Decay And Oppression In Poe's The Fall Of The House

In ‘I kneel to pick frail melancholy flowers among ashes and loam’ a tone of loneliness and sadness is established as the persona enters. Harwood describes the violets as ‘frail’ and ‘melancholy’, terms that arn’t usually associated with flowers. This is also explored in the juxtaposition of ‘ashes’ and ‘loam’. Ash is symbolic of death and decay which contradicts the ‘loam’, symbolic of life and birth. The persona’s dark and unpleasant perceptions reveal their uncertainty and state of mind. The present tense indicates the persona’s adulthood and their sense of longing and unsatisfaction conveyed through the nostalgic delivery of

While most of the primary characters in the American Gothic cannon are members of the aristocracy, their societally dominant position does not guarantee them satisfying lives. The focus of this analysis will be the portrayal of the individual as it relates to his or her economic status: does having wealth mean that upper class characters are more likely to lead fulfilling lives than middle/lower class characters? Through a close reading of Edgar Allen Poe’s “The Fall of the House of Usher,” Nathaniel Hawthorne’s The House of the Seven Gables, Kate Chopin’s “Désirée’s Baby,” and Edith Wharton’s Ethan Frome, readers can clearly see a pattern of social commentary in which the members of the aristocracy are—in general—the most restricted,

When writing “The Fall of the House of Usher,” Poe used the setting outside of the mansion to illustrate the theme of the fear of death. From the outset, the Rodrick Usher’s home is portrayed in a way that gives the reader a feeling of alarm. For example, the narrator mentions the house gives him a feeling of “insufferable gloom” (Usher 1). By pointing this out, the reader begins to feel on edge as the connotation of “gloom” is unwelcoming and distressing. The home is also said to have “vacant eye like windows” (Usher 1) which make the narrator

One of Roderick's fears was death. He was from a well-known and honored family, and he and his sister were the last of the long line of Usher descendants. His sister, Madeline, had been fighting a severe and long-continued illness for quite some time, which had added to much of Roderick's gloom. " Her decease, would leave him the last of the ancient race of the Ushers." Roderick seemed not only to fear the death of his sister and ultimately of himself, but also the uncertainty of the future. "I dread the events of the future, not only in themselves, but in their results. I shudder at the thought of any, even the most trivial incident, which may operate upon this intolerable agitation of soul."

The Usher mansion is slowly deteriorating, just like Roderick Usher himself. The “sombre tapestries,” “ebon blackness,” and “phantasmagoric armorial trophies” did not just start showing in the house; these elements have had time to develop and is now represented as a never ending darkness, which is just like Roderick Usher’s mental illness. Not only does Poe create an image of the house, he also uses lucid details describing the Usher’s mansion and the rooms inside the home to show that Roderick’s mental illness has physically and mentally trapped him. Roderick is a gloomy and mysterious character who looks as if he is dead. Poe describes Roderick’s appearance as one to not easily be forgotten (Poe 152). In Roderick’s mind, he feels as if he has no escape from this illness, which terrifies him. His biggest fear is fear himself. The evil that has overcame his body will take a toll on his life and he is aware of it because he says “I shudder at the thought of any, even the most trivial, incident, which may operate upon this intolerable agitation of soul. I have, indeed no abhorrence of danger, except in it absolute effect-in terror” (Poe 153). As described in the story, the Usher house has rooms that create a somber life and with this creation, Poe is able to portray the kind of life that Roderick Usher is living and will live. Not only is this technique used in “The Fall of the House of

The house seems to be absorbing Usher’s mental health and physical health. Evidence of this is shown by the faltering health and growing fears of Roderick Usher in relation to the growing scariness of the house.

A Sense of Tension in The Fall of the House of Usher by Edgar Allan Poe

In the story, “The Fall of The House of Usher”, there are many mysterious happenings that go on throughout the story between the characters Roderick Usher and the narrator. Throughout the story, Edgar Allan Poe uses themes such as madness and insanity to connect the house back to Roderick Usher. In the “Fall of The House of Usher”, the narrator goes through many different experiences when arriving to the house. The narrator’s experiences start out as almost unnoticeable in the beginning, turn into bigger ones right before his eyes, and end up becoming problems that cause deterioration of the mind and the house before the narrator even decides to do anything helpful for Roderick and his mental illness. In “The Fall of The

The Fall Of The House of Usher is a terrifying tale of the demise of the Usher family, whose inevitable doom is mirrored in the diseased and evil aura of the house and grounds. Poe uses elements of the gothic tale to create an atmosphere of terror. The decaying house is a metaphor for Roderick Usher’s mind, as well as his family line. The dreary landscape also reflects his personality. Poe also uses play on words to engage the reader to make predictions, or provide information. Poe has also set the story up to be intentionally ambiguous so that the reader is continually suspended between the real and the fantastic.

Edgar Allan Poe was a unique man that most people could not understand. Many recognize that he is a talented writer with a very strange and dark style. One of his most well known short stories is “The Fall Of The House Of Usher.” Many argue the different meanings of this story and how it is symbolic to his life. Poe was a very confused individual who needed to express himself, he accomplished this through the short story of “The Fall Of The House Of Usher.” Through this story, Edgar was trying to show the fear he had for him self, he did not understand him self so therefore Poe ran from his own personality and mind. This story enables the reader to take a look at Poe’s mind and

The poem describes the weather and its effect on cotton flower by pointing out the dying branches and vanishing cotton. The image of insufficiency, struggle and death parallel the oppression of African American race. The beginning of the poem illustrates the struggle and suffering of the cotton flower; which represent the misery of African Americans and also gives an idea that there is no hope for them. But at the end the speaker says “brown eyes that loves without a trace of fear/ Beauty so sudden for that time of year” (lines 13-14). This shows the rise of the African American race, and their fight against racism. The author used mood, tone and

The narrator comes to the House to aid his dying friend, Roderick Usher. As he arrives at the House he comes upon an “aura of vacancy and decay… creating a pathologically depressive mood” (Cook). The state of the House is daunting to the narrator – he describes it with such features as “bleak walls”, “eye-like windows”, “rank sedges”, “decayed trees”, and “an utter depression of the soul”. These images foreshadow a less than pleasant future for the narrator and his dear friend Roderick. Poe continues to foreshadow the narrators turn of events with a description of the House’s “dark” and “comfortless” furniture. The House becomes a living hell for the narrator as he watches Roderick’s condition evolve and struggles to understand the mystery tying unfortunate events together. However, as the narrator gradually becomes more enveloped in Roderick and the House’s malady, he seems to develop a malady of his own. While the narrator’s illness is less prominent than that of Roderick and his sister Lady Madeline, the sicknesses are one in the same.

. . should burn and rave at the close of day”(2). This means that old men should fight when they are dying and their age should not prevent them from resisting death. Another example of personification in the poem is “Their frail deeds might have danced in a green bay”(8). This line personifies the men’s frail deeds by saying that they could have danced. This means that the potential actions of the men could have flourished and contributed greatly to their lives. The metaphor “. . . words had forked no lightning. . .”(5) is about how the men had done nothing significant with their lives. They had not achieved anything great or caused a major change. The simile “Blind eyes could blaze like meteors and be gay” is about how even grave and serious men will fight against death for as long as they can. Another notable example of figurative language within the poem is “. . . blinding sight”(13). This oxymoron details how the men can see very well and it is very obvious to them that they will die soon, but they know that they can control how they will leave this world. There is an abundance of imagery within this poem, a few examples of which are “. . . danced in a green bay”(8), and “. . . caught and sang the sun in flight”(10) . These examples of imagery are both appealing to the sense of sight by using descriptive words such as “Green” and “danced” in the first example and words such as “caught” and “flight” among others. The second example also appeals to the sense of sound by

Hence, Poe appropriates a setting that seems to contaminate the characters. Just as the atmosphere and landscape seem translated into the characters, the house, as another primary feature of setting, functions as a symbol for the Usher family. The narrator even mentions initially that “House of Usher” had come to represent both family and home. Therefore, the house itself can be seen as an embodiment of the family. Poe emphasizes this symbolism by personifying the house, providing it with the anatomy of humans: “eye-like windows” and clothing: a “veil.” Moreover, the house is deteriorating just as the family is. The Ushers, Roderick and his sister Madeline, have no relatives, only themselves, and both are suffering with unusual illness. Finally, after Roderick and Madeline die, likewise the house completely breaks apart, characterizing the fate of the family.

The long family line has imprinted its aura onto the house, and in turn, the house conduces the inhabitants towards a predetermined lifestyle. The Usher family, as the narrator says, despite its age, has always been feeble, because it has never been able to generate an enduring branch. Just as the family, the house has a sturdy appearance, given by its endurance through time, but it is marked by decay and so are its surroundings: the crumbled stones, the trees and the spooky tarn all add to the oppressive, uncanny atmosphere. Just as the individual parts which shape the domain are marked by decomposition, so is each member of the family plagued by some form of disintegration.