Dbq Harlem Renaissance

     The Harlem Renaissance was a time of racism, injustice, and importance. Somewhere in between the 1920s and 1930s an African American movement occurred in Harlem, New York City. The Harlem Renaissance exalted the unique culture of African-Americans and redefined African-American expression. It was the result of Blacks migrating in the North, mostly Chicago and New York. There were many significant figures, both male and female, that had taken part in the Harlem Renaissance. Ida B. Wells and Langston Hughes exemplify the like and work of this movement.

The Harlem Renaissance was regarded as a blossoming of African -American culture particularly in the genre of creative art and one of the most influential movement in African- American literary history. While the Harlem Renaissance embraced musical, theatrical, literary and visual arts, the participants within the movementsought to re-conceptualize

Harlem (An Analysis of poetry during the Harlem Renissance) The Harlem Renaissance marks a time in history where colored artist were finally taken seriously in American society. The Harlem Renaissance was what Nathan Huggins has called, “a channeling of energy from political and social criticism into poetry, fiction, music, and art.” They were finally given a voice and when someone started to hear them, they began to shout.

The Harlem Renaissance was a time of great change for the African American community in America that brought many good things. It occurred in a neighborhood in New York after a large population of African Americans immigrated there. The Harlem Renaissance was a literary, artistic, and intellectual movement that created a new black cultural identity in America. During the Harlem Renaissance there were 2 conflicting ideas; the idea of High art and Folk art. High art was the idea that blacks should show their equal to whites to prove that they are intellectual equals and folk art which was the idea that showed more traditional art. During Harlem african cultural rebirth many still questioned which best expresses racial pride, highly educated and trained high art or raw traditional folk art. High Art during the Harlem Renaissance best expressed racial pride by using old educated techniques, showing positive celebration and advanced vocabulary.

History.com (2009) describes the Harlem Renaissance movement as “a literary, artistic, and intellectual movement that kindled a new black cultural identity.” The 1920s and 1930s emcompass a time in history where blacks found themselves ostracized from mainstream society. It was uncommon to see the expressions of black artistry in everyday life, especially on a literary level.

One of the many revolutionary eras in history was the Harlem renaissance. This was a sudden cultural revolution that was realized in the 1920s and it became popularly known as the “Harlem Renaissance” or “The New Negro movement”. This is a particular era that the African American people draw pride in. the era saw a cultural, social, music and art explosion of epic proportions This was aimed at shifting the stereotypical view of black people as uneducated, intellectually deprived farmers to one of a complex, organized and intellectually equal to the whites. The Harlem renaissance took place in 1920s thru 1930s. This era saw a phenomenon rise in famous black writers and marked the onset of blues, musical theatre, blues, dance and poetry. The new art caught on an appealed to the whites as well. Harlem became a cultural and literature center. The African Americans artists and writers were gaining recognition from the white. [2]

"Race pride" and "race consciousness" cornerstones to the Harlem Renaissance, were closely linked to a new understanding of the African heritage of Black American(Marx 170). The Harlem Renaissance was a period between 1920 and 1940 of great cultural, economic and identity assertion among talented and expressive African Americans. Its high point occurred between 1920 and 1930 but it had started before then and continued after. The art, literature and music of the Harlem Renaissance expressed the rebirth of the African American spirit and it was born in the minds of its poets and in the hears of its common people. Such emotions were expressed in songs, essays, artwork, and dance. The Harlem Renaissance brought along racial pride for blacks.

The Harlem Renaissance was a cultural, social, and artistic movement that took place in Harlem, New York. This mainly took place starting from the end of the First World War until the mid-1930s. Harlem, at this time, was the center of the African-American culture, and Harlem appealed lot of black artists, writers, scholars, musicians, poets, and photographers. Lots of these artists had fled from the South because they needed to get away from their oppressive caste system so that they could express themselves freely, and display their talents. The Harlem Renaissance was considered to be the “rebirth of African-American arts”. This movement mainly started around 1918 and ended during the mid-1930s. Some of the major writers during this time of the Harlem Renaissance were Langston Hughes, W.E.B. Du Bois, Countee Cullen, Zoe Neale Hurston, and Marcus Gravey. Lots of these themes that these writers wrote about are themes that to this day artists try to make a point of emphasis, including the American Dream, effects of racism on the black population, black identity, and human rights (Wormser).

The Harlem Renaissance was the rebirth of black literary and musical culture, during the years after War War, which started around 1914 and ended around 1919, in the Harlem section of New York City. The Harlem Renaissance was the most influential times of cultural black history, in so many different aspects. The Harlem Renaissance helped “blacks” in ways that pretty much launched them to a high level them to a higher level in the arts, music, and literature. It is very important because in the 20th century and now in the 21st century, the Harlem Renaissance enabled African Americans to express their feelings through the arts and it also created a trend for other generations because them too could express their feelings.

The Harlem Renaissance was a life changing phenomenon for African Americans. It was an opportunity to escape racial discrimination, and build self-sufficiency. The Harlem Renaissance was also a chance to express themselves through arts. But what art is capable of showing racial pride? I think Folk art is best for representing racial pride because it is the people’s image of what’s happening in their community. Folk art is the art of the everyday.

During the 1920’s a new movement began to arise. This movement known as the Harlem Renaissance expressed the new African American culture. The new African American culture was expressed through the writing of books, poetry, essays, the playing of music, and through sculptures and paintings. Three poems and their poets express the new African American culture with ease. (Jordan 848-891) The poems also express the position of themselves and other African Americans during this time. “You and Your Whole Race”, “Yet Do I Marvel”, and “The Lynching” are the three poems whose themes are the same. The poets of these poems are, as in order, Langston Hughes, Countee Cullen, and Claude Mckay.

The Harlem Renaissance was mostly focused on African Americans. Many Artists made High art which meant they used upper class vocabulary or painting skills to show them that they’re equal. African Americans who made High art wanted to see beyond the ordinary person. They wanted to see what their lifestyle could be if they were treated like a high class Caucasian.

One of the foremost poets of the Harlem Renaissance was Langston Hughes. Many of Hughes' poems are about the act of writing poetry, justifying African-American poets' right to speak and create verse, which was denied in previous eras. The act of literacy for African-Americans was depicted as a radical, self-conscious act in Hughes' output. This is explicitly seen in Hughes' poem "Theme for English B." The poem very literally portrays a young, African-American man (presumably Hughes himself) being given an assignment by a white teacher to write about himself. The poet is forced into a paradox he is in a white-run institution, using the language of whites, and yet he must speak about himself truthfully:

Harlem Renaissance, a blossoming (c. 1918–37) of African American culture, particularly in the creative arts, and the most influential movement in African American literary history. Embracing literary, musical, theatrical, and visual arts, participants sought to reconceptualize “the Negro” apart from the white stereotypes that had influenced black peoples’ relationship to their heritage and to each other. They also sought to break free of Victorian moral values and bourgeois shame about aspects of their lives that might, as seen by whites, reinforce racist beliefs. Never dominated by a particular school of thought but rather characterized by intense debate, the movement laid the groundwork for all later African American literature and had

The Harlem Renaissance was a wonderful allotment of advancement for the black poets and writers of the 1920s and early ‘30s. I see the Harlem Renaissance as a time where people gather together and express their work throughout the world for everyone to see the brilliance and talent the black descendants harness.