Darnay Vs Carton

Dickens says, “The shadow attendant on Madame Defarge and her party seemed then to fall, threatening and dark, on both the mother and the child.” (Dickens 277). This quote brings to life the darkness of Madame Defarge and how she affects the feeling of the rooms she enters. Although Dickens presents Madame Defarge in a terribly dark way, readers can understand why she acts the way she does because they know her background. Through the extreme differences between Lucie and Madame Defarge’s upbringings it is no shocker that they are extremely different. By seeing the large contrast in these characters readers are able to understand better why Madame Defarge is so cruel. Dickens uses foils not only to gain sympathy for the revolutionaries, but also for the upper class, including Charles Darnay. Charles Darnay is a noble man and he comes from a family of wealth, and has money himself; however, he uses his money and power completely different from his uncle Marquis Evremonde. Although these men are related they are complete opposites. Darnay shows compassion towards lower class members and even risks his own life to help a servant, Gabelle. Unlike Darnay, Marquis Evremonde treats those lower than him terribly. Dickens uses the foil of these two characters to show

Justice is one of the main theme from this book, as each character tries to get justice. In this book we see the distress and agony that Madame Defarge suffers with. Mainly because of her sister’s deaths and family suffering, due to the Evremonde brother’s, Charles Darnay’s father and uncle. Ever since that happened she’s wanted justice for her and her family. The justice that Madame Defarge wanted later turn into retribution, which lead her to a path of darkness, making her wanting the death of Charles Darnay and his family. At the same time, she was fighting for justice for France, which made her want more lives to be dead for the good of her people. those dead are my dead, and that summons to answer for those things descends to me!’… “Then tell Wind and Fire where to stop,” … “but don’t tell me.” (Dickens 339) Many readers might portray her as the “villain” of this book, but she really is not. All she wanted is justice for what was done

Madame Defarge is portrayed as the condemner of death; she lurks the corners, as she continues to knit an endless kill list of all who have exasperated her. Dickens reveals Madame Defarge’s true intentions when Monsieur Defarge mentions, “To be registered, as doomed to destruction,”(p.7). Furthermore, Monsieur Defarge declared that Madame Defarge will never forget who is on the kill list. Madame Defarge holds an undeniable grudge against Charles’ father, thus meaning that Charles poses a threat to the Defarges, due to the fact that he is guilty by association. In Madame Defarge's eyes, murder is a virtuous necessity, in order to clear out the hazardous individuals who have in any way “wronged” her.

The character Madame Defarge plays a role as one of the leading villains in Charles Dickens’ A Tale of Two Cities, whose actions turn out to be one of the major causes of the French Revolution in the book. The main influence of Madame Defarge's hatred is fueled by a self-centered issue that was germinated by another family who happens to be aristocratic. In Charles Dickens’ A Tale of Two Cities, Madame Defarge is justified in her hatred against the St. Evremonde family because her sister was raped and her brother was killed by the two patriarchs.

Although neither Madame Defarge nor Lucie Manette are well-developed as characters in themselves, both symbolize opposing forces. Lucie is lovely, golden-haired, and good, a symbol of light. By her very presence she draws the people together and brings them to their full potential. She enables Dr. Manette to return to health and peace, and inspires Sydney Carton to find redemption for his degenerate living in the ultimate sacrifice of his life. Madame DeFarge, however, is the symbol of evil and the inevitable forces of the French Revolution. Driven by the ravages of the aristocrats to an inconsumable hatreds she patiently knits the names of the tormentors soon to be

These individuals with extreme power were defeated partially because of the lower-class females, a group of individuals who had never before taken control over the people, as they were viewed as incapable. Lastly, Madame Defarge’s constant obsession with killing all who have hurt her personally and her class, is repeated multiple times in the novel. As the novel progresses, Madame Defarge becomes more obsessed and blood thirsty until she reaches one man , who she believes is worth killing after she simply “[observes] his face”(263). She goes on to demand that her husband allow her to “take care of his face.”(263) It is clear that Madame Defarge has reached a point of hysteria that makes her an extremely bloodthirsty individual, constantly searching for victims. Dickens uses Madame Defarge once again, to explain the extreme amounts of killings that were due to a woman’s decision. Through Dickens’ repetition of these phrases however, the reader can understand the power that women were able to execute over other females and the men, as the idea of a powerful female is visited multiple times throughout the

Madame Defarge begins acting radical and while she believes her actions are justified, it cannot be ignored that committed heinous crimes. She quickly murders Foulon, someone who disrespected the “starving people” by telling them “to eat grass” (213) by swiftly removing his head and placing it “upon a pike” (215). Madame Defarge’s radical actions are shown through her commitment of murder, but her sabotage against Charles Darnay. Despite, Charles Darnay’s verdict of innocence, she made it her mission for Charles Darnay to be “denounced” “from Saint-Antoine” (280), because remains insistent that the “Evremonde people are to be exterminated” (343). Madame Defarge’s murderous and destructive actions showcase her inner true side revealing the monstrous aspect in the Hidden Monster archetype.

Charles Dickens writes an exemplary novel about the French Revolution, which follows the lives of those weaving into and out of it. Charles Dickens’ novel A Tale of Two Cities takes place in the late 1700s in France and England. The novel introduces a theme of man’s inhumanity to man, the cruel behaviors people show to each other. Throughout the book, the inhumanity of different characters towards other men slowly becomes more and more prevalent. Dickens uses the Evremonde brothers, Madame Defarge, and the Revolutionaries to show that there is no redemption for man’s inhumanity against man.

After Darnay is convicted, Lucie falls into a faint, and, Carton is there to assist her, coming to her aid from “the obscure corner from which he had never moved” (Dickens 260). Though Carton never received recompense, he is always prepared to assist the Manettes. When Carton returns Lucie safely to her room, her child cries out to him, “I think you will do something to help mamma, something to save papa … can you, of all the people who love her, bear to see her so?” As Carton leaves, he murmurs a few significant words under his breath: “A life you love” (Dickens 260). Finally, Carton sacrifices his own self to the Guillotine and ultimately the revolution in place of Darnay, again, out of his love and compassion for Lucie.

Sydney Carton is the most memorable character in Charles Dickens’ A Tale of Two Cities, a story of redemption, resurrection, self-sacrifice change and love, all of these words have to do with the extreme transformation of. Sydney Carton had such great love for Lucie Mannette that evolves from a depressed loaner that can only attempt to substitute happiness with alcoholic indulgence to a loyal caring friend who makes the ultimate sacrifice for the ones he loves.

When terrible things happen to good people there are two paths that can be traveled: forgiveness can be offered, or vengeance can be pursued. Madame Defarge from Charles Dickens’ A Tale of Two Cities, takes the latter of these two options and religiously lives by it, seeking revenge on the cruel heartless aristocracy plaguing France with famine, poverty, and oppression; however, the reasons behind her malice force the reader to understand why she performs such hateful acts during the French Revolution. Madame Defarge, though intelligent, is consumed by her hatred and has transformed into something just as bad, if not worse, than the members of the aristocracy.

Manette went back into his demented state with hopelessness. Carton arrived in Paris and heard a plot by Defarge to also kill Lucie and Dr. Manette. Quickly, he made his way into the prison with the help of spies and, with his close resemblance, switched places with Darnay. Carton had arranged for the escape of Lucie, Darnay, and Dr. Manette. Madame Defarge had been killed by Miss Pross, a sort of stereotype nanny to Lucie, and escaped with Lucie.

A Tale of Two Cities, written by Charles Dickens, takes place during the French Revolution. The book centers on the heroic attempts of Sydney Carton and Charles Darnay. Sydney Carton puts on the façade of being insolent and indifferent, but his true nature is expressed in the book when he puts others first, defends Charles, and dies for the ones he loves. Charles Darnay is a once wealthy aristocrat whose attempts at heroism include going back to France, his financial sacrifice, and the noble way in which he was willing to face his death.

While the Victorian people called for romantic intrigue and petty drama in the literature of their time, Dickens’ added complexity to his novels not to satisfy the frivolous needs of Victorians but to further the theme of irony in his novel. In A Tale of Two Cities, irony is an ever-present theme and is woven into the plot seamlessly by author Charles Dickens. Coincidence is a complementary theme to irony in this novel. Dickens’ constant implementation of situations of coincidence and chance leads to a greater sense of irony throughout this book. Dickens adds complexity to the plot and further enforces the theme of irony in the novel through circumstances of coincidence, including the indictments of Charles Darnay, the life and associates of Dr. Manette, and Madame Defarge’s need for and path to revenge.

While young, Defarge witnessed an aristocrat named Evrémonde invade her house, raping her older sister and stabbing her brother. Since then, she has sought revenge against the Evrémonde family and will stop at nothing to exterminate them from the earth. The Madame is even in high favor of killing the innocent Lucie Manette and her daughter because they were married into the Evrémonde family. Though this happened long ago, she responds with ruthlessness and bitter anger consistently. Lucie Manette alike has suffered through many trials such as being the caretaker of her father in her twenties which she felt was degrading - for she was to be courting for marriage at this time, not acting as a housewife to an enfeebled old man. Additionally, her husband was convicted and almost sentenced to death for returning to his home country of France. She responded with prayer and being in a certain area for her husband to see her. When he was finally released, Lucie and her family “reverently bowed their heads and hearts” (292). This exhibits Lucie response to misfortune in a elegant manner and separates her from Madame Defarge.