Darkness at Noon, written by British novelist Arthur Koestler in 1940, is a criticism of Stalinism and the methods used by the Communist Party in the USSR. The novel was set in 1938 during the Stalinist Great Purge and Moscow show trials. Even though the story depicts actual occurrences, it does not specifically name either Russia or the USSR, but the characters do have Russian names while other generic terms are used to depict individuals and associations. For instance, the Soviet government is alluded to as "the Party" and Nazi Germany is alluded to as "the Dictatorship." Joseph Stalin, a terrorizing dictator, is represented by "Number One." The novel is a strong and moving picture of a Communist revolutionary caught up in the terror …show more content…
It is important in the understanding of “anti-vivisection morality” and “grammatical fiction” to also understand the Russia in which Rubashov was living. In the 1930s, Russia was a communist country following principles based on the ideas of Karl Marx. Marx believed that at some point in time, all societies end up being communist which can only be accomplished through revolution. In the early 1900s, Russian was governed by the Bolshevik party led by Vladimir Lenon. Stalin came into power after Lenin died and shortly thereafter, he began executing all those who he believed posed some kind of threat to his power. In Darkness at Noon, this is exactly what happened to the protagonist, Nicolas Rubashov. He was an elite in the Party and was there as “Number One” rose to power and later became a victim during the Moscow purges. The power that “Number One,” in reality Stalin, wielded, had been seen before and since his time in leaders such as Cuba’s Castro and North Korea’s Kim II Sung. Both followed similar paths to Stalin in eliminating all opposition and threats to their power. “Number One,” like Stalin, got rid of anyone who could possibly threaten him and take over. With that thought in mind, we are back to looking at how Arthur Koestler portrayed the character of Rubashov as a vehicle to illustrate the struggle between the ideas of the party and of the individual. The conspicuous disagreement of the Communist Party is the contention between
In Anthony Doerr’s All The Light We Cannot See , a blind girl named Marie-Laure LeBlanc lives with her father, Daniel LeBlanc, in Paris. When Marie-Laure was a little girl, she went on a children’s tour of the museum where her father worked. On the tour, the tour guide talks about this stone called the Sea of Flames and it was said that the keeper of the stone would live forever, but as long as he kept it, all the people that he loved would face many problems. When she is twelve years old, the Nazis occupy Paris, so Marie-Laure and her father flee the city, with the Sea of Flames, to go live with her great uncle and aunt, Etienne LeBlanc and Madame Manec in Saint-Malo. A forty-one year old man named Sergeant Major Reinhold von Rumpel, is very
Do you like horror books? Well if you do you’ll like this one. The book “After Dark” by James Leck, is about a boy named Charlie Harker, who has just finished school. He soon finds out that he’ll have to help renovate a old family inn his family owns. There are 252 pages in this book. ``The point of view in this book is third person objective. The genre of this book is horror.
All the light We Cannot See, by Anthony Doerr, chronicles the lives and relationship between Marie and Werner, two children who grew up in France and Germany. The society around them forces discriminatory ideals that cloud their perception of the world, but they find its meaning through their own self-definition. In this, they are both guided by a single radio and the message and legacy that it contains. Throughout the book, the author isolated the two characters, but also created subtle connections between the two. The most important of which would be the radio. It created a bond between the two where they learned from each other’s experiences and struggles. All the Light We Cannot See recreates a new picture of the world by contrasting the two separate journeys taken by Marie- Laure LeBlanc and Werner Pfennig to gain that image, which is guided by the power of a radio and the message it contains, ultimately leading to the meeting of the two characters that officially forms an image of the world where one’s actions are valued more than one’s physical features.
Howard Thurman removes the window dressing in the African American experience of segregation in America. Thurman in his book, “The Luminous Darkness” paints an obscure portrait that delved deep into the consciousness of Black men, women and children freshly freed from chattel slavery. Two hundred years of slavery and one hundred years of darkness seeping into each soul perpetuated by an evil explained only through the Word of God. Although this book was published in the 60’s, the stigma segregation continues resonate in the souls of those who remember and perhaps even in the souls of those who do not.
Arthur Koestler's Darkness at Noon depicts the fallacious logic of a totalitarian regime through the experiences of Nicolas Salmanovitch Rubashov. Rubashov had fought in the revolution and was once part of the Central Committee of the Party, but he is arrested on charges of instigating attempted assassinations of No. 1, and for taking part in oppositional, counter-revolutionary activities, and is sent to a Soviet prison. Rubashov, in his idle pacing throughout his cell, recollects his past with the Party. He begins to feel impulses of guilt, most especially in those moments he was required to expel devoted revolutionaries from the Party, sending them to their death. These
In times of war, the constant chaos and violence has a great influence on your life and the way you view the world. In the novel All the Light we Cannot See by Anthony Doerr, the author explores this topic through the development of a few characters during the novel. By examining how Marie Laure, Werner, and the boys at Schulpforta deal with difficult events and make decisions, it is revealed how in times of chaos and war, family or memories of family can be an anchor that helps remind you of where you came from and your humanity. During times of uncertainty in the novel, Marie-Laure turns to her family to guide her through the tumultuous times of war. One example of this is after Marie-Laure’s father gets arrested, she gets very sad and does
People commonly draw similarities between the relationship of a father and son and that of a man and their shadow. However, this raises several questions. What is one to do if their shadow becomes larger than themselves? Or perhaps the shadow no longer resembles the man? Such questions arise in the memoir Night by Elie Wiesel and the graphic novel MAUS by Art Spiegelman. While no definite conclusions can be drawn, they act as guidelines in explaining why the family culture that emerges as a result of Holocaust events deters father-son relationships. The Jews all respond differently, causing such uprooted father-son connections and proving that similar religious beliefs do not necessarily translate to similar decisions in extenuating conditions.
The “Search for justice” is a common characteristic of all of our lives, but it is perhaps best represented by the struggle with which Rakolnikov must face in Crime and Punishment. Faced with a bleak situation in his life, Raskolnikov must come to understand not the definition of justice in societal terms, but rather who is eligible to determine the meaning of justice and carry it out in the first place. Through his killing of the pawnbroker and her sister, Raskolnikov comes to realize that he is ineligible to deliver justice himself and must rely on the will of God to define his set of morals and standards.
The Russian Revolution and the purges of Leninist and Stalinist Russia have spawned a literary output that is as diverse as it is voluminous. Darkness at Noon, a novel detailing the infamous Moscow Show Trials, conducted during the reign of Joseph Stalin is Arthur Koestler’s commentary upon the event that was yet another attempt by Stalin to silence his critics. In the novel, Koestler expounds upon Marxism, and the reason why a movement that had as its aim the “regeneration of mankind, should issue in its enslavement” and how, in spite of its drawbacks, it still held an appeal for intellectuals. It is for this reason that Koestler may have attempted “not to solve but to expose” the shortcomings of this political system and by doing so
We are introduced to Sonia as a quiet, somewhat impoverished young girl of whom Raskolnikov is fond and comfortable. However, when Raskolnikov reenters her life and overloads her with heavy information, she faces quite an identity crisis. As Raskolnikov draws out the confession
“In a Dark time” by Theodore Roethke gives a retrospect into the inner turmoil’s of finding oneself through a haze of doubts in till reaching a moment of clarity. Each section of the poem describes a different emotion, or inner thought that spirals from fear of death, to emotions of desire. The use of imagery between nature and uncertainties of the narrator give a glimpse into Roethke’s own mind during the time he wrote this poem. Without hundreds of pages Roethke created a poem that connects readers to their own self-doubts and struggles of finding ones way again.
The quote "Character is what you are in the dark" - Dwight Lyman Moody has a few meanings. Mostly it means that you're different when you're alone. When you're around people they are influences of some sort. If you get into a situation when you're with people you might react differently than if you were alone, resulting in a different outcome. A lot of the time people aren't their true self around friends, or family, or whoever it may be for many reasons. A big reason is they don't want to be judged. Maybe they wanna look "cool" or get popular for something. Maybe they think they'll be looked at differently for being who they truly are. So basically fear of what others think keeps us from being who we really are. Fear can make us act different,
Ronald Reagan once said, “We fought a war on poverty, and poverty won.” I read the book, Dancing in the dark by Morris Dickstein. This book was about the great depression, and the impacts it had on American life. The traditional thought of poverty, people dying of hunger and people lying in the roads, has been erased. America has abolished poverty by the traditional standards but the thought of poverty and what it is has changed. In America we consider poverty to be spending all your money on bills, so you have no money left for food to feed your family. We consider poverty to be just being poor. One-Third of our population makes less than $38,000. This is not enough to be able to be above the poverty line. Anything below this
Often times in literature, we are presented with quintessential characters that are all placed into the conventional categories of either good or bad. In these pieces, we are usually able to differentiate the characters and discover their true intentions from reading only a few chapters. However, in some remarkable pieces of work, authors create characters that are so realistic and so complex that we are unable to distinguish them as purely good or evil. In the novel Crime and Punishment, Fyodor Dostoevsky develops the morally ambiguous characters of Raskolnikov and Svidrigailov to provide us with an interesting read and to give us a chance to evaluate each character.
Dostoyevsky’s Crime and Punishment is a psychologically charged novel in which the primary element that plagues the protagonist, Rodion Raskolnikov, is not a person but rather an idea; his own idea. Raskolnikov has an unhealthy obsession with rendering himself into what he perceives as the ideal, supreme human being, an übermensch. Raskolnikov forms for himself a theory in which he will live purely according to his own will and transcend the social norms and moralities that dominate society. Raskolnikov suggests that acts commonly regarded as immoral are to be reserved for a certain rank of “extraordinary” men. Raskolnikov’s faith