Death Of A Salesman

How can two people watch or read the same story and yet, interpret it completely differently? Does it have to do with the author’s intentions, or maybe it has to do with the viewers’ own backgrounds and ideologies? Whatever the case may be, viewing one piece of work can lead to a wide array of opinions and critiques. It is through the diversity of such lenses that Death of a Salesman, by Arthur Miller has become one of the most well-known plays in modern history. There are many different ways in which a play can be criticized, however, criticisms from the approaches of a Marxist and reader-response will be utilized to further dissect Death of a Salesman. Marxist criticism sees pieces of works as a struggle between different socioeconomic classes; what better way to see Miller’s play than for what it is at face value, the struggle of a middle-class man trying to achieve the American dream (1750). On the other hand, a reader-response criticism comes from either an objective or subjective view; in this case Death of a Salesman will be viewed with a subjective lens based on Willy’s deteriorating mental health (1746).

At one point in the play, Willy says, “Biff is a lazy bum”(16). Moments later in the same conversation with Linda, Willy adds, “There’s one thing about Biff, he’s not lazy”(16). Even when confronted by his boys, Willy is unable to deal with the truth, that his sons won’t amount to very much at all. He ignores reality very well, and instead of pointing out that Biff hasn’t established himself yet, Willy tells Biff, “You’re well liked, Biff….And I’m telling you, Biff, and babe you want…”(26). The boys are clearly aware of their status and the status of their father, and Happy is found putting Willy’s personality in a nutshell, “Well, let’s face it: he’s [Willy] no hot-shot selling man. Except that sometimes, you have to admit he’s a sweet personality”(66). Obviously, Willie’s failure to bring up his children effectively, and his delusional thinking including denial of reality helps fortify his depleting condition and confusion.

A common occurrence in the play is Willy constantly alternating between past and present, shown by the numerous times where he is living his past and believes it is happening in the present. This mental condition pertains to bipolar II disorder, where Willy suffers from delusions and hallucinations in extreme forms causing racing thoughts (An EMS Guide…). Not only does it reflect the complications of his bipolar disorder, it shows that his tangential thinking is out of his control, as he imagines “sounds, faces, voices, [that] seem to be swarming upon him” (Miller 136). This indicates that Willy as a character cannot differentiate his own thoughts from reality, which concerns his family to a point of guilt, shown when Happy says “[s]omething’s happening to [Willy]… [h]e talks to himself” (Miller 21). Not to mention, hallucinations are similar to conditions for posttraumatic stress disorder, specifically when the victim experiences a vivid recall to an event (Gurevich). In particular, at one point Willy constructs Ben’s persona indicating the madness dwelling in Willy’s mind. He then tries to relate the idea of success with Ben’s achievements when explaining “[Ben] was rich… [t]hat’s just the spirit I want to imbue [my children with]” (Miller 52). In doing so, Willy feeds false hope from his past into his children since he fails to

The relationship between Willy and Biff is complicated. Actually, Biff is everything for Willy. He doesn’t do well as a salesman anymore, so this situation makes him depressed but at least there is Biff. So Willy believes that Biff will reach the success and his dreams will become true. That makes him want Biff to take some responsibility, in other words this is a big pressure on Biff. “How can he find himself on a farm? Is that a life? A farmhand? In the beginning, when he was young, I thought, well, a young man, it’s good for him to tramp around, take a lot of different jobs. But it’s more than ten years now and he has yet to make thirty-five dollars a week!” says Willy and then Linda says “He is finding himself Willy.” Then Willy answers again “Not finding yourself at the age of thirty-four is a disgrace!” This shows how Willy mad at him because he thinks they couldn’t reach their dreams because of Biff. Willy says “Sure. Certain men just don’t get started till later in life. Like Thomas Edison, I think. Or B.F. Goodrich. One of them was deaf. I’ll put my money

The father-son conflict between Willy and Biff is complex. First of all, there is a strong personal attachment. He wants Biff to love him. He remembers the fondness shown for him by Biff as a boy, and he still craves this. At this point, however, relations are strained. Although Willy shies away from remembering so painful an episode, he knows in his heart that his affair with the Boston woman left the boy bitterly disillusioned. Feeling some sense of guilt, Willy fears that all of Biff’s later difficulties may have been really attempts to get revenge. In other words, Biff failed to spite Willy. Although outwardly resenting such alleged vindictiveness, Willy still wants to get back the old comradeship, even if he has to buy it dearly. For instance consider when he asked Ben, “Why can’t I give him something and not have him hate me?” and his final moment of joy and triumph occurs when he exclaims, “Isn’t that remarkable? Biff… he likes me!”

In the play “Death of a Salesman”, by Arthur Miller, the primary theme can be seen as a conflict between man and society. In which the ambition to achieve the “American Dream” controls the life of Willy Loman and the influences he has. When success is not reached, sends Willy’s mind on a mental ride.

Willy’s pursuit of idealism in his life was extremely unrealistic and eventually prevented him from having the ability to see the truth in life. He spent his whole life trying to provide for his family. He wanted the life of a salesman. To be well-liked and have a massive funeral when he dies. The reality is that he spent his whole life pursuing unrealistic dreams based on negative personal values. Willy himself points out that he’s “worth more dead than alive.” It’s quite tragic that Willy believes he has to kill himself to feel that he is worth something to his family. The reality of the situation is that his death is in vain. The Loman’s only had one more payment left on the house, and don’t actually need the money anymore. But in his blinded illusion, Willy cannot see through or cope with his failure. This causes him to believe that he is worth nothing more alive and kills himself to enable his family to collect his life insurance money.

Willy’s biggest issue with his son is that he let him down by not being any more successful than him. He feels like Biff is failing on purpose just to make him look bad. Although, he has no decent job and is single; Biff has become disoriented about life. Earlier in the play Biff tells Happy, “I tell ya Hap, I don't know what the future is. I don't know - what I'm supposed to want” (Miller266). Biff once looked up to his father as a role model, but lost all faith in him once finding out that he was having an affair. Ever since he has rejected Willy’s commitment of being a husband and also a father. To add to his ruins are Willy’s ideas of how Biff should get ahead in life. Willy taught Biff that popularity was the right way to get to the top, rather than hard-work and dedication. Trying to live by his dad’s standards caused Biff to fail high school and become unable to put forth the effort to become

Ever since Biff walked into the affair between Willy and “The Woman”, Biff hasn’t been able to speak and look at his father the same; this causes Willy to think that Biff hates him. Also, Willy could still be upset about how he may ruined Biff’s chance of going to summer school for his failing subject. From there, Biff could’ve gone to college and become more successful than his father. Willy becomes happier when Biff attempts to talk to Bill Oliver because he wants him to be the successful man that he could’ve been before.

In Death of a Salesman, by Arthur Miller, the contrast between expectation and reality has a crucial role throughout the play. One day, before going to work, Willy expresses a desire to his wife to retire to the countryside and start a farm. However, in doing so, Willy creates the unrealistic expectation of retiring to start a farm when his current circumstances wouldn’t allow him to do so. This moment is emblematic of the play as a whole because it exemplifies the recurring theme of reality falling short of unrealistic expectations.

From sudden death, to catching a loved one in an affair, what effect does tragedy hold on a person? Hamlet from Shakespeare’s Hamlet, and Biff Loman in Arthur Miller’s Death of a Salesman both experience life changing tragedy. Hamlet’s father died and his mother remarried to his uncle Claudius within two month of his father’s death. Hamlet is also compelled to avenge his father’s death and against his will he must kill King Claudius. In Death of a Salesman, Biff Loman struggles with the knowledge of his father’s affair, and his lack of success in life. On top of that he finds out that his father is in a state of mental decay. With the effect of tragedy how do Hamlet and Biff measure up through influence, relationships, and emotions?

Later in a flashback, Willy and Biff are on their way to Ebbets Field for a football game when Charley appears and beings a conversation with Willy. Merely joking around, Charley makes a few comments which Willy takes great offense too and beings insulting Charley and telling him to put his hands up as if to fight. Willy's arrogance shows it's face once again when Willy is talking to Biff about his meeting with Oliver. Completly ignoring what Biff is saying, Willy goes on about how good of a kid Biff is and how impressive he is. Though not directly insulting, Willy ignores what his son has to say and goes off on his own tangents, losing the respect of the reader. Willy then ends up in another flashback in the bathroom of the restauraunt where he met Happy and Biff for dinner. The most disgusting part of Willy is revealed here. Biff walks in on Willy and his woman friend whom hes had a secret relationship with. Willy attempts to cover it up and when that doesnt work he orders Biff around and shows how bad of a person he can be.

In Death of a Salesman, author Arthur Miller, presents the Lomans, a dysfunctional family. The father of the Lomans, Willy, is the main character of the story. I feel like Willy is the true tragic hero. The definition of tragedy has changed over the course of time with its origins dating back as far as 350 BC, when the Greek philosopher Aristotle introduced the concept of hamartia, a man's fatal flaw. Arthur Miller took Aristotle’s teachings into consideration when writing Death of a Salesman, especially the elements of a tragic hero.

This is what Willy has been trying to emulate his entire life. Willy's need to feel well-liked is so strong that he often makes up lies about his popularity and success. At times, Willy even believes these lies himself. At one point in the play, Willy tells his family of how well-liked he is in all of his towns and how vital he is to New England. Later, however, he tells Linda that no one remembers him and that the people laugh at him behind his back. As this demonstrates, Willy's need to feel well-liked also causes him to become intensely paranoid. When his son, Biff, for example, is trying to explain why he cannot become successful, Willy believes that Biff is just trying to spite him. Unfortunately, Willy never realizes that his values are flawed. As Biff points out at the end of the play, "he had the wrong dreams."

It is known that in literature, a tragedy is one of the most popular genres. It always combines some story which discusses human sufferings with a certain sense of audience fulfillment. The roots of the tragedy are related to ancient Greece. A Greek tragedy is a sad story, which represents a character with a tragic flaw leading to his downfall. In addition, in traditional tragedy, the main character falls from high authority and often it is predetermined by fate, while the audience experiences catharsis (Irving 247). Arthur Miller’s play Death of a Salesman is considered to be a tragedy because this literary work has some of the main characteristics of the tragedy genre. In this play, the main character Willy Loman possesses such traits and behaviors that lead to his downfall, and the audience experiences catharsis. Willy Loman as a real tragic hero comes to the decision to commit suicide because of serious financial problems of his family (Moseley). This play has already been criticized by a number of literary critics who represented different opinions on the plot of the book. The major goal of this paper is to critically evaluate the play Death of a Salesman written by the well-known American writer Arthur Miller, paying special attention to the play’s characteristics of a tragedy.