Deception And Trickery, Often Seen In Real Life, Is A Concept

I think Hamlet by using his mad façade hides his real intentions and motivations from his enemies and people that will give away information,

In another scene, Polonius orders Ophelia to return the gifts that Hamlet gave her, and to make her rejection of him unmistakable and absolute. Polonius believes that if she is the cause of Hamlet’s madness, this would be the proof. “That Hamlet loses his mental stability is arguable from his behavior toward Ophelia…” (Foster, par.16) In Branagh’s version, we see how terribly this tears Ophelia’s heart. When Hamlet sees her, he walks up to her, telling her how much he loves her. After Hamlet kisses her, she returns the love letters that he wrote back to him. She sees how crushed he is, which makes her feel even worse; but she also believes she has to do this because her father ordered her to. Hamlet tells her “Get thee to a nunnery” (William

“Hamlet” and “Twelfth Night” are two Shakespeare plays of complete opposites. Due to one being written as a tragedy, and the other as a comedy, many comparisons can be drawn between the two plays, on themes and motifs that develop throughout the plays. One of the themes that is easily recognisable in the early stages of both plays, is that of deceit and disguise. In “Hamlet”, we learn early on that Hamlet decides to act as a madman in order to try and weed out a confession from his uncle about the murder of his father. Although he does not actually reveal to any other characters his plan until Act 1 Scene 5, when he tells Horatio that he plans to “put an antic disposition on”, the audience can recognise very early that Hamlet is going to show some kind of deceptive characteristics in order to execute his plan.

Hamlet also uses Ophelia as a pawn, perhaps more than her family. Hamlet uses the court’s knowledge of his relationship with Ophelia in order to draw attention away from his real purpose of killing his uncle. In Act III, Scene I, Ophelia approaches Hamlet in order to return his letters and other pledges of affection for her, according to her father’s wishes. Hamlet appears to be very distraught, and accuses Ophelia of lying to him and being prostituted by her family. This outburst, however, is used solely to camouflage his real purpose-to have revenge of Claudius, his uncle, for killing his father. Hamlet is aware that Polonius and Claudius are watching this encounter between him and Ophelia, and uses the situation to his benefit- he can pretend to be heartbroken by Ophelia’s supposed

Polonius is one of the most corrupt characters of the play. However, we can see that his corruption is in his nature and not caused only by the murder of King Hamlet. In his speech to his son, Leartes (I.iii), he opposes the virtue of being close-mouthed and discrete. Polonius later instructs his servant Renyaldo to spy on Laetes in Paris. This is very hypocritical of him as he is doing exactly what he condemned earlier. He also meddles into the relationship of Ophelia and Hamlet, without taking into account their feelings, and is only willing to satisfy his own goals. He does not want to offend the king or make it seem like he is pushing his daughter to marry Hamlet. Hamlet views Ophelia as someone pure, cares deeply about her and does not take into consideration their difference in stature. Unfortunately, Polonius manages to corrupt their innocent relationship. After Polonius spies on Hamlet, to prove his insanity to the king, Hamlet suspects Ophelia of being involved in the spying and plotting that has been occurring. He tells her that “God has given [her] one face, and [she] make [herself] another”(III.i.144-145). He tells her that she is an inconsistent and fickle

Polonius teams up with King Claudius and once again places demands on Ophelia which require her to disregard her own self to fulfill their wishes of deceiving Hamlet into revealing the cause of his erratic behavior. And once again, it is Ophelia’s duty to her father and this time to the king to be obedient. Disobedience to the king and his advisor are not an option. Polonius wants the king to look on him in good favor and he is willing to step on his daughter to get this admiration. He neglects Ophelia’s feelings by not even thinking of how his requests will affect her. He feels at liberty to request whatever he would like. He is purely worried about himself. Polonius holds a position of unquestioning authority over his daughter. He treats her as though she is not intelligent enough to make her own decisions and he knows that she will inherently obey him. To him her feelings are irrelevant and immature which he states when saying “Affection, puh, you speak like a green girl.”(1.3.101) Following her fathers instructions, she loses her lover and a piece of her happiness.

Deception is defined as a misleading falsehood. One is usually deceitful when there is a need to conceal the truth, or create a scheme to reveal the truth. This statement can be applied to the play Hamlet, where Shakespeare creates a society that is built upon deceit. Each character in the play experiences or enacts on some form of deceit in order to expose the truth or obscure the truth. There are no characters in the play that feel the need to be straightforward and seek the truth. As a result, the characters feel the need to continually be deceitful to cover up their past errors. Shakespeare displays various examples of deceit in the play such as dishonesty, antic disposition and betrayal. Through these forms of deceit, Shakespeare

She says she loves Prince Hamlet yet she tells Polonius everything that goes on between them. Polonius forbids Ophelia to leave the castle, making Prince Hamlet write his love for her through a letter, in which Ophelia gives to Polonius to read, “Doubt thou the stars are fire,/ Doubt that the sun doth move,/ Doubt truth to be a liar,/ But never doubt I love.” (2.2.124-127). Ophelia feels the love but decides not to tell her father in fear of getting disowned and losing his love for her. The fear of losing her father's love makes Ophelia lie saying “No, my good lord, but as you did command/ I did repel his letters and denied/ His access to me” (2.2.120-122). Ophelia keeps to herself her wish to desperately be with Prince Hamlet from Polonius. When he finds out that Ophelia has been telling Polonius everything about their “relationship” and that she messed around with him just to get information, he gets very infuriated and “loses” the love he had for Ophelia. “I loved you not” (3.1.129).His feelings have changed to hate and regret, Prince Hamlet’s love for Ophelia seemed to be strong but in a flash it’s gone. When Ophelia tries to apologize to Prince Hamlet his feelings stay neutral and he can never love Ophelia again. Ophelia knows that what she did can’t be forgiven, after what Prince Hamlet told

"Deceiving: To mislead by false appearancec or statement; delude," according to dictionary.com. There are a few manipulative characters in the play that can easily be described as deceiving, but I believe Hamlet takes the cake for this title. After the ghost of his dad tells him how he died, Hamlet becomes increasingly paranoid and even goes out of his way to plot revenge. In order to go through with his plan, he had to pretend he was "insane" so they wouldn't get suspicious of his behaivour. Another example would be the play he put on to see if King Claudius was guilty of murder. When introducing the play to the Queen and King, they were very happy to see improvement in him, they were not told of the contents of the play and were unaware of what was going to happen.

In Act III scene i, Polonius and the King hide behind Ophelia's curtains and eavesdrop on the conversation between Hamlet and Ophelia. Hamlet goes on to scold Ophelia and accuse her of not being chaste "Ha, ha! Are you honest?" ... "Are you fair?" ... "Get thee to a nunnery. Why wouldst thou be / a breeder of sinners?" Hamlet goes on to say "...This was sometime a paradox, but now / the time gives it proof. I did love you once." Ophelia replies with "Indeed, my lord, you made me believe so." Her heart must have torn in two when Hamlet came back with "You should not have believed me, for virtue / cannot so inoculate our old stock but we shall relish / of it. I loved you not." Hamlet admits that he was deceiving her the whole time. This was likely a major factor in Ophelia's descent into madness and eventually, death. Again, Ophelia is the victim.

Lies and deception are some of the many actions that have disastrous consequences. For the most part, they destroy trust and leave the people closest to us feeling vulnerable. In Hamlet, one of Shakespeare's many plays, the theme of lies and deception is very significant. This play shows that every character that lies and practices the act of deception is ultimately punished for doing so by their treacherous deaths. Hamlet has lied and practiced deception several times which has prolonged his primary goal and also causes his death. Additionally, Rosencrantz and Guildenstern’s unskilled acts of dishonesty and disloyalty towards Hamlet have all backfired; as a

In Hamlet deceiving illusions are frequently used to protect truth from being a destructive force. Situations within acts one and two that appear to be true and honest are really contaminated with evil. Various characters within the first two acts hide behind masks of corruption. In the first two acts most characters presented seem to be good and honest making it a complex task for Hamlet to discover all the lies that have hidden objectives within them.

           Ophelia allowed herself to become a sort of marionette in Polonius' schemes toward understanding the seemingly mad prince. While her relationship with Hamlet was on the line, she allowed Polonius to commandeer the strings that determined her actions. Polonius was determined that Hamlet's supposed madness stemmed from lovesickness for Ophelia. He convinced Ophelia that her betrayal of Hamlet was a necessary evil and she began to relay all of Hamlet's messages and attempts at communication to him. He told the king and queen:

Deceit and lies are rampant in William Shakespeare’s The Tragedy of Hamlet. It can be seen in the characters’ actions and words, as well as what they fail to say and do. It comes in various types of relationships -- between husband and wife, parent and child, siblings, and between lovers. Nearly every character in the play either deliberately spins a web of their own lies, uses another person for their trickery, or is used in another person’s deceitful plot. Each has different motives for their deceit -- to maintain power, to achieve their goals, to attain vengeance, or simply because it is necessary to function in this twisted society -- but all of them face a tragic ending no matter their initial intentions. In this play, deceit is so uncontrolled, intertwined, and multidimensional that it becomes impossible for either the characters or audience to ascertain what is true.

Polonius also acquires his daughter to stop courting Hamlet by ordering her to instead of allowing her to decide for herself. He is looking out for his daughter. The King and Queen were very troubled at Hamlet’s superficial insanity. They tell Rosencrantz and Guildenstern that discovery of what is hypocritical with Hamlet would be “the supply and profit of our hope “(Hamlet 2.2.24). They are noticeably embittered at his behavior, and Polonius knows this, and tries to use his daughter to demonstrate his notion. When Ophelia approached and pronounced to him her get-together with Hamlet in Act I, Polonius instantaneously brought her to the King. Polonius, performing on his duty to “both God and to gracious king” (Hamlet 2.2.45) took Ophelia to Claudius to understand if he could be any assistance in demanding to find out what is iniquitous with Hamlet. He rapidly tells the King that he will “loose my daughter to him“(Hamlet 2.2.161) and fabricates a premeditated plan to do so. This plan, and Polonius’ role of Ophelia, is all to gratify the Royal Court, and has no space in it for Ophelia’s feelings. Polonius treats his daughter practically like one would use a mare, with his loos of her and organizes it so just to try and get on the respectable side of Claudius and Gertrude.