'll Go No More A-Roving" also plays with the contrast of both dark and light. The poem takes place

“Poetry is when an emotion has found its thought and the thought has found words,” Robert Frost once said. As is made fairly obvious by this quote, Frost was an adroit thinker. It seems like he spent much of his life thinking about the little things. He often pondered the meaning and symbolism of things he found in nature. Many readers find Robert Frost’s poems to be straightforward, yet his work contains deeper layers of complexity beneath the surface. These deeper layers of complexity can be clearly seen in his poems “ The Road Not Taken”, “Fire and Ice”, and “Birches”.