Day Daylighting: An Exploration Of Human Experience

When I came to the museum, the first thing that impressed me was the astonishing building: it was a masterpiece itself. The exterior of the Tampa Museum of Art has a light installation, and all I wanted at that moment is night to come so I could see thousands of colored lights reflected in the surface of the river that flows near the museum. What’s more, I liked the design of the museum inside as well. There were white walls and perfect lighting, and nothing would bother contemplation. In many museums I have visited before there was a lot of distractions, but in this museum everything was done on the principle of simplicity, and that was very pleasing to me. Moreover, when we came inside of the museum, it was almost empty. There were just a few visitors, who were fascinated by various drawings and statues. Most of the visitors were teenagers, what slightly surprised me. I

Never before have I seen a museum as grand as the Metropolitan Museum of Art in New York. From its architecture to its massive art collection, The Met has a little bit of everything and one is sure to find something that captures his or her interest. Considering that The Met is the United States' largest art museum, it is easy to get lost within its many corridors and wings. My visit to The Met took place during the last week of July. Despite the almost unbearable heat and humidity that hung in the air, visiting museums under these climate conditions is a welcome respite from a suffocating, yet bright summer afternoon.

The Isabella Stewart Gardner Museum publically showcases Mrs. Gardner's collection in the greater Boston area. Each room functions as a chapter of a pilgrimage. When one travels through various countries and time periods, one inevitably ends up in a gallery built in the imitation of a chapel, and subsequently the Gothic room. In this paper, I will examine the Gothic room's theme in relation to the placement of its objects. I will also evaluate the room's strengths and challenges in serving the public, and how the conventions employed in this room contribute to the general accessibility of the museum.

“The lights that filled the universe could be channeled, dissected, magnified, and measured by human ingenuity” (enlight, 2). There was a significant breakthrough in regards to what could be done in continuing to explore new theories.

Stability and balance is also achieved through the incorporation of the vertical and horizontal planes. In the southwest facade of the building the vertical slits are balanced with the horizontal planes created by the cubes, cornice and the ornamental horizontal band that runs halfway through the walls. These vertical and horizontal planes further dictate a rhythmic continuity throughout the building. Building's scale is rather modest in comparison to its site and the surrounding landscape and the smooth texture of the facade helps its integration to the environment. (Figure 4)

The main building of the Art Institute is constructed mostly of masonry, with few windows, and feels very heavy and overpowering. Grand staircases and large columns dwarf visitors as they move through the galleries. This is similar to the way the art in the space makes you feel: small, unimportant, and sometimes even afraid. The Modern wing in constructed of steel and glass, and is very open and bright (except when intended not to be). The large north wall facing Millenium Park is one large expanse of windows, letting in plenty of indirect sunlight, and opening the gallery to the park. The space feels very light, in both senses of the word. As with the old building, the art feels similar to the space in that it is more open and less opressive.

elegance, and color. The structure is an octagonal exterior wall placed under a golden dome. The

When I attend the Oklahoma Art Museum this morning, I was completely blown away by the different styles, technique, and artistic abilities that artist have. Art can come in many forms and can involve many different things. From paintings, sculptures, and abstract pieces of the modern world. Along with my visit, I got to experience a new collection of blown glass that was absolute remarkable. As I walked though the museum, it was as I walked though time and got to see how each period’s art changed throughout time. From the different shades of color to the different types of technique that filled the halls of the Oklahoma City Art Museum, each piece was genuine in its own way. I was starstruck as I witnessed Lowell Nesbitt’s Parrot Tulip, Richard Diebenkorn’s Albuquerque, and Dale Chihuly’s blown glass.

The Museum of American Glass in West Virginia is dedicated to the region and national's rich glass heritage. The museum houses thousands of glass work, and tells the stories of the people and processes that make their work come to life. The museum is located in Weston, West Virginia, where its art work can relate to the deep heritage of glass work within the community. The cultural activity of going to a museum was an eye opener to what the true potential of hard work can achieve with some of the most amazing glass work. The culture can relate to me since I was born in West Virginia, and knowing firsthand of what hard work can do to culture can be like how glass work takes time to finally mold into something beautiful. However, in other ways

The de Young museum seen from a distance is a bold architectural statement, with its sleek horizontal building, indeterminate dark brown color and its massive tower emerging from its slightly bent curving roof. The building is an example of boldness, internationalism and cultural neutrality. Its setting in the Golden Gate Park’s landscape with the topography, vegetation; weather and light are taken advantage of. The significance of nature and the art that is housed in the museum from the Americas, Oceania, and Africa can be seen as having resonance in the architecture. Many of the works of art are sacred in their cultures, are made of natural materials and were never intended to be displayed in formal settings. Post modern theme of ‘context’ comes into expression as Jacques Herzog put it: “These objects belong to nature. We wanted to emphasize that”.

In 1951, the Corning Museum of Glass was built. It was an L-shaped building that composed of the non-for-profit Corning Museum of Glass, the for-profit Corning Glass Center, and the Steuben Glass factory. The Corning Museum of Glass is an institution whose mission is “to tell the world about glass by engaging, educating, and inspiring visitors and the community through the art, history, and science of glass.” Thanks to resources like the Juliette K. and Leonard S. Rakow Research Library, this museum is able to spread knowledge about the art, history, and science of glassmaking.

Additionally, the walls of the building consist of translucent webs of intricate decorations in marble, plaster, tile, and alabaster. A significant amount of light shines through the small openings of the decoration, which gives the majority of the rooms as well as the courtyard a bright light. There are multiple arches used within the architecture as well. This architecture was one of the strongholds of Muslim rule.

The significance of this specific building is apparent from the moment you enter its domain. The door, witch is not shaped like a door you will find in an average office building or home, is designed to be deliberately dark, narrow,

The entryways of the building come from four different sides and meet in the middle. The overall shape of the building creates different views and facades. The building was not created just on the looks of it; it is made up of a three dimensional, stimulating, tactile human thing.

In a modern building daylight can provide most of our lighting needs for the vast majority of the working day. It is therefore unnecessary to spend too much time in designing artificial lighting systems.