Death Of A Salesman: Illusion In An American Tragedy Essay

How can two people watch or read the same story and yet, interpret it completely differently? Does it have to do with the author’s intentions, or maybe it has to do with the viewers’ own backgrounds and ideologies? Whatever the case may be, viewing one piece of work can lead to a wide array of opinions and critiques. It is through the diversity of such lenses that Death of a Salesman, by Arthur Miller has become one of the most well-known plays in modern history. There are many different ways in which a play can be criticized, however, criticisms from the approaches of a Marxist and reader-response will be utilized to further dissect Death of a Salesman. Marxist criticism sees pieces of works as a struggle between different socioeconomic classes; what better way to see Miller’s play than for what it is at face value, the struggle of a middle-class man trying to achieve the American dream (1750). On the other hand, a reader-response criticism comes from either an objective or subjective view; in this case Death of a Salesman will be viewed with a subjective lens based on Willy’s deteriorating mental health (1746).

In “Death of a Salesman” by Arthur Miller, in the Act I, the author emphasizes the relationship between Willy and Linda in different ways by showing the love of Linda towards Willy and how she admires him. And also, she always shows her patient when Willy gets angry easily. The relationship between Willy and Biff is different from the past. Willy’s relationship with Biff is complicated. Biff is everything for Willy and Biff believed that Willy is the greatest father in the world, but in the present Biff doesn’t think like that anymore.

The play, Death of a Salesman by Arthur Miller, takes issue with those in America who place too much stress upon material gain, at the expense of other, more admirable human values. Miller uses flashbacks to provide exposition, to foreshadow the upcoming tragedy, and most importantly to reveal character traits. An analysis of the main character, Willy Loman, illustrates the underlying theme that the concern over material success breaks down the bonds between men that form the basis of a smooth-functioning society.

In 1949, Arthur Miller wrote a play called “The Death Of a Salesman”. This play is known for its compelling view on the mind of the middle class working man. The characters in “The Death of a Salesman” all have various dimensions of development throughout the story. These characters can all be seen as components one collective mind using Sigmund Freud’s psychoanalytic theory; the Oedipal, Id, Ego, and Superego. These characters all strive for success by way of the American Dream and all of it’s inconsistent factors and betrayal that personify it so well.

The line between reality and illusion is often blurred in Arthur Miller’s play, Death of a Salesman. Whether it is incorporated in the content or the actual structure, this struggle between recognizing reality from illusion turns into a strong theme; it eventually leads to the downfall of Willy and his family. Willy is incapable of recognizing who he is, and cannot realize that he, as well as his sons, is not capable of being successful in the business world. Happy and Biff both go through some battle between reality and illusion that cause a collapse in some part of their lives. The line between Willy’s flashbacks and current time also send him into turmoil when he cannot distinguish between the two.

The story ‘Death of a Salesman’ written by Miller focuses on a man doing all he can to allow him and his family to live the American dream. Throughout the story it is shown how the Loman’s struggle with finding happiness and also with becoming successful. Throughout their entire lives many problems come their way resulting in a devastating death caused by foolishness and the drive to be successful. Ever since he and his wife, Linda, met she has been living a sad and miserable life, because she has been trying support his unachievable goals. Also by him being naïve put his children’s lives in jeopardy and also made them lose sight of who they really were. Miller uses the Loman family to show how feeling the need to appear a certain way to the public and trying to live a life that is not really yours can turn into an American nightmare.

"Death of A Salesman," by Arthur Miller, is a play that tells the story of a traveling salesman, Willy Loman, who encounters frustration and failure as he reflects on and experiences his own life. Willy's quest for the American Dream leads to his failure because throughout his life, he pursues the illusion of the American Dream and not the reality of it. His mindset on perfection, his obsession with success, and his constant reminiscence of the past and foretelling of the future, all contribute to his defeat in the end.

From sudden death, to catching a loved one in an affair, what effect does tragedy hold on a person? Hamlet from Shakespeare’s Hamlet, and Biff Loman in Arthur Miller’s Death of a Salesman both experience life changing tragedy. Hamlet’s father died and his mother remarried to his uncle Claudius within two month of his father’s death. Hamlet is also compelled to avenge his father’s death and against his will he must kill King Claudius. In Death of a Salesman, Biff Loman struggles with the knowledge of his father’s affair, and his lack of success in life. On top of that he finds out that his father is in a state of mental decay. With the effect of tragedy how do Hamlet and Biff measure up through influence, relationships, and emotions?

In the play Death of a Salesman by Arthur Miller, Willy is both sympathized with and looked down upon throughout the story. Willy is a very complex character with problems and faults that gain both sympathy and also turn the reader off to him. Willy Loman is both the protagonist and the antagonist, gaining sympathy from the reader only to lose it moments later.

A major theme and source of conflict throughout Miller's play, Death of a Salesman, is the Loman family's inability to distinguish between reality and illusion.  This is particularly evident in the father, Willy Loman.  Willy has created a fantasy world for himself and his family.  In this world, he and his sons are men of greatness that "have what it takes" to make it in the business environment.  In reality, none of them can achieve greatness until they confront and deal with this illusion.

Arthur Miller wrote many plays in his time, but one in particular, written in 1947 and directed in Beijing in 1983, was the “play that established him as a great American playwright” called “Death of a Salesman”. This play was about the difference between a New York family’s life in reality and what they dreamed it would be. An old man, by the name of Willy valued popularity and his friends way more than skills or even a real personality. His goal was to die a man that had all of these things, and he ends up killing himself in the end. Miller’s goal was to “take the audience on an internal journey through the mind, memories, fears, anxieties of his central character.” “Death of A Salesman” has been very popular for over a decade, performed internationally, and was even produced into movies (Kristofoletti). Many people remember this play because of how inspiring it was, also because it did not compare to any other of the ones he had ever written.

"After all the highways, and the trains, and the years, you end up worth more dead than alive," (Miller, 98). This quote was spoken by the main character of the Arthur Miller play Death of a Salesman: Willy Loman. This tragedy takes place in Connecticut during the late 1940s. It is the story of a salesman, Willy Loman, and his family’s struggles with the American Dream, betrayal, and abandonment. Willy Loman is a failing salesman recently demoted to commission and unable to pay his bills. He is married to a woman by the name of Linda and has two sons, Biff and Happy. Throughout this play Willy is plagued incessantly with his and his son’s inability to succeed in life. Willy believes that any “well-liked” and “personally attractive

  In Arthur Miller’s Death of a Salesman, Willy is depicted as living in his own world. The play centers around the end of Willy’s life, when the real world comes crashing through, ruining the false reality he had created for himself and his family. Throughout the play, Willy Loman uses the concept of being well liked to build a false image of reality, as shown through his teachings to his son, what he considers successful, and his reasoning for committing suicide.

Truth and illusion are utilized in Tennessee Williams “Streetcar Named Desire” and Arthur Miller's “Death of a salesman” through the use of the character; to lead the reader to a possible conclusion on the beliefs that went into the American dream that prompted people to work hard was that america was the land of opportunity while in fact that opportunity is used to manipulate those who follow this dream something that is most evidently shown in Millers main character Willy and to put forward a essential criticism of the materialistic

Modern domestic tragedies began between the late 19th century and feature ordinary people to be the heroes/anti-heroes unlike Greek tragedies in which the protagonist was of high status or noble birth. “Death of a Salesman” by Arthur Miller is a classic example of this and features the anti-hero Willy showing the audience how his perfect family lifestyle has falling apart contributing to the disorder of his world which increases as his mind slowly deteriorates.