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Deception, Seduction and Ambition in Shakespeare's Macbeth

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Thesis: Deception, seduction, and ambition are a lethal combination. Shakespeare’s Macbeth establishes this concept early on. Ambition is the motivational thrust that most often gives momentum as one tries to achieve success. However, without the occasional tune-up, Macbeth demonstrates how unchecked ambition can quickly become a speeding, out-of-control, vehicle that ultimately leads to destruction. In Macbeth, Shakespeare sets the themes of seduction, ambition, and deception amid a correlating backdrop, whether you are giving chase on a battlefield, standing in foul weather, or seeing apparitions of bloody daggers we sense danger from the opening act. The play commences with ominous …show more content…

In all likelihood, it implies that someone, namely Macbeth will win a battle, but lose another. After reading the first two acts one must wonder whether it is a battle to secure his kingdom, or a battle for his very soul that Macbeth will lose. It foretells of death with the reference to “set of the sun” in line five. The witches call Macbeth by name in line seven, when they say they will “meet him on the heath” (1.1. 6) letting you know it is not by chance or coincidence they come upon him. Whether this meeting is by his design or theirs, we are not privy to that information as of yet. To further increase trepidation, they put you on guard and warn you to be suspicious of everyone and everything with their parting line “Fair is foul, and foul is fair” (1.1. 11). It is by pure genius that Shakespeare can express so much in twelve short lines of passage through word play and mood without any occurrence of action. In scene 1.2, a captain fresh from the battle, comes to report that Cawdor one of King Duncan’s Thanes, has plotted against him. In describing the battles, the captain hints at Macbeth’s ambition. Talking about the first battle with MacDonwald he says, “Till he unseamed him from the nave to the chops, / And fixed his head upon our battlements” (1.2.22-23). This is sensationalism, look at me I am your

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