Deathly Deranged: Ophelia's Role

The story of Hamlet is a morbid tale of tragedy, commitment, and manipulation; this is especially evident within the character of Ophelia. Throughout the play, Ophelia is torn between obeying and following the different commitments that she has to men in her life. She is constantly torn between the choice of obeying the decisions and wishes of her family or that of Hamlet. She is a constant subject of manipulation and brain washing from both her father and brother. Ophelia is not only subject to the torture of others using her for their intentions but she is also susceptible to abuse from Hamlet. Both her father and her brother believe that Hamlet is using her to achieve his own personal goals.

There are volumes of critical analyses devoted to William Shakespeare's Hamlet. As the title indicates, Hamlet is the main character of the play, but there are other characters who are also important to the plot. So much attention has been given to Hamlet's antics that characters such as Ophelia remain relatively unexamined. Ophelia is a key figure in the play, and to understand her reactions to the patriarchal society in which she lives through her relationships with the men in her life adds more depth to the play. Ophelia's character is revealed through her relationships with her father, Polonius, her brother, Laertes, and her lover, Hamlet, and their characters in turn are revealed through their

Because Shakespeare's Hamlet centers on the internal struggle of the Prince of Denmark, the reader focuses primarily on his words and actions.  An often overlooked or under appreciated aspect of the play is the portrayal of the female characters, particularly Queen Gertrude and Ophelia.  There are two scenes in particular that provide insight into this topic.  In Act I Scene III, Ophelia receives advice from her father, Polonius, and her brother, Laertes.  Similarly, Gertrude is confronted and advised by Hamlet in Act III Scene

The character of Ophelia is an excellent element of drama used to develop interpretations of Shakespeare’s text. At the beginning of the play, she is happy and in love with Hamlet, who first notices her beauty and then falls in love with her. The development of Ophelia’s madness and the many factors that contributed to her suicide are significant parts of the plot. “Her madness was attributed to the extremity of her emotions, which in such a frail person led to melancholy and eventual breakdown” (Teker, par. 3). The character of Ophelia in Zieffirelli’s version is the personification of a young innocent girl. “Her innocence is mixed with intelligence, keen perception, and erotic awareness” (Teker, par. 13). This Ophelia is a victim

In the play Hamlet, Shakespeare, the author, creates female characters that occupy very different roles than in his other plays. In this play, Hamlet plays opposite two women who are used by the men around them in order to further their own interests. One woman is named Ophelia. In many of Shakespeare’s other plays, he creates women that are very strong and play a very real role in the life of the protagonist. In Hamlet, however, Ophelia occupies a very different role-she exemplifies a pawn of the men around her. She is used not only by her father and his associate the King, but also by her supposed lover, Hamlet. This is a very different role for a woman in a Shakespearian play. Also, Hamlet’s mother, Gertrude,

[Done in] England” (4.3.66). Gertrude with no control over his decisions agrees to everything Claudius suggests about Hamlet’s exile. Gertrude trusts Claudius which allows him to control her in the actions and decisions he makes. The lack of lines Gertrude has throughout the play proves her trust for Claudius proving that she has nothing against what he decides. Similarly, Ophelia is controlled by Polonius, her father. Polonius controls Ophelia due to immaturity and her ignorance of her relationship with Hamlet. “Affection? pooh! you speak like a green girl, / Unsifted in such perilous circumstance, / Do you believe his tenders, as you call them?” (1.3.101-103). Not only Polonius but Laertes, her brother, constantly advise her to avoid Hamlet because he is just counterfeiting love and his intention is to hurt Ophelia:

   Poor Ophelia, she lost her lover, her father, her mind, and, posthumously, her brother. Ophelia is the only truly innocent victim in Hamlet. This essay will examine Ophelia's downward spiral from a chaste maiden to nervous wreck.

Ophelia is Hamlet’s love interest throughout the entire play. However, in an attempt to be strategic, Hamlet feigns insanity in order to be deceiving and in turn breaks Ophelia's heart. His sudden disinterest towards her coupled with her father Polonius and brother Laertes’ commands to stay away from Hamlet composes a dire internal conflict within Ophelia's mind. She is torn between her undying love for Hamlet versus her desire to be an obedient daughter and sister. In addition, Hamlet unintentionally murders Polonius rather than Claudius, which also adds to Ophelia's insanity. To make matter worse, Ophelia has no mother figure within her life. So taken all together, she is stuck in a constant battle within herself with nobody who is there for her. “I hope all will be well. We must be patient/ but I cannot choose but weep/ to think they would lay him/ i' th' cold ground” (Hamlet v, iv). This quote from Ophelia demonstrates her deep sorrow towards her father's death, as well as the start of her path to insanity. Her lack of a maternal figure leaves her with nobody to discuss her feelings and troubles with. Because of this constant battle within her life, Ophelia finds herself in a confrontation with her emotions, which ends in her official decision of suicide. Which one could argue makes her decisive in the end which may be true, but her internal struggle leading to her choice of suicide is what makes her a great example of a character struggling with uncertainty during times of

In Hamlet, the female characters can be seen as being subservient to men. This goes on to show how Shakespeare, goes against the feminist theory by not creating equality between all the characters. One of the main character’s Ophelia can be seen as being weak and undermined in the play. She spends most of her time following the actions of her father, Polonius and boyfriend, Hamlet, with little to no say in her own opinion on topics. Polonius displays his dominance over Ophelia when he expresses his opinion on her relationship with Hamlet. He informs Ophelia on exactly what her next actions need to be when dealing with Hamlet. He even goes as far as warning her to not go against his wishes because it will “ tender [him] a fool”, showing his superiority over Ophelia’s actions (I . iii. 109). The inequality can also be shown when comparing Laertes’s life with Ophelia's. Laertes is left alone to travel France, while Ophelia is stuck to follow her father's orders. Hamlet also tries to show his

Yet to Hamlet, Ophelia is no better than another Gertrude: both are tender of heart but submissive to the will of importunate men, and so are forced into uncharacteristic vices. Both would be other than what they are, and both receive Hamlet’s exhortations

     In this play, the way others interpret Hamlets behavior is that he is insane. With Hamlet acting this way, he is driving everyone else insane because they cant figure out what is wrong with him. The way his mother interprets his behavior, at first, is that he is holding a grudge against her for what he has done. As the play progresses, Polonius tells Gertrude “Tell him his pranks have been too broad to bear with…” which proves that Hamlet’s condition is worsening in the eyes of everyone. As she speaks to Hamlet, she feels that her life is in danger due to the way that Hamlet is speaking to her. “These words like daggers enter mind ears…” is what Gertrude says to Hamlet because of the utter disrespect and the manner in which he is acting. The way Ophelia views Hamlet is that he turned into a different person. In Act II, scene i, she believes that if he really loved her, he wouldn’t have grabbed her by the wrists, held her hard, stared at her,

Ophelia experiences alienation throughout Hamlet, although she ends her life with suicide, unlike Hamlet. The queen places blame on Ophelia for Hamlet's madness and states: "...for your part, Ophelia, I do wish that your good beauties be the happy cause for Hamlet's madness..." (Shakespeare 140). The queen lightens her feelings of guilt for the murder and places the guilt upon Ophelia. Gertrude, the queen, knows that she has committed something wrong with the plot of killing Old Hamlet and therefore finds an outlet through Ophelia. Also, to try to discover Hamlet's cause of insanity, Claudius and Polonius use Ophelia to get closer to him and find out that perhaps they could conclude that his

“Frailty, thy name is woman” (1.2. 150)! This controversial line, followed by several more from the play Hamlet, by William Shakespeare, displays a common view towards women that portrays them as being weak and reliant on men. Throughout the play, two women, Ophelia and Gertrude, are shown to be dependent on the men in their lives. They both take on a senselessly obedient state of mind. Even though they share this common characteristic, Ophelia and Gertrude are very different characters. Ophelia is a beautiful, young woman who is the love interest of the protagonist, Hamlet. Ophelia obeys her father, Polonius, without hesitation and has very little experience with making her own decisions. Gertrude was the wife of Old Hamlet, and is now the wife of Claudius, the current king and Old Hamlet’s brother. Gertrude desires affection and status more than she cares about the truth of what happened to her late husband. The men in this play have no sense of how they treat the females. This patriarchal way of life was prominent in the late 16th century and early 17th century which was about the time that Hamlet was written and performed. This relationship between the genders is interconnected within the play and with society during that particular time period. The characters of Ophelia and Gertrude were solid examples of how women were viewed as inferior to men during this time in history.

Ophelia appears delegated to the background of most of Hamlet, a passive character who only acts when told to act and who serves as a pretty object all the characters toy with. She doesn’t truly do anything; she just lets people act upon her. Feminist critics look upon Hamlet through many different theoretical lenses that allow Ophelia and her role within Hamlet to be seen in different lights. Elaine Showalter and Virginia Woolf especially provide ways to interpret Ophelia’s role within Hamlet.

One interpretation of Ophelia concerns her being an insignificant, minor role. Jacques Lacan believes that Ophelia is just part of Hamlet’s exterior; she is simply just one of Hamlet’s accessories. She is weak and mad, but interesting in what she tells us about Hamlet. Usually, critics barely even touch on Ophelia’s role. Her character is so insignificant to some that even those who try to advocate for her do so in embarrassment. Although she may be insignificant, this criticism has caused Ophelia to be one of Shakespeare’s most recognized female characters.