Death Of A Salesman Analysis

While the play primarily focuses on Willy’s dream, Death of a Salesman also observes Biff and his American Dream, which may be construed as the “right” one. Compared to his father’s, Biff’s dream is a simple one: own a ranch and labor in the countryside close to nature, happy and content. And yet as his father increasingly pressures him to pursue a dream more aligned to his own, Biff experiences an identity crisis of sorts, desperately seeking to please Willy by taking a job in business but always failing in his efforts. Eventually, he realizes that he cannot be his father, and, at Willy’s funeral, contrasts his earlier statement regarding Willy’s state of mind with one regarding his own person: “I know who I am, kid” (Miller 111). Though at the start of the play it was Willy who thought Biff lost, it is now the reverse. Willy, with his aspirations for renown and major success, found himself perpetually adrift in the world, struggling to make ends meet and maintain his family ties. And yet while Willy suffered at the hands of his American Dream, Biff prospered (although not monetarily) in his “proper” American Dream, experiencing true contentment in his craft. While Willy faced constant confusion and an almost bipolar personality disorder owing to his erroneous endeavors, Biff’s main insecurities and difficulties were those brought on by his father’s notion of success. In other words, Willy’s American Dream caused nothing but suffering for him and those he loved, while Biff’s American Dream would have allowed him peace of mind had it not been for his

While Biff is in some ways desperate to impress his father, he is also conscious about the fact that Willy has failed his attempt to be successful in his career. He considers his dad’s dreams materialistic and unreachable. As a matter of fact, in the Requiem, even after his father’s death, Biff says: “He had the wrong dreams. All, all wrong.” Unlike Happy and Willy, Biff is self-aware and values facts; Willy never was a successful salesman and he never wanted to face the truth. On the other hand, Biff is conscious about his failures and the weaknesses of his personality. During an argument with his father, Biff admits that his dad made him “so arrogant as a boy” that now he just can’t handle taking

Holden Caulfield is the protagonist in the novel “The Catcher in the Rye”. In the book Holden hears a quote “The mark of the immature man is that he wants to die nobly for a cause, while the mark of a mature man is that he want to live humbly for one” (Salinger 188) which he embraces as he matures throughout the story. Holden’s opinions of childhood and adulthood change as he grows through experience.

The relationship between Willy and Biff is complicated. Actually, Biff is everything for Willy. He doesn’t do well as a salesman anymore, so this situation makes him depressed but at least there is Biff. So Willy believes that Biff will reach the success and his dreams will become true. That makes him want Biff to take some responsibility, in other words this is a big pressure on Biff. “How can he find himself on a farm? Is that a life? A farmhand? In the beginning, when he was young, I thought, well, a young man, it’s good for him to tramp around, take a lot of different jobs. But it’s more than ten years now and he has yet to make thirty-five dollars a week!” says Willy and then Linda says “He is finding himself Willy.” Then Willy answers again “Not finding yourself at the age of thirty-four is a disgrace!” This shows how Willy mad at him because he thinks they couldn’t reach their dreams because of Biff. Willy says “Sure. Certain men just don’t get started till later in life. Like Thomas Edison, I think. Or B.F. Goodrich. One of them was deaf. I’ll put my money

In Theatre Mitu’s “hyper-theatrical” production of “Death of A Salesman” by Arthur Miller many aspects were added to heighten the messages and morals of the story about the American Dream. One major choice was the use of objects to signify characters as well as add to characters. Willy carried a empty, open briefcase. Linda carried a sun parasol. Biff carried football gear. All the other characters are objects themselves. Happ is a punching bag. Charley is a refrigerator door, and Bernard is a bug repellent light. The Women is a fan. Ben is a big light, and the waiter is a champagne bucket. Almost all of the characters excluding Biff, Willy, and Linda are recording voices which creates a degree of separation from the outside world. Happ is somewhere in between by being an actor with a microphone.

J. D. Salinger’s Catcher in the Rye features a complex narrative surrounding a troubled young student, Holden Caulfield. Difficulties he faces throughout the story force Holden to confront his fears of adulthood and maturation and the responsibilities therein through the difficulties he faces throughout the story. Academic controversy surrounds whether Holden learns from these confrontations and adjust accordingly, maturing throughout the story. While initially this seems rather subjective, a thorough analysis of Holden’s actions throughout the story as well as of the symbolism injected by Salinger makes it quite clear that Holden does undergo a significant maturity arc as the story progresses. Holden’s social development and maturation

Adolescence is often a confusing time where people still have elements of childhood, but they are beginning to enter the world of adults. People end up stuck between two points in life and feel that they can not quite fit into either. In J.D. Salinger’s novel The Catcher in the Rye, sixteen year old Holden Caulfield experiences the contradicting feelings of being a teenager while he is alone in New York City. He masquerades as an adult and his experiences represent various aspects of being an adult. He tries to act grown-up and engage in adult life, but at the same time he resists it and tries to hold onto the way things are. Salinger explores the image of adulthood using symbols. Symbols of adulthood hold for Holden a certain longing and resentment as he struggles with the turmoil of adolescence.

In J.D. Salinger’s The Catcher In The Rye, Holden Caulfield, a seventeen-year-old boy, transitions from childhood to adulthood. The death of Holden’s little brother signifies the beginning his loss of innocence and growth of maturity. As he enters adulthood, Holden views society differently from his peers by characterizing most of his peers and adults he meets as “phonies.” Thus, Holden takes the impossible challenge of preserving the innocence in children because he wants to prevent children from experiencing the corruption in society. The Catcher In The Rye embodies Holden’s struggle to preserve the innocence of children and reveals the inevitability of and the necessity of encountering the harsh realities of life.

Willy’s biggest issue with his son is that he let him down by not being any more successful than him. He feels like Biff is failing on purpose just to make him look bad. Although, he has no decent job and is single; Biff has become disoriented about life. Earlier in the play Biff tells Happy, “I tell ya Hap, I don't know what the future is. I don't know - what I'm supposed to want” (Miller266). Biff once looked up to his father as a role model, but lost all faith in him once finding out that he was having an affair. Ever since he has rejected Willy’s commitment of being a husband and also a father. To add to his ruins are Willy’s ideas of how Biff should get ahead in life. Willy taught Biff that popularity was the right way to get to the top, rather than hard-work and dedication. Trying to live by his dad’s standards caused Biff to fail high school and become unable to put forth the effort to become

One of the greatest American Literature writers, J.D. Salinger, was familiar with a rough childhood by experience. He was able to parallel his experiences to the experiences of Holden Caulfield, the protagonist in The Catcher in Rye. In this novel, Holden experiences conflicts that most youth are not familiar with. The conflicts in Holden Caulfield’s life are caused by various forces and circumstances.

J.D. Salinger’s The Catcher in the Rye presents a look into the mind of Holden Caulfield, a popular literary icon numerous teenagers have rightfully found themselves relating to at some point. While the familiar emotions of Holden were welcoming for me, his anecdotes and witty remarks proved entertaining as well. The story chronicles Holden’s exploration through New York post-expulsion, with his point of view influenced by his growing alienation with the world. He represents that growing sense of unease at growing up and facing a reality that is not always pretty, and, in his case, a need to save children from having to face that reality. I personally admired the fact that he was not just an angry teenager in the world as stereotypes suggest.

Holden Caulfield plays a timeless character in the sense that his way of life is common for the American teenager, in his time as well as now. Today parents dread the terrible and confusing adolescent years of their child's life. In J.D. Salinger's book, The Catcher in the Rye, Holden is in this terrible and confusing point of his life. At this point in his life, as well as in modern teenager's lives, a transition occurs, from child to adult. Holden takes this change particularly rough and develops a typical mentality that prevents him from allowing himself to see or understand his purpose in life.

He gives up on his dreams of being rich and prepares to return to a simple life he enjoys. Also being back home and building a stronger relationship with his father,makes him realize how he wants to help Willy. While Biff is speaking, he mentions why he gives up the idea of being successful.“BIFF: He walked away. I saw him for one minute. I got so mad I could’ve torn the walls down! How the hell did I ever get the idea I was a salesman there? I even believed myself that I’d been a salesman for him! And then he gave me one look and — I realized what a ridiculous lie my whole life has been! We’ve been talking in a dream for fifteen years. I was a shipping clerk.” (page 76). He believed this was his only chance of being rich so when his old boss didn’t recognize him , he knew he wasn’t gonna get anywhere . This is when he dumped the idea of being successful. Throughout most of the play, he procrastinates for a simpler life. So the acceptance of the thought of the American Dream not happening, works out well for Biff. A very important aspect through this play is the relationship between Biff and Willy. Biff saving Willy from suicide shows just how much he want to help his father. In act 1 page 51 :Willy [staring through the window into the moonlight]: “Gee, look at the moon moving between the buildings!” [biff wraps the tubing around his hand and quickly goes up the stairs.]This shows biff wanting to protect Willy because he removed the tubing willy was using to try and kill himself, something Linda was telling him about in the beginning of the book. While helping his father Biff also realizes that he is ready to return to a simple life he enjoys. In act 1 pages 13 and 14, Biff even invites his brother Happy to live with him out West to start up a ranch and speaks about it with enthusiasm.Biff says to Happy, “ Why don't you come out West with me?... mabe we could buy a ranch.Raise cattle, use our

Biff has taken on only his fathers which makes him think that since he's good looking he'll be fine in life. Later in the play he starts to realize that Being well liked and his first handsome won't make you succeed in life. he realizes that he and his father are failures. His first realization of this is when he goes to boston to tell his father that he failed math. What he finds scares him for the rest of his life. he finds Willy in a hotel room with another women. he then realizes that willy loman is no super hero he is a fake,”You fake! You phony little fake! You fake!” (Miller act II 95). This is where Biff's life spiraled downward. he gave up on going to college for football. he just didn't try to do anything anymore. But even after this he still lives by his father's philosophy, if you're well liked and handsome life will go your

After that, Biff "laid down and died like a hammer hit him "(1392). Biff had never dreamed for himself, being concerned only with fulfilling his father's wishes. When Biff realized that Willy was not the great man that he thought he was, his dreams became nothing to him, as had his father. And so, Biff became a drifter, living only on a day to day basis. Lastly, Biff is the only character who achieves any real growth in the play. Throughout the play Linda has remained static, always steadfastly supporting Willy, and believing he is incapable of flaw. At Willy's funeral, Happy says, "I'm gonna show you and everybody else that Willy Loman did not die in vain. He had a good dream. It's the only dream you can have-to come out number-one man. He fought it out here, and this is where I'm gonna win it for him"(1415). His father died deluding himself, and apparently Happy is going to do the same. It is only Biff who realizes "[Willy] had all the wrong dreams. All, all, wrong…The man never knew who he was"(1415). Biff has accepted the fact that he was not meant to be a salesman and must seek another path in life. Having made these observations, it quickly becomes clear that Biff's character is as vital to the play as is Willy's. Without Biff there would be no play. Therefore, Biff's role in "Death of a Salesman" is important because he is the focus of Willy's attention and distress, his own conflict is