De Vaca Themes

Matthew Restall, a Professor of Latin American History, Women’s Studies, and Anthropology at Pennsylvania State University. He also serves the Director of the university’s Latin Studies. Throughout “Seven Myths of the Spanish Conquest,” he discusses many false truths that have been passed down through history. For instance, he discusses, “The Myth of Exceptional Men.” “The Myth of Spanish Army,” and “The Myth of Completion.” For the sake of time, I will discuss three myths that correlate with class lectures and serve as the topic of this paper, “The Myth of Exceptional Men,” “The Myth of the King’s Army,” and the “Myth of the White Conquistador.” It should be noted that Restall speaks to his audience assuring us that his “...his purpose is not to degenerate this technique of historical writing completely...Nor do I mean to create a narrative in which individual action is utterly subordinated to the larger structural forces and causes of social change.” (4). He states that his intentions are to react to more than just the works of Columbus, Pizzaro, and Cortez.

The legacy and impact of the Spanish conquest is continually discussed and analyzed. The struggle in finding native identities while also acknowledging Spanish heritage is a continuing process in Latin America. Modern film and art, such as Salvador Carrasco’s La Otra Conquista and Diego Rivera’s mural the arrival of Cortés speak about the conquest and its effects on Mexico identity. The film challenges myths about the conquest by arguing against the greatness of Cortés, showing power in native agency, and Spanish dependency on interpreters. The mural upholds myths of the conquest like the black legend, minimizes

The history of Latin American art is far reaching from the period before colonization up to the present time. As there is only limited space at the Museum of Fine Arts in Boston, this exhibition will only cover a portion of Latin American art history in gallery 184. The theme of this exhibition will focus on representations of indigenous figures from the fifteenth to the nineteenth century with the title "Latin American Art: The Representations of Indigenous Figures." The exhibition will include art from Mexico, and address how indigenous figures were represented as common Indians, Indians from the Conquest, and as noble Indians. In this essay, I am going to provide the layout of the exhibition, along with curatorial texts and information about

The history writers Diego Duran and Pedro de Cieza de Leon were of the conquering Spanish forces and outsiders to the Aztec and Inca societies they described, and this led them to view both societies as outsiders but they were both also in a position to view the Aztec and Inca Empires from within the cultures and thanks to that they both created more objective accounts than those of the Spanish conquerers.1 Similarly, Miguel Leon-Portilla was also an outsider but made the genuine effort to study the Aztec from “indigenous” records in a way that also led to a more objective look, than the Spaniards gave, at the Aztecs.2 All three “outsiders” went to lengths to learn about the cultures they were writing about, and their personal viewpoints were not central, they made the cultures central, and this is why these accounts are more like reports from the societies than the views of the Spanish.

Cabeza de Vaca changed drastically though his journey. When he starts off he’s very much focused on doing this for God and king, but he slowly becomes less concerned with that. He also develops a more accepting and worldly mind. When he first meets Native Americans he terrified that they’re going to sacrifice him#, because that’s the stereotype of the natives, but they are in fact very kind and offer him and his men fish and roots to eat. However, the Cabeza de Vaca from the end of the book would know better. He develops a lot of empathy for the natives and their plight at the hands of the Spanish,

Restall answers his own questions present in the introduction by focusing each chapter on a different myth. Chapter one discusses that the men who partook in conquest were valiant, rich, and outstanding. This idea gives credit to both the Spanish interpretation and the beautifully rugged men cast in Hollywood adaptations. The author notes, additionally, that the myth

“A Land So Strange” is a book any history enthusiast would enjoy. Beautifully written by Andres Resendez he is able to show the epic journey of Cabeza de Vaca through a book. Cabeza de Vaca a Spaniard scholar who shipwrecked in Florida in 1528 with a group of about 300 Spanish men, explorers, and slaves who accompanied him along the way. Having hopes to claim and settle in Florida but unexpectedly consistent events; like nature, natives, and loss of navigation turned their mission into an unexpected journey. Andres Resendez wonderfully words these unexpected events with a pleasant amount of detail that any reader could picture the journey of eight years of challenges leaving only four survivors Cabeza de Vaca, two other Spaniards, and an African slave who ended up wanting to just go back home. Regardless of these events he is considered one of the best explorers who survived the unimaginable and lead even with the lack of supplies and men to get their way back home. The journey was humbling by the fact he had to survive with what was around him and pushed through because of his curiosity to know more. This book is informative and practical because the author was able to illustrate his words that created a story based upon facts and understanding of the main characters experience that allowed one to see the passion Cabeza de Vaca in his expedition.

Cortes played a large role in the conquering of the Americas, and both Traditions and Encounters and The Broken Spears document his actions. In Traditions and Encounters, Cortes’s role as captain of Spanish expeditions was detailed. The advantage that the

“Victors and Vanquished,” through excerpts of Bernal Diaz del Castillo The True History of the Conquest of New Spain and indigenous testimonies from the Florentine Codex, represents the clash between European and indigenous cultures and how there was no simple “European” or “indigenous” view. Rather, there were a variety of European and indigenous opinions and interpretations that were influenced by personal interests, social hierarchy and classes, ethnic biases and political considerations.

From Reséndez’s foundation of European enslavement and its far-reaching impact on Native American populations, Reséndez examined racial components in the southwest. It is impossible to separate racial tension from the study of Indian slavery. Christopher Columbus’s journals as contemporary letters show the Spanish perception of

When Jesus Came, The Corn Mothers Went Away gives an in-depth history of the Pueblo Indians before and after the Spanish conquest. It describes the forced changes the Spanish brought to the Indians, and also the changes brought to the Spaniards who came to “civilize” the Indians. The author's thesis is that the Pueblo Indians and other Indians were treated cruelly by the Spanish, who justified their crime by claiming they were civilizing an

As a new and mysterious world awaits to be discovered, daring conquistadors leave their home country of Spain in a journey of exploration. Two men by the name of Narvaez and Cabeza de Vaca set sail to thwart the untrustworthy Cortez who, behind the backs of Narvaez and Cabeza de Vaca, sailed to the New World with half of Narvaez’s crew in search of treasures. However, the journey would prove to be treacherous as the conquistadors would have to encounter hostile Native Americans and strange terrain they have never seen before. Throughout the expedition, future encounters between the Native Americans and conquistadors were heavily influenced by the personalities of the individuals and past experiences the Native Americans faced.

Indigenous people of the past and the present carry a rich and characteristically distinct culture. The way of living and this culture is what defines these people and is a measure of the threshold of belonging amongst the population. The term ‘chicano’ is used interchangeably to define someone of the Hispanic population with also a symbol of coming from a struggle (Rochin, 2). The indigenous civilization of the American people as well as the intellectual traditions need to be in connection. There have been a few moments in modern literature on culture and ancient Hispanic culture, that argue and show the need for general indigenous beliefs through interrelations of the sources of life itself. This paper seeks to analyze the poetic

In The Crystal Frontier, Carlos Fuentes presents two of his main characters in much a similar fashion; in Spoils, we find Dionisio is a world-renowned chef and cuisine connoisseur, and also a fervent critic of American cuisine and culture. Dionisio believes that through his country’s chromosomal imperialism, Mexico will be able to solidify its sphere of influence in America; however, when he travels to the United States, he indulges in the same institutions that he ridicules when he lives in Mexico. Similarly, in Pain we encounter the young and aspiring doctor, Juan Zamora. Zamora is an ambitious student who travels to the United States to further his education and learns that successful networking is the way to get ahead in American society. Zamora and Dionisio are both functions of their environment. When they are living in America, they are exhibiting an innate interconnectedness with society, and when they live in Mexico—quite the opposite; Zamora and Dionisio display traditional attributes which are stereotypical to that of the Mexican who lives in solitude. This essay will seek to dissect each character and describe how each utilizes his own respective “Mexican Mask” to acquire what he truly desires, and it will describe how each character’s personality fluctuates simply due to where he is geographically located.

Lope de Vega’s play touches upon several key components and ideas that were brought up in many of the other stories read throughout the semester. This included the role of gender and how men and women are viewed differently in the Spaniard town of Fuenteovejuna. Another topic included the importance of family, love, and relationships and their connection on loyalty, trust, and personal beliefs. The last major influence found in other literature and in Fuenteovejuna, were the political and religious references made throughout the play. Even though Lope de Vega didn’t make these views obvious, the reader could still pick up on their connotation and the references made towards these specific ideas. With all of this in mind, each of these