Daystar Rita Dove Summary

Paul Newman once said, “People stay married because they want to, not because the doors are locked” (74). There is no such thing as the perfect relationship, however, being involved in a healthy relationship is essential for a person to feel valued, safe, and happy. Unfortunately, in the situation of Kelly Sundberg’s personal essay “It Will Look Like a Sunset,” and Kate Chopin’s short story “The Story of An Hour,” include extreme examples of unhealthy relationships. The essay “It Will Look Like a Sunset,” shares painful experiences of Sundberg’s physical and emotional abusive relationship with her husband Caleb, while “The Story of an Hour,” shares a rare reaction of a married woman, Louise Mallard, who explores her emotions cautiously when hearing about the death of her husband. Each woman faces their own prison created by their husbands. The two marriages represent the figurative meaning of doors being locked in a marriage. Both pieces of literature convey the theme of confinement by using the literary devices of foreshadowing, imagery, and conflict.

The confessional mode of poetry delves into the inner struggles of the persona as she seeks creative independence, free from the constraints of her role as mother and daughter. The juxtaposition between the two settings, “the lit house and the town,” symbolises the persona’s desire for isolation as she contemplates her filial responsibilities relative to an innate desire for solitude, “wanting to be myself alone.” Dobson’s biblical allusion to Peter’s betrayal of Jesus in “Three times I took that lonely stretch,/ Three times the dark trees closed me round” utilises anaphora to indicate her prolonged attempts to embrace her creative potential. Writing in a period of social and gender re-evaluation during the 1960s, Dobson gives us insight into the way women were struggling to balance career against the patriarchal expectations of motherhood. The night, free from daily pressures metaphorically “absolves me of my bonds” creating a lighter sense of being, which is reinforced in the synecdoche “only my footsteps held the ground.” However, the use of conduplicatio in “One life behind and one before” represents her feeling of entrapment, as he remains in a conflicted state. The emotive language in “cut off… from love that grows about the bone” captures the confronting nature of her discovery by examining the

The poem “To my Dear and Loving Husband” by Anne Bradstreet, is not just an exceedingly felt expression of a wife’s marital love and commitment to her husband, as it is about a puritan women who is supposed to be reserved but she makes it her obligation to enlighten her husband of her devotion. A thorough analysis of the poem’s paradox, hyperbole, imagery and repetition reveals how she conveys her message.

Women are taught from a young age that marriage is the end all be all in happiness, in the short story “The Story of An Hour” by Kate Chopin and the drama “Poof!” by Lynn Nottage, we learn that it is not always the case. Mrs. Mallard from “The Story of an Hour” and Loureen from “Poof!” are different characteristically, story-wise, and time-wise, but share a similar plight. Two women tied down to men whom they no longer love and a life they no longer feel is theirs. Unlike widows in happy marriages Loureen and Mrs., Mallard discover newfound freedom in their respective husband’s deaths. Both stories explore stereotypical housewives who serve their husbands with un-stereotypical reactions to their husband’s deaths.

The notion that ordinary, everyday experiences encompass universal emotions of both sadness and delight is central to Gwen Harwood’s anthology of Selected Poems. This Australian poet often uses her personal journey towards self-knowledge and experience of growing up to comment on universal aspects of raw, uncensored life experiences. She aims to convey the idea that motherhood is a difficult experience for many women who resent the way they are forced to abandon their individuality and careers. Harwood also illustrates the sadness in the loss of innocence and regrets in childhood. However, she also reminds the audience of the importance of celebrating the richness and vitality of human life such as the importance and power of women and parenthood. Ultimately the collection also suggests that aspects of both sadness and delight are evident in every human experience.

The spacing and structure of the poem is set up to allow flow and momentum in the poem and its narrative. The speaker’s voice is present with emotion as emphasised in a natural rhythm of thought offering an honest and bare interpretation of motherhood. The open “blank space” of the poem encourages a calm and breathy atmosphere, fulfilling a mood of tranquility and bliss. Each stanza is short with a couple quick fragmented thoughts before closing each section with the power of a single word. Each stanza breaks apart a separate thought filled with a loving passion the speaker uses to stress the beauty, wonder, and over-flowing love present in motherhood. To better the structure, the poem itself is broken into three parts, each representing a stage of motherhood. The first segment of motherhood that is represented is during the moments while the baby is still in the womb and the mother waits in anticipation for the baby to arrive. This “honeymoon” phase is expressed with a tone filtered through a perception of rose-coloured glasses and excitement as the mother is in utter bliss to carry a life into the world. The

Most women in America nowadays are lucky enough to consider themselves to be an independent individual, but females were not always guaranteed their freedoms. Throughout the early 1900’s, authors would characterize husbands to be controlling figures. In “The Yellow Wallpaper,” Charlotte Perkins demonstrates just how possessive the husband is to his wife in their marriage. This short story shows just how miserable the woman is to be in a marriage with John because John, thinks it would be best that his wife is isolated to get over her postpartum depression.“The Yellow Wallpaper” demonstrates how a male dominated society leads to the woman not being their own individual by using characterization, narrator perspective, and conflict between women and society.

In the poem “Persephone, Falling,” Rita Dove portrays the angst of a protective mother who ultimately fails to guard her most prized possession: her daughter. The poems within Dove’s Mother Love illustrate the often strained relationship between mother and daughter through the mythological tale of Demeter and Persephone. While some interpret the poem as delineation of a specific tragedy, it also embodies the modern mother and daughter relationship that struggles to conform to sexism. Specifically, “Persephone, Falling” delineates the capture of Persephone and questions who should identify as the culprit, exemplifying a warning from a present mother to daughter. Within “Persephone, Falling,” Dove details the struggles of motherhood

“Daystar” comes from a book of poems written by Dove entitled Thomas and Beulah, which tells both the real and unreal stories of Dove’s maternal grandparents (Stein 64). Unlike Dove, who grew up during a time of women’s rights, her grandmother most likely did not have an admired career as a housewife. In discussing Thomas and Beulah, Stein explains, “It is almost painful to witness Thomas and Beulah, two people clearly devoted to each other, continually misinterpret each other's behavior” (70). Although “Daystar” is not necessarily written from an autobiographical perspective, Dove is using the research of her family and her own experiences to welcome us into the lives of the distressed Beulah.

The main character possesses the characteristics of most young women, a full plate of responsibility and the lack of freedom that can wither away a person’s soul.  My response to this poem is that I strongly respect the author for bringing up such a controversial issue such as discontentment with being a stay-at-home mother, since this is usually to be expected of women.  Dove explains the poem delicately and leaves the underlying sense that she may have possibly been through the situation herself.  This being said, her imagery is wonderfully used and the metaphor of the doll being slumped over is a brilliant way to reflect upon the main character’s feelings and actions.  The irony comes into play, in my opinion,

       As the tale begins we immediately can sympathize with the repressive plight of the protagonist.  Her romantic imagination is obvious as she describes the "hereditary estate" (Gilman, Wallpaper 170) or the "haunted house" (170) as she would like it to be.  She tells us of her husband, John, who "scoffs" (170) at her romantic sentiments and is "practical to the extreme" (170).  However, in a time

In Susan Wood’s poem “Eggs,” she describes what her mornings were like growing up and how they later affected her parenting. She discusses that if she had sat down with her father to work through their issues rather than argue, they could have been happier people in the end. To emphasize these points, she uses repetition and pattern to create a feeling of hostility toward her childhood. Wood’s use of diction and allusion illustrates the speaker’s attitude toward mornings and her upbringing to shed light on how harboring feelings can create animosity toward family members.

Daystar by Rita Dove emphasizes gender roles and the expectations society has towards being a mother. It is often believed that mothers should assume responsibility for cooking, cleaning, tending to their demanding children and husbands. The poem illustrates the challenges women endure to live up to society’s expectations to be a fit mother and wife. As seen through the main character mothers have to make sacrifices that often puts everyone else’s happiness before their own. For example, the women in the poem desired to have time to herself but she couldn’t because she had endless chores and children to care for. Not having time to herself made her feel lost and unfulfilled.

Maya Angelou said, “To describe my mother would be to write about a hurricane in its perfect power. Or the climbing, falling colors of a rainbow” (Wanderlust 1). The relationship a mother has with her child transcends all other relationships in complexity. Maternity largely contributes to the female identity in part because the ability to sexually reproduce is uniquely female. With this ability often comes an unparalleled feeling of responsibility. That is, mothers experience an inherent desire to protect their children from the world and guide them through life. Serving as a child’s protector then transforms a woman’s perspective, or the female gaze. While these protective instincts often arise naturally, they are also reinforced by the ideas society’s perpetuates about motherhood. Globally, women are expected to assume the roles of wives and mothers. The belief that motherhood is somewhat of a requirement assists in the subjugation of women and reinforces a plethora of gendered stereotypes. While some women enjoy the process of childrearing, others feel that having a family comes at an irreparable cost: losing sight of oneself. In response to the polarized views surrounding maternity, several authors have employed different writing techniques to illustrate the mother-child dynamic. Through the examination of three narratives, spanning fiction and non-fiction, one is able to better define maternity and the corresponding female gaze in both symbolic and universal terms.

It is evident that "The Young Housewife" is a very sexually charged poem. Through its subject matter, its language, its imagery, and even its use of phrasing, Williams accentuates the young housewife's seductive and almost unrestrained nature. For instance, He describes her moving about behind closed doors, dressed in negligee, or going to the curb un-corseted to call ice-man, or allowing her hair to hang freely, only periodically tucking it in. All of these images suggest strongly that the young housewife is a natural and unrestrained character. She is free any imposed social constraints that has the power to squelch her pristine and almost wild nature.