Death Of A Salesman By Arthur Miller

In Death of a Salesman, by Arthur Miller, Willy Loman’s life seems to be slowly deteriorating. It is clear that Willy’s predicament is of his own doing, and that his own foolish pride and ignorance lead to his downfall. Willy’s self-destruction involved the uniting of several aspects of his life and his lack of grasping reality in each, consisting of, his relationship with his wife, his relationship and manner in which he brought up his children, Biff and Happy, and lastly his inability to productively earn a living and in doing so, failure to achieve his “American Dream”.

In Arthur Miller’s Death of a Salesman, Biff Loman silently questions his ability to fulfill his father’s wishes. His father, Willie Loman, holds high expectations for Biff’s future and constantly brags to others about how successful Biff will be. Out of respect for his father, Biff conforms to the path that Willie has planned for him. In the beginning, Willie lives vicariously through his son, Biff, who has no choice but to conform in order to preserve father-son respect. However, when the mutual respect that his father holds so dear dissolves, Biff’s concealed questions expand their influence from his thoughts to his actions as Biff becomes his own man.

Biff Loman is portrayed as the root of Willy’s mental illness and instability. He is also the only member of his family who acknowledges his own failures in life. On the whole, Biff Loman stands out as the most intriguing and strong character in “Death of a Salesman. He is not a successful man and never will be, he is however able to admit this, even in a harsh society as the one of the 1960s America. Biff knows he is a “nothing” and tries to make his father see that he is “no good. I am a dime a dozen, Pop, and so are you.” He begs for Willy to communicate with him and accept him for who he is. Although Willy is forced by Biff to see some of his own failures, he never

The relationship between Willy and Biff is complicated. Actually, Biff is everything for Willy. He doesn’t do well as a salesman anymore, so this situation makes him depressed but at least there is Biff. So Willy believes that Biff will reach the success and his dreams will become true. That makes him want Biff to take some responsibility, in other words this is a big pressure on Biff. “How can he find himself on a farm? Is that a life? A farmhand? In the beginning, when he was young, I thought, well, a young man, it’s good for him to tramp around, take a lot of different jobs. But it’s more than ten years now and he has yet to make thirty-five dollars a week!” says Willy and then Linda says “He is finding himself Willy.” Then Willy answers again “Not finding yourself at the age of thirty-four is a disgrace!” This shows how Willy mad at him because he thinks they couldn’t reach their dreams because of Biff. Willy says “Sure. Certain men just don’t get started till later in life. Like Thomas Edison, I think. Or B.F. Goodrich. One of them was deaf. I’ll put my money

The father-son conflict between Willy and Biff is complex. First of all, there is a strong personal attachment. He wants Biff to love him. He remembers the fondness shown for him by Biff as a boy, and he still craves this. At this point, however, relations are strained. Although Willy shies away from remembering so painful an episode, he knows in his heart that his affair with the Boston woman left the boy bitterly disillusioned. Feeling some sense of guilt, Willy fears that all of Biff’s later difficulties may have been really attempts to get revenge. In other words, Biff failed to spite Willy. Although outwardly resenting such alleged vindictiveness, Willy still wants to get back the old comradeship, even if he has to buy it dearly. For instance consider when he asked Ben, “Why can’t I give him something and not have him hate me?” and his final moment of joy and triumph occurs when he exclaims, “Isn’t that remarkable? Biff… he likes me!”

Every respectable parent wants what is best for their children, even if that means putting their personal dreams on hold. Unfortunately, parents can negatively affect their children through, not only their actions, but also their beliefs onto how to achieve their dreams. The damaging effects of parents chasing unrealistic dreams, such as the American Dream, can be seen through their children and how they chase their own dreams. Biff Loman of Death of a Salesman by Arthur Miller and Walter Younger of A Raisin in the Sun by Lorraine Hansberry watch their parents fight for their dreams only to become a failure, Biff is pulled into his father’s delusional dreams of success and Walter lacks the proper role models to shape his dreams around,

Since the beginning of its time, America has set a global standard for offering chances at prosperity and career opportunities for qualified adults. Its people have been implicating the idea of the “American Dream” into its culture for many years and has become widely recognized by individuals all across the world. People pack up their lives and families to travel to American soil to try at a chance of a better life, and in doing so, they too venture on a path to achieving this so commonly understood “American Dream.” Arthur Miller, a well-known literary writer in America, seems to disagree with this national phenomena, offering a different view in his play Death of a Salesman. In this play, he demonstrates through the life of an average

Willy’s biggest issue with his son is that he let him down by not being any more successful than him. He feels like Biff is failing on purpose just to make him look bad. Although, he has no decent job and is single; Biff has become disoriented about life. Earlier in the play Biff tells Happy, “I tell ya Hap, I don't know what the future is. I don't know - what I'm supposed to want” (Miller266). Biff once looked up to his father as a role model, but lost all faith in him once finding out that he was having an affair. Ever since he has rejected Willy’s commitment of being a husband and also a father. To add to his ruins are Willy’s ideas of how Biff should get ahead in life. Willy taught Biff that popularity was the right way to get to the top, rather than hard-work and dedication. Trying to live by his dad’s standards caused Biff to fail high school and become unable to put forth the effort to become

Husbands and wives assume a vow of support for one another as they embark on a lifelong journey together through the ups and the downs. In Arthur Miller’s play Death of a Salesman, the main character, Willy Loman, is an aged and failing salesman attempting to provide for his family without asking for help from anyone. His wife, Linda Loman, is one of the most intelligent and levelheaded characters in the play. Although her husband treats her poorly at times, she ceaselessly supports him and does everything in her power to ensure his happiness. Linda understands Willy’s declining mental health and knows that he is becoming less stable each day. Through her continued support of Willy and his unrealistic aspirations, Linda allows Willy’s mental decline to continue without attempting to keep him in check with reality. By ignoring Willy’s mistakes, failures, and blatant suicide attempts, Linda permits Willy’s disconnect from reality to continue until she is freed by his eventual death.

Willy’s clear-cut expectations of his son can be evidently seen even in the early stages Biff’s life, which end up creating a lot of tension between Willy and Biff when Biff doesn’t meet his father’s expectations. Even when Biff is an adult and still hasn’t become successful in his father’s eyes, Willy’s expectations persist, as in a heated argument between the two Willy tells grown-up Biff that “the door of [Biff’s] life is wide open!” (132). Even though Biff will clearly never become successful in his father’s eyes, Willy still forces his unreasonable expectations on Biff, creating hostility between the two. Although Biff initially attempts to fulfill his father’s definition of success by working as a shipping clerk, Biff realizes that he will never fulfill his father’s unrealistic expectations: “Pop, I’m nothing!

This modernized tragedy, Death of a Salesman, illustrated the last days of life for poor Willy Loman. Realistic dramas, emotionally, physiologically, and spiritually, this action-filled play occurred in the present. When the play goes back into the past, it makes the audience feel as if they have drifted into the past, almost like a dream. In some of the scenes, Biff and Happy appeared as if they are in high school, but only their father, Willy, can see them. This method is often referred to as using a flashback. Using this “flashback” method, Willy’s older son, Ben, makes an appearance as well, and this is whom Willy turns to for advice and talks to when he becomes lonely. This play is not only complicated because it goes back and forth from the present and past, but because it shows all the betrayal in Willy’s life and all of the lies he told. As a woman, it is easy for us to point fingers at Willy and say that it is all his fault, but that is just a feminist point of view.

In Arthur Miller’s play, “Death of a Salesman”, Biff Loman demonstrates a change in character through his relationship with his father, Willy Loman.It is with the fall of Willy that Biff rises as a character despite not being sure of his identity. Biff realizes that the pointless direction his life is taking, is caused by his father.For example, Biff left Texas because after being influenced by his father so much, he, like Willy, believed he was wasting his life.It wasn’t until later on in the play that Biff became aware of his actions and decided to change his ambitions and way of thinking. It was because he left Texas to return back home that Willy believes that Biff is letting his potential go to waste and that he has no idea on what to

What is the "American Dream?" How does one define success? Many people hold different views on how to obtain true happiness. One common view is the accomplishment of something yearned. A majority of individuals desire love, compassion, and a family. On the other hand, there are those concerned with self-image, material items, and the fact that money can indeed buy true happiness. In Arthur Miller 's play DEATH OF A SALESMAN [published by Ted Buchholz (1993)]--the story of a sixty-three year old man named Willy Loman striving to achieve the "American Dream" and his family who suffer as a cause--contains many examples of trying to achieve material success. Willy 's ultimate dream concerns following in his brother Ben 's footsteps and rising to be a successful salesman. Willy Loman wanted success so badly that he lost a realistic sense of himself. He wished the same for his sons, Happy and Biff. Yet his struggle for popularity, authority, and money for success caused his downfall. Unfortunately for Willy, most of his dreams were illusions. He was unable to come face to face with this fact. Willy Loman 's definition of success warped his view of himself and that of his sons.

As though to recreate the connection in life, literature often shows the relationship between past events and a character’s present actions and values. In Arthur Miller’s Death of a Salesman, Willy is haunted by memories of his older brother, father, and salesman Dave Singleman. Willy’s character and values are constantly influenced by the memory of the three men, compounding upon his deliria throughout the play. Willy considers these men the epitome of success, thus explaining his dependency on all three. Miller’s view on society, men, and the success of the American Dream are portrayed through Willy’s interactions with the men. The American Dream is synonymous with the phrase “the world is your oyster,” but Miller uses Death of a Salesman to criticize the American Dream through Willy Loman and his interplay between the past and present.

What is the correct definition of tragedy anyways? Many people would define tragedy as a disaster, but according to the book The Cambridge Guide to World Theatre by Martin Banham, the word tragedy is “a word whose meaning changes with time and place” (1002). In Medieval times, “tragedy came to mean the downfall of a person of high degree” (Banham 1002), but in recent times, the meaning of the word tragedy has many definitions. According to Banham, “realists refused to limit tragedy to privileged protagonists” (1002). Two famous tragic plays that I found to have a genre of tragedy are Death of a Salesman by Arthur Miller and Eurydice by Sarah Ruhl. In both of these plays, the downfall was not of a person of high degree but there was a