Dark Matter Amanda Lucas Comparison

The novel, The invisible hero by Elizabeth Fensham explores the theme of heroism and villainy. Heroism can be defined as doing a selfless act in hope of inspiring others. Villainy can be defined as an act of doing something ‘evil’ in spite of another person or group. although it is commonly known that heroes and villains are polar opposite it is much more complex because it all depends on perspective. This idea of heroism and villainy will be expressed through an analysis of the style, characters, setting and plot.

Tobias Wolff’s short story, “That Room” is a very suspenseful story that has the reader on the edge of their seat while reading it. Suspense and excitement is created through the plot and theme of the story which are both developed through four main literary devices. In the story, the narrator is put into what is potentially a life or death situation and it is at this point that he becomes aware that one is never really in full control of his or her own life. Throughout this literary analysis I will discuss the plot and theme of the story in terms of how Wolff uses setting, tone, characterization, and symbolism to enhance both the theme and the plot.

The act of crossing a metaphorical threshold is one that is oftentimes difficult and daunting. Although it may require courage, the reward of gaining knowledge is worth the process of crossing whatever threshold life chooses to place in front of you. In Sue Monk Kidd’s novel the protagonist, Sarah Grimké, knows all about crossing thresholds. She lives by her own personal slogan to “err… on the side of audacity.” I have come to learn so much about myself and the world around me by doing just that.

Death is the unavoidable end for everyone. The very real topic can bring people together, but can also pull people apart. This is evident in The Secret Life of Bees by Sue Monk Kidd, and The Book Thief by Markus Zusak. A theme statement that can be found in both books is that surviver's guilt can be dealt with through kindness and friendship. This statement is evident in how characters cope with the survivors guilt by assist the living, talking to others about the guilt, and how the lives of the dead are celebrated.

Thus the investigation of the murder will start right from him. The information of Jason being upset was shared by one of his mother’s co-worker. The other sources disagree to this as they stated that Jason is a sorted lad and he is always been a motivational example to the kids in the church and they love spending time with him. On the incident, the family paid a visit to the Forward Community Church and everything seemed just fine. All the folks who knew the family are shocked and upset about the incident and have been pleading the cops to investigate further as they couldn’t believe that Jason could do something like

Beneath the gore and smoke and loam, this book is about the evanescence of life, and why some men choose to fill their brief allotment of time engaging the impossible, others in the manufacture of sorrow. In the end it is a story of the ineluctable conflict between good and evil, daylight and darkness, the White City and the Black. (Larson

This writing will talk about different and important unique events or instances in the story that deliver complex themes, symbols, and archetypes. In this book the author portrays or delivers the themes of perseverance, hope, survival, fear, sanctuary, safety, and unexpectedness. There are many more themes, but these are just the important ones that are most commonly seen in the story. The author also delivers complex characters with deep backgrounds and persistent personalities. This also portrays some themes, symbols, and archetypes in the book.

You feel an intense, out-of-the-skin awareness of your living self—your truest self, the human being you want to be and then become by the force of wanting it. In the midst of evil you want to be a good man. You want decency. You want justice and courtesy and human concord, things you never knew you wanted. There is a kind of largeness to it, a kind of godliness. Though it’s odd, you’re never more alive than when you’re almost dead. You recognize what’s valuable. Freshly, as if for the first time, you love what’s best in yourself and in the world, all that might be lost. At the hour of dusk you sit at your foxhole and look out on a wide river turning pinkish red, and at the mountains beyond, and although in the morning you must cross the river and go into the mountains and do terrible things and maybe die, even so, you find yourself studying the fine colors on the river, you feel wonder and awe at the setting of the sun, and you are filled with a hard, aching love for how the world could be and always should be, but now is

When Eve is diagnosed with brain cancer, she finds herself fighting the temptation of not giving in to the fear of death. Sickness forces her to overcome mental challenges that present themselves with being removed from her family and feeling death constantly loom around her. Eve admits to Enzo, the narrator, one night that “It's [cancer] bigger than me [her]. It's everywhere” (Stein 161). In this moment Eve feels that giving into fear is her easiest option. Despite this, Eve triumphs over her previous thoughts of death by finally accepting her situation. “Do you see? I'm [She’s] not afraid of it [death] anymore… Because it's not the end” (Stein 161). Eve realized that fighting death itself was not what she was battling, rather fighting her urge to give into the fear that comes with dying. In contrast to her previous anxious and doubtful mentality, Eve’s perseverance over her fear lead to a yet anticipated, but

Automatically, the reader knows that serious issues are about to be discussed and that the outcome may not be positive. This novel challenges the material ideology discussed above. It does this by bringing the issues to the forefront and reporting on them in a fictitious yet realistic manner. The reader is not led to believe that the ending will be happy, he is supposed to expect the consider the harsh realities of the world throughout the piece.

Jason works well with others because his name is jason for darn sake they made a movie of that, (and a cool one too).

“Strawberry Spring” offers the reader an opportunity to “show that we are not afraid” of facing our fears (King, “Why We Crave” 1). After all, anyone who has heard of Stephen King will automatically know that reading one of his stories may result in a thrill. For example, near the beginning of the narrator’s encounter, “a junior named John Dancey” happened upon a “dead girl lying in a shadowy corner of the Animal Sciences parking lot” (King, “Strawberry Spring” 2). Accordingly, the explicitly specific imagery used to reveal the brutality of Gale Cerman’s death is quite unsettling! Most of us spend our entire lives avoiding our “hysterical fear” of death, and allowing us to read such a description is “daring [our] nightmares” (King, “Why We Crave” 1). “Strawberry Spring” fulfills Stephen King’s claim that one reason we watch and read horror is to show “that we are not afraid” (1).

The night drew closer around the individuals who, some in dreams, some in panic, seemed to react to impending danger and turned, some to nightmares, some to an eerie calm, as those on death row that accepted their demise for what it was, an abrupt shattering of their existence. Be that as it may, however, some did not wish to go so simply. While some wished for a calm ending, but embraced nevertheless a less subtle end, that of fire and mutilation, others feared it for what it was, or what it could be. Some feared being lost, trapped in a dungeon of previously sound architecture, to watch the edges of their vision turn to the blackness of

Death is the undeniable force that compels people into extreme situations. The Demon in the Freezer, by Richard Preston, is a dystopian novel that focuses on smallpox and the eradication of the horrific disease. On the other hand, Lost Horizon, by James Hilton, is a utopian novel set on a surreal island where a perfect society is idealized. These two novels present a central theme about human nature; however, it is displayed in different ways as shown through the contrasting genres of books. The novels' use of conflict, as well as diction, tone, and mood; along with motifs, present the theme that the fear of death pushes people to extreme behaviors.

Death is inevitable in every person’s life, but death in these character’s lives is easily predicted to be early, and this represents the sadness and sorrows in the innocence of war. There are many ways to die, and war is the saddest way for that to occur, but at the same time,