Definition Of Romanticism In London 1802 By William Wordsworth

A leader of the romantic era’s poetic revolution, Lord Byron transformed poetry by incorporating realistic perceptions into his works. The romantic era, known for it’s innovative belief in “[praising] imagination over reason, emotions over logic, and intuition over science,” assisted in helping Byron create pragmatic, dramatic tones in his poetry (“The Romantic Era”). One of the most flamboyant of the English Romantic poets, Byron captivated readers through his dynamic views of independence and politics. However, his perceptions of love and women, shown through narrative perspectives, rendered his writings as the “image and name [of] the embodiment of Romanticism” (“Lord Byron (George Gordon),” Poetry Foundation). Love and poetry, constantly

The first point of Wordsworthian aesthetic programme is connected with themes of works, i. e. descriptions of day-to-day life of uneducated people, rural orphans, handicapped, (e. g. The Idiot Boy) people who suffered or rejoiced. Wordsworth achieved perfection thanks to interweaving simplicity of the characters and their expressiveness at the same time (Mroczkowski, 311, Zbierski

Wordsworth, like other Romantic Poets, with his overwhelming mind observed life with greater suction and fundamentality; his partaking in the working of life was keen and so minute that when he did finally caught up with the philosophy of life his poems became more and more sublime and transcendental in feelings. In his Preface to the “Lyrical Ballads” republished in 1800 described a Poet and his working which in a way popularized self-expression connecting an object of little importance to the infinite vision of the Creator. His grew as a poet gradually with

The start of the Romantic Age coincided with the start of the French Revolution in 1789. It ends in 1837. Just as the revolution was changing the social order, the romantic poets were taking literature in a whole new direction. The mechanical reason that pervaded the work of the previous era was replaced by strong emotions and a return to nature. Animals and respect for nature were frequently used subjects in works of his period. The first generation of poets included William Wordsworth, Samuel Taylor Coleridge, and Sir Walter Scott. Their primary contribution to literature was with their lyrical ballads. They used the typical romantic themes of respect for nature and all of its creatures. Wordsworth is above all the poet

In concord to this, the Norton Anthology of English Literature characterises this poem as an inauguration of “[Wordsworth's] “myth of nature”: his presentation of the “growth” of his mind to maturity, a process unfolding through the interaction between the inner world of the mind and the shaping force of external nature” (Willliam Wordsworth 1770-1850, 271).” It is no wonder John Keats describes Wordsworth's poetry as “excessively self-centred” (“Egotistical Sublime”), thereby strengthening the argument of Wordsworth's focus on the individual.

Wordsworth is known for his introspection, often writing about feelings, emotions, mortality, and nature. Wordsworth’s The Prelude is a seminal work and a prime example of the romantic revision of epic tradition. The poem is about the growth of the poet’s mind. It is autobiographical and deals with different periods of Wordsworth’s life, such as his childhood, his time at Cambridge and his residence in France. The poem features Wordsworth reflecting on his experiences and feelings, and the poem acts as a look into how he views himself as a poet. In The Politics of the Epic: Wordsworth, Byron, and the Romantic Redefinition of Heroism, author Paul Cantor contends that despite the use of epic writing, the poem itself is vastly different from the epic. “It is written in an elevated blank verse that often has a Miltonic ring, it contains epic diction and epic similes, and it shows many other signs of Wordsworth 's attempt to work within the established epic tradition. But if one looks at the beginning of the poem, where the epic poet traditionally invokes his Muse, one can see how radically Wordsworth differs from his predecessor” (Cantor, 377). The poem seems to mimic the Miltonic epic in its style and diction. This does not mean, however, that Wordsworth intended to follow the conventions of the epic, as The Prelude breaks several of the conventions of classical epic poetry. For instance, the poem does not deal

Romanticism is described as the period across the eighteenth and nineteenth centuries, following The Enlightenment and Industrial Revolution, that enlightened artists and philosophers developed and expressed revolutionary responses to injustices at the time. On such revolutionary was poet artist William Blake. Blake lived and wrote in England at a time when the Christian Church and Industrialisation held utmost power over people. The philosophic writer saw such values and attitudes as crimes against nature and human nature and sought to protest. William Blake, in his protesting works like Garden of Love and A Little Boy Lost, through the use of irony, sarcasm, aesthetic and metaphor, expresses concerns of corrupted 18th and 19th century Britons.

William Wordsworth begins his poem by calling out to another poet of an earlier time period, “Milton! Thou should’st be living at this hour:”(1). Wordsworth calls forth Milton because he knows that London is need of serious revisions. Wordsworth then portrays London, “she is fen of stagnant waters: altar, swords, and pen, fireside, the heroic wealth of hall and bower”(3-4). With a combination of both word play and imagery Wordsworth is able to express his perspective of London. He displays how the growth in beginning to plateau as he uses, “she is fen of stagnant waters”. He then uses words like altar, sword, pen, fireside, and heroic wealth of hall and bower to represent larger pieces of London. The altar represents London’s religious practices, sword represents the military engagements, pen represents the literature, fireside is the society that he sees himself in, and the heroic wealth of the bower is the economic struggle of London. Wordsworth is afraid that the citizens are in too much of a haze to remember their goals, “Have fortified their ancient English dower of inward happiness. We are selfish men”(5-6). He then makes another call to Milton to help the city recover, “Oh! Raise us up, return to us again; And give us manners, virtue, freedom, power”(7-8). Wordsworth then begins to further complement Milton, “ Thou hadst a voice whose sound was like the sea: Pure as the naked heavens, majestic, free”(10-11). Wordsworth portrays a city that is no longer able to recover without a great leader. He speaks very highly of Milton and believes that he would be the right man for the task and that he would be able to bring the “ancient English dower” back into London. Milton was a man of his word and paid great attention to all classes of individuals in London, “ In cheerful godliness; and yet thy heart the lowliest duties on herself did lay”(12-13).

Coleridge sees the effect the writings of the Romantic Era has on those who are not writers which make the assistance of memory and dreams in the writings much more significant. Along with Coleridge’s significance to the Romantic Era, William Wordsworth also contributed to the movement of memory and dreams in the writings of the Romantic Era.

During the beginning of the Romantic Era the French Revolution was taking it's course and in the wake of it's path were several political, social, and economical reforms. These revolutionary changes were encapsulated in the arts and literature. This was a time of great uncertainty which further provoked reflective, sometimes radical, thought. Some of the prominent writers of the era include William Blake, William Wordsworth, Samuel Taylor Coleridge, and John Keats. These visionary writers used their imaginations to create an escape from and to illustrate the happenings of the age. As the world in which these writers lived was changing, the literature which they produced would also take on transformations. The literature of this era was both influential to and influenced by the notion of revolution. Described in this section of the text, “Polemical essays and pamphlets helped shape the controversies, and so did various forms of literary writing: sonnets and songs, ballads and poetic epistles, tales and plays, the sensationally turned narrative and the didactic novel. Even literature not forged in the social and political turbulence was caught by a

Although the poem calls the attention of the audience to the conflicts England was experiencing during the year of 1802, it serves two purposes. To begin, William Wordsworth calls for help to John Milton so he can rescue England with his nobility and virtue. For example, this poem which was written in the form of a sonnet as the lines follow an iambic pentameter, the speaker (who one can assume is William Wordsworth) addresses an announcement to the dead John Milton. During this first line: “Milton! thou shouldst be living at this hour” (pg. 346), Wordsworth deeply mourns for Milton’s help in which he desires for him to be alive at that very moment in England to restore what had been forgotten. One can also conclude this poem is certainly

Samuel Taylor Coleridge’s poem, “This Lime-tree bower my prison” is one of the most quoted examples of romanticism. Throughout the three stanzas, many romantic ideologies can be identified including aspects such as the romantic’s view towards nature, the power of the imagination and the emphasis on the individual.

William Blake’s poem “London” takes a complex look at life in London, England during the late seventeen hundreds into the early eighteen hundreds as he lived and experienced it. Blake’s use of ambiguous and double meaning words makes this poem both complex and interesting. Through the following explication I will unravel these complexities to show how this is an interesting poem.

William Wordsworth's "Tintern Abbey" celebrates imagination and emotion over rationality and reason, and intuition over science. It is the beginning of English Romanticism in the 1800's and Wordsworth was one of the leading poets of that era. He introduced the readers to grasp nature and fully appreciate all aspects of it. "Tintern Abbey" focuses on Wordsworth's nostalgic experience on returning to the Abbey, but pays much attention to the poem's theme of emotional beauty and nature. In this poem, the reader finds Wordsworth's intense and loving memory of natural scenes.

While today "solitary" may mean lonely and sad, but the Romantics tended to have a much more optimistic view of the word in terms of the world as a whole. Solitary was generally placed with nature and becoming closer with the true representation of nature. Many of William Wordsworth's poems are dedicated to nature and a large portion of them deal with solitary beings. Along with the natural world, during the romantic era was the French revolution which was dedicated to giving voice to the common people, something Wordsworth did well. "The Solitary Reaper", by William Wordsworth, is a short example of everything that Romantics believed about solidarity whilst also adding the feeling of common people in true Wordsworthian and French Revolutionary fashion. This poem addresses his beliefs about the war along with the prosperities that encompassed the natural isolation of the romantic movement.