Dave King Carrie Movie Comparison

She wanted to learn more about how to shoot a gun. She wanted to be like one of the guys. The novel installs all these ideas, but it also allows the reader to use their creativity. It also gives more emphasis on little traits of the character that make the character more unique. Therefore, due to the film's inability to give audiences more information about the characters, their role and their emotions, the novel is much more informative.

Numerous directors have tried to change a novel or story to a movie, just like Joyce Chopra did to “Where Are You Going, Where Have You been?” short story. Most critiques will agree that the book is much better than the film “smooth talk”. Chopra adds a few parts of Connie the

What is horror? Webster's Collegiate Dictionary gives the primary definition of horror as "a painful and intense fear, dread, or dismay." It stands to reason then that "horror fiction" is fiction that elicits those emotions in the reader. An example of a horror film is "The Shining", directed by Stanley Kubrick. Stanley Kubrick was a well-known director, producer, writer and cinematographer. His films comprised of unique, qualitative scenes that are still memorable but one iconic film in his collection of work is The Shining. Many would disagree and say that The Shining was not his best work and he could have done better yet, there are still those who would say otherwise. This film was not meant to be a “scary pop-up” terror film but

This open letter is directed at the directors of Horror films. This letter will discus the over used gimmicks and the lack of creativity on their part. It will be written in a conversational way with the use of pathos of how these movies are faulty with a touch of humor, and rhetorical questions to emphasize certain points of my discussion of this topic. I will also use ethos through my time as a film fanatic who is passionate on all that is film especially horror film which is my favorite film genre, and is the largest genre with so many subgenres within it that have the ability to use so much imagination. I have crafted this conversation to be directed towards the directors of horror films with the use of film lingo that is used for this genre, movie examples they should look at, and a deep analysis of what and how this problem cause movie of today to lack in appeal.

The reader gets to know Connie through what the narrator has to say about her. The narrator states that, “She was fifteen and she had a quick nervous giggling habit of craning her neck to glance into mirrors or checking others people’s faces to make sure her own was all right. . . she knew she was pretty and that was everything.” (316) The reader start to see that Connie might be beautiful and that she thinks she is beautiful. The reader also notice that beauty is a major thing to Connie and that that is all that matters to her. The narrator also states that, “so much land that Connie had never seen before and did not recognize except to know

Carrie was more of a quiet person who never did anything to anyone. She worked hard on her grades. She wasn’t a very outgoing person. Carrie’s hair was dyed pink, she usually wore ripped jeans and plain t-shirts. Alison on the other hand was the total opposite of Carrie. Alison was known as the school bully. She never did her homework, and she was loud and outgoing and not to mention very mean. Alison had black hair and usually wore shorts and t-shirts. Both Carrie and Alison had blue eyes.

Wes Craven’s horror movie “Scream”, inspired the gruesome murder of Gina Castillo. Castillo’s sixteen year old son and his fifteen year old cousin killed Gina Castillo. Why would anyone wish to watch the petrifying film, “Scream”? What would trigger a person to take inspiration from the horror movie, “Scream”. Stephen King describes horror as a piece of the human condition. Author of several horror novels, Stephen King wrote an essay titled “Why We Crave Horror.” In this paper he thoroughly explains why the human species craves horror and how it makes humans feel. In this essay, Stephen King precisely claims that humans desire, horror because horror pushes them to face their fears, renew their feelings of normality, and to expose

dependent on the looks that she receives to build up her self confidence. Not only is Connie’s

To understand the theme, a reader should pay attention to Connie's main character traits, which are that she is not a mature person and has an unclear identity. She concentrates on appearance and love, and is rebellious, searching for her own independence. From the very first sentences, it is clear that Connie is a typical teenager, self-absorbed, and, most of all, preoccupied with her looks. “She had a quick nervous giggling habit of craning her neck to glance into mirrors, or checking other people’s faces to make sure her own was all right” (Oates 651). From her habit of always checking her looks in different ways, readers can see that she is satisfied with her appearance and pays excessive attention to how she looks like in others’ eyes.

Connie leads a double life that no one in her family suspects. She is in constant conflict with her family and rejects the role of being the good girl her family wants her to be. She rejects that role to cultivate her sexual persona, which only flourishes when she is away from home and her family. This shows with Connie’s

Because modern cinematic techniques have allowed filmmakers to get more graphic, horror flicks have desensitized young American viewers to violence.

The arguments presented in this book are clear and organized in a logical manner. Among the different writers whose works are featured in the book, they offer different examples to explore the genre of horror films from different perspectives. The writers also attempt to explain the how modern day horror film are related to certain themes of blood and gore, and the relationships between pornography and horror film among other things.

Horror is designed to scare, cause alarm and dread, while also entertaining the audience at the same time in a cathartic experience (Dirk, 2016). Horror films are meant for a specific type of audience that enjoy scary films. Dirks (Tim, 2016) approach to genre horror, is that films went back as 100 years ago, from the earliest days our vivid imagination in seeing ghosts in the shadows to be connected emotionally of the unknown, and fear things that are improbable. You watch a horror film, it makes you aware of the scary surroundings, the essence of fear itself, without actually being in any sorts of danger. Dirks argues that there is a fun and thrill factor in being frightened, or watching something disturbing. It gives you that feeling of an adrenaline rush, as well as having that feeling someone is actually next to you lurking in the dark (Dirk, 2016).

The horror movies of the past ten years of so have tended to be more violently graphic and visceral - a reflection of modern times, perhaps. Think of the blood and gore, of the violent deaths at regular intervals in such movies as the Friday the Thirteenth series, I Know

Connie is a pretty girl, and “her mother had been pretty once too”, but she is not so much anymore and almost anything Connie does aggravates her (Oates 369). This rigid relationship pushes Connie further away the older she gets. Everything about Connie has “two sides to it,” her shirt “would look one way at home and one way when she was away from home”, she was not fully herself anywhere she went (370). This act shows the way Connie lacks a sense of self. She feels as though she has to behave differently when she is with her family compared to when she is with her friends. The fact that Connie does not have a positive relationship with her mother has a direct effect on how she acts as a young woman. The lack of support and positive attention from a female role model leaves her seeking it out from other