Death of a Salesman - Materialism & Alienation

How can two people watch or read the same story and yet, interpret it completely differently? Does it have to do with the author’s intentions, or maybe it has to do with the viewers’ own backgrounds and ideologies? Whatever the case may be, viewing one piece of work can lead to a wide array of opinions and critiques. It is through the diversity of such lenses that Death of a Salesman, by Arthur Miller has become one of the most well-known plays in modern history. There are many different ways in which a play can be criticized, however, criticisms from the approaches of a Marxist and reader-response will be utilized to further dissect Death of a Salesman. Marxist criticism sees pieces of works as a struggle between different socioeconomic classes; what better way to see Miller’s play than for what it is at face value, the struggle of a middle-class man trying to achieve the American dream (1750). On the other hand, a reader-response criticism comes from either an objective or subjective view; in this case Death of a Salesman will be viewed with a subjective lens based on Willy’s deteriorating mental health (1746).

In Arthur Miller’s Death of a Salesman, Biff Loman silently questions his ability to fulfill his father’s wishes. His father, Willie Loman, holds high expectations for Biff’s future and constantly brags to others about how successful Biff will be. Out of respect for his father, Biff conforms to the path that Willie has planned for him. In the beginning, Willie lives vicariously through his son, Biff, who has no choice but to conform in order to preserve father-son respect. However, when the mutual respect that his father holds so dear dissolves, Biff’s concealed questions expand their influence from his thoughts to his actions as Biff becomes his own man.

While the play primarily focuses on Willy’s dream, Death of a Salesman also observes Biff and his American Dream, which may be construed as the “right” one. Compared to his father’s, Biff’s dream is a simple one: own a ranch and labor in the countryside close to nature, happy and content. And yet as his father increasingly pressures him to pursue a dream more aligned to his own, Biff experiences an identity crisis of sorts, desperately seeking to please Willy by taking a job in business but always failing in his efforts. Eventually, he realizes that he cannot be his father, and, at Willy’s funeral, contrasts his earlier statement regarding Willy’s state of mind with one regarding his own person: “I know who I am, kid” (Miller 111). Though at the start of the play it was Willy who thought Biff lost, it is now the reverse. Willy, with his aspirations for renown and major success, found himself perpetually adrift in the world, struggling to make ends meet and maintain his family ties. And yet while Willy suffered at the hands of his American Dream, Biff prospered (although not monetarily) in his “proper” American Dream, experiencing true contentment in his craft. While Willy faced constant confusion and an almost bipolar personality disorder owing to his erroneous endeavors, Biff’s main insecurities and difficulties were those brought on by his father’s notion of success. In other words, Willy’s American Dream caused nothing but suffering for him and those he loved, while Biff’s American Dream would have allowed him peace of mind had it not been for his

Many workers today go through a low time or a struggle and give up. Today’s workers do not necessarily commit suicide when they are in a low point but they do things such as quitting the job or relying on government assistance. Willy strives to achieve the American dream and he eventually realizes that he has failed and gives up on life. This dream is a belief in America and that all things are possible if you work hard enough (Criticism of ' the American Dream' in 'Death of a Salesman'). Arthur Miller uses this story to expose the problems with pursuit of such a dream: “What Miller attacks, then, is not the American Dream of Thomas Jefferson and Benjamin Franklin, but the dream as interpreted and pursued by those for whom ambition replaces human need and the trinkets of what Miller called the ‘new American Empire in the making’ are taken as tokens of true value” (Bigsby). “Death of a Salesman” creates a challenge to the American Dream and shows that an American should live a prosperous and plentiful life instead of get lost and die tragically (Criticism of ' the American Dream' in 'Death of a Salesman'). Gradually throughout the play, Willy gets farther and farther away from achieving his idea of the American Dream. His income slowly decreases to nothing: “as a salesman, Willy stages a performance for buyers, for his sons, for the father who deserted him, the brother he admired. Gradually, he loses his audience, first the buyers, then his son, then his boss” (Bigsby). His problem is that he completely surrenders to the American Dream and by the team he realizes his mistake, he has nothing to fall back on (Panesar). If Willy would have embraced his natural talent for manual labor and his family’s love for the countryside, the Lomans could have a totally different lifestyle (Panesar). Towards the end of the play, Willy became overwhelmed

The play, Death of a Salesman by Arthur Miller, takes issue with those in America who place too much stress upon material gain, at the expense of other, more admirable human values. Miller uses flashbacks to provide exposition, to foreshadow the upcoming tragedy, and most importantly to reveal character traits. An analysis of the main character, Willy Loman, illustrates the underlying theme that the concern over material success breaks down the bonds between men that form the basis of a smooth-functioning society.

In the play “Death of a Salesman”, by Arthur Miller, the primary theme can be seen as a conflict between man and society. In which the ambition to achieve the “American Dream” controls the life of Willy Loman and the influences he has. When success is not reached, sends Willy’s mind on a mental ride.

In 1949, Arthur Miller wrote a play called “The Death Of a Salesman”. This play is known for its compelling view on the mind of the middle class working man. The characters in “The Death of a Salesman” all have various dimensions of development throughout the story. These characters can all be seen as components one collective mind using Sigmund Freud’s psychoanalytic theory; the Oedipal, Id, Ego, and Superego. These characters all strive for success by way of the American Dream and all of it’s inconsistent factors and betrayal that personify it so well.

Since the beginning of its time, America has set a global standard for offering chances at prosperity and career opportunities for qualified adults. Its people have been implicating the idea of the “American Dream” into its culture for many years and has become widely recognized by individuals all across the world. People pack up their lives and families to travel to American soil to try at a chance of a better life, and in doing so, they too venture on a path to achieving this so commonly understood “American Dream.” Arthur Miller, a well-known literary writer in America, seems to disagree with this national phenomena, offering a different view in his play Death of a Salesman. In this play, he demonstrates through the life of an average

Miller uses Death of a Salesman to shed light on the American Dream “for the sham it is” claims Raine. Willy has bought into this

The story ‘Death of a Salesman’ written by Miller focuses on a man doing all he can to allow him and his family to live the American dream. Throughout the story it is shown how the Loman’s struggle with finding happiness and also with becoming successful. Throughout their entire lives many problems come their way resulting in a devastating death caused by foolishness and the drive to be successful. Ever since he and his wife, Linda, met she has been living a sad and miserable life, because she has been trying support his unachievable goals. Also by him being naïve put his children’s lives in jeopardy and also made them lose sight of who they really were. Miller uses the Loman family to show how feeling the need to appear a certain way to the public and trying to live a life that is not really yours can turn into an American nightmare.

In his play Death of a Salesman, Arthur Miller uses “the common man as a fit subject for tragedy in the highest sense” (Lawrence, Trudeau and Ross Vol. 1) and failure in the accomplishment of the American. The play tends to recline more in the direction of masculinity where men’s sole role is to get a job and support the family and the woman be seen and ordered which brings out the idea of traditional gender roles at its best. Though this is the case, it is very evident that women played an important role in this play. Although every character in the served and had a main purpose, women served a major role not only as subjects of submission and satisfaction who helped define who the men really were in the 1940’s but also as elements of support and wisdom.

Moreover, throughout the play the upbringing of Biff and Happy can be seen mirroring the childhood of Willy and his older brother Ben. During the requiem, Happy feels it is his duty to avenge his father in a way so “Willy Loman did not die in vain.” “Did not” provokes a strong feeling of confidence that he will be the one to make his father proud after his death. Through the play Happy is undermined by his father and seen to be “second best” to Biff; therefore him claiming to be the one to “win it for him” could suggest that he’s never overcome this feeling of neglect from his father,

The eyes of the reader are opened wide after reading Thomas Foster’s How to Read Literature like a Professor and applying it to a text. There are many elements in Arthur Miller’s Death of a Salesman that go unrecognized by the normal reader. Using the tactics presented by Foster, one can realize that there is much meaning and symbolism in Death of a Salesman. The overall theme in Death of a Salesman is the American Dream and how many people of the time period were desperate to achieve it.

Arthur Miller’s play Death of a Salesman follows protagonist Willy Loman in his search to better his and his family’s lives. Throughout Willy Loman’s career, his mind starts to wear down, causing predicaments between his wife, two sons and close friends. Willy’s descent into insanity is slowly but surely is taking its toll on him, his job and his family. They cannot understand why the man they have trusted for support all these years is suddenly losing his mind. Along with his slope into insanity, Willy’s actions become more aggressive and odd as the play goes on. Despite Willy and Biff’s “family feud”, his two sons Happy and Biff truly worry about their father’s transformation, Happy saying: “He just wants you to make good, that’s all. I

In his stage play Death of a Salesman, Arthur Miller introduces us to the family of Willy Lohan. There is greater influence of the parents to the children as is portrayed in the play. Willy Loman laxity has weighed heavily on the conduct of his sons, Happy and Biff. The main theme in the play is sustained in the play with the sons of Willy attaining their personality from their father. We learn that one’s upbringing shapes their behavior. The actions of those within one’s surrounding influence one’s behavior. This is quite evident in the case of a parent child interaction as portrayed in the play. Since most the time the child will look up to their parents, their ethical and