Death Foretold

Religion why exactly is it so important to the novel Chronicle of a Death Foretold by Gabriel Garcia-Marquez. Is it due to how society is shaped over the years around it or is the novel depend on the cultures and their specific religions.

In Gabriel Garcia-Marquez’s Chronicle of a Death Foretold, the concept of appearance versus reality is manifested in three of the major characters around whom the novel revolves. The surface impressions of Santiago Nasar, Angela Vicario, and Bayardo San Roman are deeply rooted in Latin culture; underneath the layer of tradition, however, lies a host of paradoxical traits which indicate the true complexity of human nature.

Gothic literature is a style characterized by multiple elements, such as fear, death, gloom, as well as romantic elements like nature, individuality, and high emotion. Magical realism, on the other hand, began as a painting style. It then evolved into the literary style associated with Latin America, which puts fantastic or mythical elements into otherwise realistic fiction. One of the most important elements of these genres is the setting of the stories. In The Fall of the House of Usher and House Taken Over, the setting creates atmosphere, reflects genre, and reflects characters.

Of the many literary devices used by writers to make their work more powerful and layered, symbolism is one of the most effective, and Gabriel Garcia Marquez’s Chronicle of a Death Foretold is a text that relies heavily on its use to develop its narrative. The novella recounts, in the form of a pseudo-journalistic reconstruction, the murder of Santiago Nasar in a small Colombian town in the mid 1900’s. Through the course of the novel, Marquez employs various symbols to reinforce key ideas, themes and techniques. This helps the novella break the monotony of a linear storyline and unfolds the plot in a unique way that compounds both effect and meaning.

One of the spookiest moments of my life, was exploring an abandoned warehouse and the door slammed shut, an entire flock of birds started to fly at me. This scenario is similar to the traits of Gothic Literature and Magical Realism because it is a description of the eerie setting and events. Gothic Literature and Magical Realism are similar because they both illustrate ideas of suspense and mystery throughout. Edgar Allen Poe’s “Fall of the House of Usher”is an example of Gothic lit because they have the people of the story have physiological problems and are going crazy.While Julio Cortazar’s “House Taken Over” is an example of Magical Realism because it takes place in a realistic setting that includes ordinary details of everyday life.

Gothic Literature is a literary device that originated in England in the late 18th century. This style of writing invokes fear and dread in the reader. Stories of Gothic Literature usually includes bleak or remote settings, characters who face psychological issues, or plots where weird events happen. On the other hand, Magical Realism is a literary genre that follows many cultural traditions of Latin America. This type of writing combines reality and fantasy to surprise the readers, but at the same time offers a view on human nature. Some characteristics of Magical Realism would be realistic settings that include details on everyday life or events, fantastic events with realistic characters and actions, and a supernatural feel where anything is possible.

This way of writing is based on the “rational view of reality” versus the “acceptance of the supernatural” (Moore). Magical realism is usually associated with contemporary Latin American fiction but it is also seen in the writings of authors from different countries (Lodge 114). The unexplained fantasy in these works is used to depict “historical convulsions and … wrenching personal upheavals” that can not be otherwise described adequately in a realistic fashion (Lodge 114). One of the best known magical realism novels is Gabriel Garcia Marquez’s One Hundred Years of Solitude. The best known magical realism short story author however, is Jorge Luis Borges. Although Latin American literature was predominantly written by males in the past, it is becoming more diverse now with the voices of females, homosexuals, and Jews.

The spookiest experience of my life was when i saw my grandmother sitting in her old chair after she died. This scenario is related to Gothic Literature and Magical Realism because it contains supernatural things like a ghost, a strange or scary plot, and a gloomy mood. Those two genres are similar because they both show dull and odd events throughout the stories. However, Oates’ “Where is Here”is an example of Gothic Literature because it contains a spooky and egear plot, an ambiguous ending, and tortured characters.While Julio Cortazar’s “House Taken Over” is an example of Magical Realism because it uses weird, strange plots that seem regular as if it were a part of daily life.

Magical realism is clearly present throughout Gabriel-Garcia Marquez's novel Chronicle of a Death Foretold.  Magical realism is the juxtaposition of realism with fantastic, mythic, and magical elements. A secondary trait was the characteristic attitude of narrators toward the subject matter: they frequently appeared to accept events contrary to the usual operating laws of the universe as natural, even unremarkable. Though the tellers of astonishing tales, they themselves expressed little or no surprise.

Characters are made to present certain ideas that the author believes in. In Gabriel García Márquez’s Chronicle of a Death Foretold there are many characters included that range from bold, boisterous characters to minuscule, quiet characters but one thing they all have in common is that they all represent ideas. Characters in the novel convey aspects of Marquez’s Colombian culture.

Knowledge is the information in which we perceive to be the truth of the world around us. However, all knowledge is susceptible to change depending of the bias of the character. Gabriel García Márquez demonstrates this issue in the novel Chronicle of a Death Foretold by exploiting the understanding of knowledge through fabula and syuzhet.

Magical realism is a genre that portrays both reality and fantasy. As defined by Faris (2004) in Ordinary enchantments, magical realism is a genre of writing that includes an irreducible element of magic and details that suggest phenomenon (Faris, 2004, p. 7). He describes the irreducible element as: “…something we cannot explain according to the laws of the universe as they have been formulated in Western empirically based discourse…” (Faris, 2004, p. 7). In Gabriel Garcia Marquez’s short story, The handsomest drowned man in the world, the facets of magical realism are rife. He uses magical realism to enchant the reader. The story is of a small cliff-side and coastal community

The “Metamorphosis,” by Franz Kafka, can be classified as magical realism when compared to “The Handsomest Drowned Man in the World,” by Gabriel García Márquez, using aspects of magical realism including realistic elements, magical elements, dark humor, and distortion of time.

Chronicle of a Death Foretold revolves around the reporting of the murder of Santiago Nasar by the author; Gabriel García Márquez, who operates under the pretense of impartiality and journalistic integrity to create a subdued commentary through his minor characters. Márquez provides commentary on sociopolitical controversies frequent in his portrayed Columbian culture by juxtaposition and periphrasis using minor characters such as Victoria Guzmán, Father Amador, and Colonel Lazaro Aponte. In this effect, Márquez preserves his façade of journalistic style and narrative of a chronicle while making a

"My personal impression is that he died without understanding his death" (Marquez 101). The above statement is stated by the narrator in Marquez's text. The novel, Chronicle of a Death Foretold tells the story of the narrator's return in a small Colombian town in the 1950's to resolve the details of the murder of his close friend, Santiago Nasar, who is a handsome and wealthy man, who is dead due to Anglea’s lies. Angela Viscario is a beautiful girl, who is not a virgin. She lies about Santiago taking her virginity, due to this false statement, her twin brothers Pedro and Pablo Viscario decide to kill him to restore the family's honor. In the book Chronicle of a Death Foretold by Gabriel Garcia Marquez, Santiago Nasar is a victim of murder