Death, Be Not Proud by John Donne

When comparing “Death, be not proud” (John Donne) the most comparable poem was “Because I could not stop for death” (Emily Dickinson). These poems were obviously similar in using death as the topic however; they were also similar in their attitude toward death. Donne expresses that death isn’t as powerful as it thinks it is. Donne is saying that although Death (referring to death as a person) thinks he's something special, because he has the power to take life, really, he's not. Death isn’t special because he must take everyone whether they're kings or just regular men. So that means he's really a slave to every

Donne conveys how religion is a central idea through the use of many religious references throughout the holy sonnets. In ‘Death Be Not Proud’, Donne makes a religious reference to Jesus, ‘Die not, poore death, nor yet canst thou kill mee’, expressing how religion was an underlying theme when handling many issues. When the two texts are studied in alliance, it allows the responder to draw a better understanding of the themes presented in ‘W;t’. This theme, science VS religion, has been emphasised due to the contrasts between Vivian and Donne and their context.

The poem I chose to do a close reading essay on was, “Do Not Stand At My Grave And Weep” by Mary Elizabeth Frye. “Mary Elizabeth Frye (1905-2004) is an American poet who remains known today for a single poem-a sonnet of just twelve lines-but it may be the most popular poem in the English language. “Do not stand at my grave and weep” is a consoling Holocaust poem and elegy with an interesting genesis, since it was written by a Baltimore housewife who lacked a formal education and had quite never written poetry before, and certainly none of note” (The HyperTexts). The tone of this poem is comforting and helps people find comfort with the view of death. This poem uses a lot of imagery, metaphors, and symbolism. Frye’s, “Do Not Stand At My Grave And Weep,” is enlightening people how to handle a death of a loved one while using important parts of the theme such as tone, vocabulary, and overall meaning.

Death Be Not Proud by John Gunther was an astounding book. Granted, it was a bit depressing, but it was a great book because I could relate so closely to the author. The trial of a loved one going through cancer is something I can relate to. Fortunately, my story turns out a little bit better than Johnny’s did.

“What is equality?” one might ask. We all have different views on specific topics and can describe what something truly means to one’s self like in the 3 text, “I have a dream,” by Dr. Martin Luther King Jr (published; 8/28/1963, genre; narrative and argumentative), “If we must die,” by Claude Mckay (published; 1919, genre; narrative and lyric), & “Harrison Bergeron,” by Kurt Vonnegut Jr. (published; October 1961, genre; satirical & dystopian science-fiction short story). In all 3 texts the authors are giving their touch on equality. Equality can convey being treated the same when a colored and a white man/woman are next to each other as Dr. Martin Luther King Jr says. You can also see equality as Mckay who thinks it’s being on the same level of strength and worth as a white man being in the shoes of a colored man. Or equality can be being exactly the same in every way as anyone around you in every exact way in Vonnegut’s eyes. All these 3 authors have a particular view on how to answer “What is equality?” and we can compare their ideas.

Wit explores the post-modern nihilists perspectives of death then offers comparisons and contrasts of approaching morality. The title itself ‘W;t’ being a metaphysical paradox, alludes further connection towards the structure of Donne’s work both visually and verbally, the semi-colon is significant as it is a symbolic play on death and suggests the moment between life and death. The punctuation acts as a visual sign of ‘insuperable barriers separating life death and eternal life’. Further use of the extended metaphor of the semi colon is shown in the deliberate intertextual allusion made by Bearing of ‘And Death – Capital D – shall be no more – semicolon’. The deviation surrounding the use of ‘,’ or ‘;’ contrasts to illustrate shifting perceptions of death between the 17th to the 20th century with semicolon representing ultimatum while the coma representing continuation. Through the linguistic metaphor of ‘Death is nothing but a breath – a comma’ emphasises

In society, death is usually eyed with consternation. In “Meditation 17,” John Donne faces his own mortality, and sees how humanity is connected as a whole. John Donne uses several literary connotations like metaphors, similes, synecdoche, allusions/personification, and symbolism to establish themes in this work.

Claude McKay’s 1919 sonnet, “If We Must Die”, came at a time when African-American lives were conditional, and seemingly dependent on the actions of the white community. McKay’s choice to write his poem in the form of a Shakespearean sonnet, a form usually reserved for flowery love language, could be attributed to either establishing his worth as a writer to a community not so accepting of black writers and/or to use an easily understood format to convey the strong message of injustice within American society at the time. The times surrounding this poem was an era of hostility and racial tension, where the lives of black men were less valued than their white counterparts. McKay’s “If We Must Die” is reminiscent of a speech which rallies a group of soldiers going into battle. However, rather than soldiers, the audience is the African-American community dealing with their day-to-day lives.

John Donne’s diction, detail, point of view, metaphysical format, and tone used in “Holy Sonnet 10” convey both a feeling of cynical and domination, and also a sense of mockery of death. The effects on the reader include assurance and confidence in facing death.

In his first quatrain, Donne approaches “Death” as if it was standing in front of him. In a defiant tone, he tells him “Death be not be proud…” (1). He builds his defiance by telling “Death” that, in spite of what others may have told him, he isn’t “mighty” (2) or “dreadful” (2). The sarcasm climaxes as Donne tells “Death” the reality that those whom he thinks he has slain really aren’t dead, nor can “Death” slay this

This essay will address the theme of death in Shakespeare’s Sonnet 12 (1609) and George Herbert’s poem Virtue (1633). Both Shakespeare and Herbert explore notions of death in their poems, in terms of the tension between the psychical and the spiritual in a religious context. However, where they differ is that Shakespeare places emphasis on the importance of the corporeal, and of what is left behind on earth after death. In contrast, Herbert focuses on the impermanence of the physical, instead advocating a focus on the eternal life of the soul in heaven.

Donne uses personification to give death human characteristics and to challenge its power. This is conveyed to the reader in the following statement, “Death, be not proud, though some have called thee /Mighty and dreadful, for thou art not so;” (Donne 1-2). The tone and the way in which Donne is talking about death, seems like he is talking to a person, he tells death that it is neither powerful nor dreadful, and it has nothing to be proud of. Also he refers to death using the word “thou,” which means you, which shows that he is personifying death. His argument would not have been as strong without personification, because the personification makes it look like he is actually talking to someone.

Donne even goes so far as to command God to destroy the person he has

By making many references to the Bible, John Donne's Holy Sonnets reveal his want to be accepted and forgiven by God. A fear of death without God's forgiveness of sins is conveyed in these sonnets. Donne expresses extreme anxiety and fright that Satan has taken over his soul and God won't forgive him for it or his sins. A central theme of healing and forgiveness imply that John Donne, however much he wrote about God and being holy, wasn't such a holy man all of the time and tried to make up for it in his writing.

The central theme, introduced quite early within the poem, is the helplessness of death. Throughout the poem the speaker belittles death and approaches it with such bravery and poise. Donne confronts death by saying it is not in any regard “mighty and dreadful” (2), but rather brings “much pleasure” (7). Death is personified in the poem, and in this regard, possess no greater power over man. The speaker of the poem is Donne himself. He uses his literary tools of rhetoric and poetic devices to belittle death. Throughout the poem, the speaker comes across as being slightly arrogant, but he refuses to show weakness. His arrogance shows that he is not afraid of death as he demands death not to be proud. Donne takes the association of death and sleep, and reinvents this comparison to a greater effect. He describes sleep as being “pictures” (5) of death and death is no more different or more frightening. He extends this metaphor throughout the poem. In the second last line of the poem he