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Death And Violence In Ernest Hemingway's Interchapters

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December 8th, 1941. The Japanese formally declare war on the United States which provokes one of the most brutal and violent international conflicts in the world at its time, World War 2. It took eleven years for the two countries to come to terms with each other. Ernest Hemingway represents a world full of death and violence with his work of the Interchapters. Hemingway uses the Interchapters to show in a world full of death and violence the only way to overthrow it is to acknowledge its existence. Hemingway uses the Interchapters to demonstrate violence through international conflict, violence through entertainment, and violence through social prejudice. First, Hemingway portrays violence through international conflict. In the …show more content…

Secondly, Hemingway portrays violence through entertainment. Hemingway demonstrates violence through entertainment by bullfighting in arenas for the crowds enjoyment or the for the matador's satisfaction, the narrator reports,”The crowd shouted all the time and threw pieces of bread down into the ring, then cushions and leather wine bottles; keeping up whisling and yelling. Finally the bull was too tired from so much bad sticking and folded his knees and lay down and one of the cuadrilla leaned out over his neck and killed him with the puntillo. The crowd came over the barrera and around the torero and two men grabbed him and held him and some one cut off his pigtail and was waving it and ran away with it” (Chapter XI). This demonstrates violence through entertainment for the reason that the crowd is very enthusiastic with the bullfight by throwing bread and alcohol finally, someone kill it takes it tail to play with, he has no remorse for the bull. Occasionally with bullfighting the matador kills the bull purely for their own satisfaction, this is shown when a man takes on many bulls and happy for himself he exclaims,”We kills the savages’ bulls, and the drunkards’ bulls, and the riau-riau dancers’ bulls. Yes. We kill them. We kill them all right. Yes. Yes. Yes” (Chapter XIII). This demonstrates violence entertainment purely for the matador by recognizing how content he is when he kills a large amount of

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