Deconstruction In The Story Of An Hour By Kate Chopin

The time period, season, location, and surroundings of a character reveal a great deal about them. Kate Chopin's "The Story of An Hour" is an excellent example of how setting affects the reader's perception of the story. There is an enormous amount of symbolism expressed through the element of setting in this short story. So well, in fact, that words are hardly necessary to descriptively tell the story of Mrs. Mallard's hour of freedom. Analyzing the setting for "The Story of An Hour" will give a more complete understanding of the story itself. There are many individual parts that, when explained and pieced together, will both justify Mrs. Mallard's attitude and actions toward her husband's death and provide a visual expression of her

"The Story of an Hour" by Kate Chopin is another story that is stacked with incongruity. The incongruity in this story is found in Louise's response to the news of her better half passing. She cries in her sister's arms, by then observes her life partner's destiny and goes to her space to be confined from everybody. While alone in her room, she watches out the window and sees that the trees and blossoms are sprouting with spring outside. She understands that there is another life for her, much the same as there is new life for trees and plants after the nippy and energy of winter. She stays there and starts to consider the new life before her. All through her whole marriage, she has felt like a detainee, and now thoughts of autonomy start to surge her vision. This is fascinating considering a starting late, widowed lady ought to grieve the loss of her dead spouse, not fantasizing about the new life she will have as a solitary and a liberated individual. She says a quick plea to have a long life. There is incongruity here because her plea is incapable. Louise does not live long by any mean, truly, she passes away a few minutes a short time later. As the story closes, we see Louise strolling around the stairs with a reestablished look on life. Subsequently, when she gets to the base of the

Commonly explored throughout her works, the idea of marriage inhibiting a woman’s freedom is the driving force behind Kate Chopin’s contextual objections to propriety. In particular, The Awakening and “The Story of an Hour” explore the lives of women seeking marital liberation and individuality. Mrs. Chopin, who was raised in a matriarchal household, expresses her opposition to the nineteenth century patriarchal society while using her personal experiences to exemplify her feminist views.

During the late nineteenth century, the time of protagonist Edna Pontellier, a woman's place in society was confined to worshipping her children and submitting to her husband. Kate Chopin's novel, The Awakening, encompasses the frustrations and the triumphs in a woman's life as she attempts to cope with these strict cultural demands. Defying the stereotype of a "mother-woman," Edna battles the pressures of 1899 that command her to be a subdued and devoted housewife. Although Edna's ultimate suicide is a waste of her struggles against an oppressive society, The Awakening supports and encourages feminism as a way for women to obtain sexual freedom, financial independence, and individual identity.

Sexual transgression and sexual exploration is one of the most highly talked about topics in today’s society. The path to sexual liberation within society begins with experimentation and exploration, followed by personal acceptance, and finally, although not always, societal acceptance. Although we have come a long way on the path of acceptance of different sexual transgressions, the stories of Kate Chopin’s The Awakening, Tennessee Williams’ “Vieux Carre,” and Lyle Saxon’s “The Centaur Plays Croquet” show that this type of acceptance has not always been the case. Each story plays an integral role when looking at the steps on the path to societal acceptance. Chopin 's story dives deep into the area of experimentation and exploration, whereas Saxon 's story looks more at the areas of personal acceptance, and Williams ' story lies more along the area of societal acceptance, and whether or not acceptance is always the end result.

I chose to do my analysis on the short story, “The Story Of An Hour”. The themes I see in this story is the quest for identity/coming of age, romantic/love, birth, and death. It is about a woman named Mrs. Mallard. She was an elderly lady and had a heart complications. Her sister Josephine and her husband’s friend Richards had to break the news to her that her husband, Brently Mallard, has been killed in a railroad disaster. Mrs. Mallard was sorrowful and sobbed in her sisters’ arms. After her grieving process, she wanted to be alone, so she went to her room and locked herself in. As she sat in the window, she seem to be calmer and accepted her husband’s death. She was not distressed of what had happened. She began to say the words “free” and her heart

The story of an hour by Kate Chopin introduces us to Mrs. Mallard as she reacts to her husband’s death. In this short story, Chopin portrays the complexity of Mrs. Mallard’s emotions as she is saddened yet joyful of her loss. Kate Chopin’s “The Story of an Hour” argues that an individual discover their self-identity only after being freed from confinement. The story also argues that freedom is a very powerful force that affects mental or emotional state of a person. The story finally argues that only through death can one be finally freed.

The “Story of an Hour” by Kate Chopin is a short story about a woman who struggles with the oppression she experiences at the hands of her husband and her secret desire for independence. Louise Mallard didn’t realize how upset she was in her marriage until she found out about her husband’s death. She grieves for only a short period of time before mentally creating a new life for herself. This new life she envisions help her to see the silver lining in a tragic event. Chopin uses symbolism throughout the story to portray the theme of a quest for identity.

There are numerous great authors from the 1800’s but the one who stands out most to me would have to Mrs. Kate Chopin. She was a misinterpreted writer whose works are now respected by many. Kate Chopin, born Catherine (Kate) O’Flaherty, was born in St. Louis, Missouri on February 8, 1850. Kate was mentored by many women during the course of her youth. She had trauma through her young years. Chopin’s father was killed in 1855 in a railroad accident, 1863 her great grandmother died, and later her half-brother died in the war once he was apprehended by Union forces and died of typhoid fever. In 1870 Catherine O’Flaherty came to be Mrs. Kate Chopin when she married Oscar Chopin. They had kept their love a secret until they were meant to marry.

In the short story, “The Story of an Hour,” author Kate Chopin presents the character of Mrs. Louis Mallard. She is an unhappy woman trapped in her discontented marriage. Unable to assert herself or extricate herself from the relationship, she endures it. The news of the presumed death of her husband comes as a great relief to her, and for a brief moment she experiences the joys of a liberated life from the repressed relationship with her husband. The relief, however, is short lived. The shock of seeing him alive is too much for her bear and she dies. The meaning of life and death take on opposite meaning for Mrs. Mallard in her marriage because she lacked the courage to stand up for herself.

'The Storm' and 'The Story of an Hour' expresses the attitudes of two women's rebirth and liberation. These two stories are alike in several ways. Natures plays a major role in both of these women's lives. Calixta and Mrs. Louise Mallard struggle to find their independence and in doing so the endings are triumphant and tragic.

When a person commits suicide, her motive is not always clear. In the novel The Awakening by Kate Chopin, a woman breaks from conformity and eventually swims out to sea in order to drown. Mikaela McConnell analyzes this piece in the article “A Lost Sense of Self by Ignoring Other in THE AWAKENING by Kate Chopin” from the journal The Explicator. She argues that Edna Pontellier’s suicide is a result of the challenges that come with “creating and re-creating self” (McConnell 41). However, this is untrue because Edna’s self-discovery happens with ease.

In Kate Chopin, “The Awakening”, longing for passion and freedom Edna Pontellier leaves the safety of her gilded cage, only to find that death is her only salvation. In the 1800’s the main role in society for a female was to be a wife and mother, women at this time were the property of their husbands and had little say in anything. Which for Edna was the opposite of what she wanted, she wanted to be free from these responsibilities and to live her own life. Although Edna is not a victim in the role society has chosen for her, she freely walked into her gilded cage and into the role of wife to Leonce Pontellier and mother to their children. The longer she stayed in her marriage, the more she realizes that the passion she needed was not

Everyone who reads a story will interpret things slightly different than the person who reads it before or after him or her. This idea plays out with most every story, book, song, and movie. These interpretations create conflict and allow people to discuss different ideas and opinions. Without this conflict of thought there is no one devoting time to debate the true meaning of a text. Kate Chopin’s “The Story of an Hour” tells about a woman who is informed of her husbands death, processes the emotions, and becomes content with this new status as an individual person – losing all the expectations that society expected her to live by within a marriage. This story however is written in a way that the reader has the final interpretation of the text. There are many different interpretations on not only the reason for the main character’s death, but also on the overwhelming emotions that she faces.

The multiplicity of meanings and (re)interpretations informing critical studies of The Awakening reveal a novel ripe for deconstructionist critique. Just as Chopin evokes an image of the sea as symbolic of Edna’s shifting consciousness (“never ceasing, whispering, clamoring, murmuring, inviting the soul to wander in abysses of solitude,”138), likewise the deconstructionist reading of a text emphasizes fluidity over structure: “A text consists of words inscribed in and inextricable from the myriad discourses that inform it; from the point of view of deconstruction, the boundaries between any given text and that larger text we call language are always shifting,” (297). From this