Death In Bram Stoker's Dracula

Lucy is the center of attention between the men in this group, “Why can’t they let a girl marry three men, or as many as want her” (Stoker 69), and because of this she is Dracula’s first target. She opens up more possibilities to Dracula.

In Dracula, Stoker portrays the typical women: The new woman, the femme fatale and the damsel in distress, all common concepts in gothic literature. There are three predominant female roles within Dracula: Mina Murray, Lucy Westenra and the three vampire brides, all of which possess different attributes and play different roles within the novel. It is apparent that the feminine portrayal within this novel, especially the sexual nature, is an un-doubtable strong, reoccurring theme.

Dracula is a novel written by Bram Stoker during the late 1800’s. The book starts out with Jonathan Harker, who is a smart young business man, who wants to travel to Count Dracula for a business ordeal. Many locals from the European area warned Jonathan about Count Dracula, and would offer him crosses and other trinkets to help fend against him. Mina, who is at the time Jonathans soon to be wife, visits to catch up with an old friend named Lucy Westenra. Lucy gives Mina an update on her love life telling her how she’s been proposed to by three different men. The men are introduced as Dr. Seward, Arthur Holmwood, and Quincey Morris. Unfortunately for her she will need to reject two of the men, and Lucy ends up choosing to marry Holmwood. Later on after Mina visits Lucy, Lucy starts to sleep walk, becomes sick, and then finds out she has bite marks on her throat. Due to this incident, another new character is introduced who happens to be Van Helsing. As the novel progresses, lady vampires are introduced and Lucy is eventually turned into one of the lady vampires as well. With the introduction of female vampires, the novel Dracula turns into a sexual and sensational novel by Bram Stoker. The female characters in the book are overly sexualized to where we can compare it to how women are viewed from back then in history to today’s world.

They went to her catacomb, when they found her they drove a wooden stake into her heart and soon followed it up with cutting her head off and filling their mouths with garlic. According to Van Helsing, this was the only known way to free Lucy's soul into heaven. Dracula was not stabbed with a wooden stake, nor was he decapitated. These were all the ways that we were led to believe that was the way you were to kill a vampire.

For example, the use of characterization Stoker uses when describing Dr. Van Helsing Leads us to believe that Dr. Van Helsing’s character is very intelligent, even-minded, well-educated,and has great instincts.Without Dr. Van Helsing’s intelligence or level head ,The fate of many characters would have been completely different. It’s because of Dr. Van Helsing that Mina and the others live to tell the story. When Mina was attacked by Dracula and forced to drink his blood,which made her “ Impure”. Dr. Van Helsing uses his intelligence and wit to change her fate. By listening to his instincts the doctor was able to help many people. But even he couldn’t help everyone. Lucy was one of those people. It was believed that Lucy had anemia,but in reality it was the loss of blood caused by Count Dracula that eventually killed her. Even though the doctors couldn’t save her life, something told Dr. Van Helsing that she wasn’t truly free. She was becoming the same thing that killed her, a vampire.By following his instincts, he was able to set her free and bring closure to those who loved her , As well as rid the world of another monster .

Lucy is clearly the most sexual female of the female characters and this description leads to the reader understanding the inappropriateness of the women being overtly sexual and in some ways them understanding the threats the ‘New Women’ possess. When dying Lucy is described as having a “voluptuous mouth” and her body to be “withering and quivering” once again the ‘New Woman’ is referred to as being very sexual and confident,

Dracula is a novel that indulges its male reader’s imagination, predominantly on the topic of female sexuality. When Dracula was first published, Victorian women’s sexual behaviour was extremely restricted by social expectations. To be classed as respectable, a women was either a virgin or a wife. If she was not either, she was considered a whore. We begin to understand once Dracula arrives in Whitby, that the novel has an underlying battle between good and evil, which will hinge on female sexuality. Both Lucy Westenra and Wilhelmina “Mina” Murray embody two-dimensional virtues that have been associated with female. They are both virgins, whom are innocent from the evils of the world and that are devoted to their men. Dracula’s arrival threatens those virtues, threatening to turn Lucy and Mina into the opposites, noted for their voluptuousness, which could lead to an open sexual desire.

Bram Stoker’s Dracula is a story of horror, suspense, and repulsion. The main antagonist, Count Dracula, is depicted as an evil, repulsive creature that ends and perverts life to keep himself alive and youthful. To most onlookers that may be the case, but most people fail to see one crucial element to this character. Dracula is a character that, though it may be long gone, was once human, and thus has many human emotions and motives still within him. Let us delve into these emotions of a historically based monster.

Bram Stoker’s Dracula does not follow the norm of the nineteenth century novels, that is, it is not written in a straightforward narrative but instead comprises of a collection of letters, journal entries and diary scrawls. Apart from that, it also includes a ship's log, numberless clippings from newspaper and also, a "phonograph diary.” This form of writing invariably helps in developing the “mystery” aspect of this horror novel since it either gives us no information about a particular thing or gives us information from various points of view so that it is impossible for the readers to come to one conclusion and they keep playing with different possibilities in their minds.

Lucy is not seen to be the ideal Victorian wife, “why can’t they let a girl marry three men or as many that want her”, due to her low morals and her naivety towards the way a women was expected to act it allowed Dracula to exploit her. Stoker presents Lucy in a way that would be shocking and unacceptable for a Victorian reader. Stoker insinuates that Lucy is fatherless because Stoker only refers to her father once in the book and it is in the past tense, “Lucy’s father, had the same habit he would get up in the night and dress himself”, even if Lucy’s father is alive it is clear that he has had minimal involvement and impact on Lucy’s life. Stoker could be suggesting that Lucy’s lack of a patriarch has meant that she has a desire and craving for one leading her to finding one where ever she could find it. When Dracula is removing blood from Lucy she is described as “half-reclining” Stokers use of this word suggests that Dracula is not forcing her or even restraining her, it implies that she is accepting what is taking place. Stoker goes as far as to imply that Lucy is enjoy the experience, “Her lips were parted… heavy gasps”, this is very sexually suggestive of a post climatic moment. It could be argued that at this moment she is conforming to the hierarchy of society by being submissive due to her possible positive “father complex” (created by Sigmund Feud and Carl Jung), so is therefore acting how a Victorian should by

Critical analysis of the novel reveals the themes of sexuality and the buried symbols held within the text. Due to feminism and sexual ideas presented in the book, the stories focus the attention on men who fall victims of the forbidden female pleasures and fantasy. From the setting of Dracula, Victoria Era, the novel encompasses all social prejudices and beliefs regarding the roles assigned to women and men. Men used to have enough freedom and lifted up to authority while women were suppressed socially. Bram Stoker uses the two women; Lucy Westenra and Mina Harker and Professor Van Helsing to express the ideal women should be and should not be in the ideal society. The dissenting opinion gives threat to the patriarchal Victorian society to end in ruins.

The characteristic that successfully saves her was her ability to continue to be strong and continue to control herself. Lucy, on the other hand, usually was weak and she didn’t even try to fight off Dracula. She often tries to not recollect the events that occurred between the two. In the end, Mina was able to actually go back to her old habits and be back into a pure state, while Lucy, sadly, was not able to. Lucy turned into a vampire, and as a vampire her terrible characteristics were more apparent than those of when she was pure. While Lucy was a vampire, he eyes were “unclean and full of hell-fire, instead of the pure, gentle orbs we knew” (222-223). Lucy was not only an active threat to children but her desires for the men of the land also posed an active threat. At one point, Dr. Seward recorded, “at that moment, the remnant of my love passed into hate and loathing; had she then been killed…” (223). Both Lucy and Mina get to a common phase of purity but since Lucy has a lack of self control and she has unexpected childish qualities, she eventually had to get back her qualities of innocence in her death.

In the 1993 version, Van Helsing refers to Lucy as "a willing recruit, a whore of darkness, a bitch of the devil."(Bram Stoker's Dracula). Also, Mina chooses whether to be with Dracula or with Jonathan. We wonder at the end whether she will choose to remain with Jonathan after Dracula's death.

The book describes how Lucy Westerna is a nice young woman and her best friend is Mina Murray. She is the first one to fall under Dracula’s spell. She is a good character because even though she got transformed into a Vampire she still tried to do everything that she could to help the others stop Dracula while she was not under Draculas spell, she was really cooperative with Dr. Van Helsing when he tried to hypnotize her to find out where Dracula was and that was a very important part in helping to stop Dracula because it was able to show them were Dracula was and helps them find out what he is trying to do at the time and she was not truly evil at heart like Dracula is. Eventually Lucy’s body returns back to normal with the help of Dr. Van Helsing and the others when they defeated Dracula.

As a result of the transformation, “Lucy represented the potential for women in this strict Victorian society to give into temptation” (Podonsky) and evolve their personalities from pure to evil. The three “weird sisters” (Stoker 71) represent the complete opposite of the ideal Victorian woman with erotic and sexually aggressive characteristics. They were described has having a “deliberate voluptuousness which was both thrilling and repulsive, and as she arched her neck and licked her lips like an animal…the moisture shining on the scarlet lips and on the red tongue…” (Stoker 55-56). This depicted a very subliminally sexual scene between Jonathan and the sisters portraying female dominance, aggression and prowess.