Deformity In Mr Hyde

In the opening chapters of ‘The Strange Case of Dr. Jekyll and Mr. Hyde’, not only does Stevenson portray Mr. Hyde through his descriptions, but he also creates juxtaposition between Mr. Hyde and his descriptions, making the reader feel confused about the character of Mr. Hyde as is Mr. Utterson during the first few chapters. For example, in ‘The Carew Murder Case’, the interior of Mr. Hyde’s house is described as “... furnished with luxury and good taste.” This shows juxtaposition between Mr. Hyde’s house and himself, as Mr. Hyde would never be described as ‘luxurious’ or a man with ‘good taste’. Also, I think that Stevenson wrote this intending to give the reader a feeling of annoyance towards Mr. Hyde just as Mr. Utterson would be feeling at this point. The fact that Mr. Hyde’s house is being described as ‘luxurious’ makes the reader feel that it’s unjust that someone as horrid as Mr. Hyde could be so easily concealed by the interior of his house to a stranger. Stevenson’s intentions here were to have the reader feel more resent and hate for Mr. Hyde and to, again, show a different form and method of mankind’s dual personality being concealed. There is a saying that keeping your secrets or real thoughts bottled up for too long will only cause agitation and will result in the bottle exploding and leaving nothing but destruction

Stevenson develops the idea that evil can be seen visibly through physical appearance, and is always the ugliest form of a human being. When Dr. Jekyll transforms into the 100% evil Mr. Hyde his mentality and mindset changes, but so does his appearance. Stevenson depicts the change from Dr. Jekyll to Mr. Hyde as a change that can be visibly seen. Mr. Hyde is much uglier than Dr. Jekyll, as well as more evil in nature. When Mr. Utterson first sees Mr. Hyde he considers him deformed and repulsive, “Mr. Hyde was pale and dwarfish, he gave an impression of deformity without any nameable malformation, he had a displeasing smile, he had borne himself to the lawyer with a sort of murderous mixture of timidity and boldness, and he spoke with a husky,

This suggests that Hyde is a strange man. Stevenson uses this powerful description to convey and portray a man who comes across as mysterious and dangerous. Stevenson makes him more mystifying when Enfield continues, “I can’t describe him. And it’s not want of memory; for I declare I can see him this moment.” (Page 15) This immediately brings a sense of a man with deformities that can’t be described. Stevenson uses this to confuse the reader and amplify the sense of foreboding. Surely when one can see somebody in their mind, they can describe how they look and describe their deformities especially? Not being able to describe Hyde shows that he isn’t a normal human; he’s something far more inhumane.

The manner in which Hyde is first presented attracts the reader’s attention and provokes momentous assumptions from the reader that Mr Hyde is

In Dr Lanyons Narrative, the Doctor describes Hyde’s character and his appearance in a close, descriptive way. By using the phrase ‘dreadful smile’ in order to depict Hyde’s rare appearance, Stevenson creates an uncomfortable tone my using an antithesis between the two words. As smiles are often connoted with goodness, for a smile to be ‘dreadful’ shows how Mr Hyde had washed all decency away and therefore creates a mismatched discomfort to the scene. Furthermore, describing Dr Lanyon as ‘pale’ after the transformation has taken place is key in Stevenson being able to covey the horror of the situation to the reader. This also can be related to Mr Hyde’s presence and perhaps a feeling that he had drained Lanyon of livelihood – this illustrating revulsion to Mr Hyde. Similarly, when describing the setting of The Carrew Murder Case, Stevenson depicts the ‘pale moon’. The use of ‘pale’ in this description is particularly striking as it conveys how once again Mr Hyde is draining the livelihood from the moon, almost portraying it as dead. This is can also be interpreted as a

The huge importance of the different physicality of Jekyll and Hyde is illustrative to the completely different characters and the way they are as humans. In Victorian society you could be judged as a rapist, murderer, crook or just plainly evil simply by the way you looked. Stevenson played on

Jekyll and Mr. Hyde is one long social commentary. One of its main themes is breaking down the façade of perfection created by the upper class, and examining what lies underneath. In fact, the whole story is about a man in high society, whose private life is rather an opposite of his public one. In Dr. Jekyll’s letter, Stevenson writes, “I knew myself, at the first breath of this new life, to be more wicked, tenfold more wicked, sold slave to my original evil… I was suddenly aware that I had lost in stature,” (Stevenson page 2273). The idea of a “loss in stature” holds a double meaning. Stature, meaning size, can allude to Hyde’s height which is understood to be much less than Jekyll’s own. Yet, stature, meaning stance in society, can also imply that Jekyll, when transformed, no longer hold’s his prominence in his culture. This speaks to the Victorian society’s habit of only portraying the high society as impeccable which Stevenson battles throughout this mysterious case. Another parallel of appearance is described by Nabokov as he states, “The relations of the two are typified by Jekyll’s house, which is half Jeykyll and half Hyde,” (Nabokov 186). The side facing the street filled with others in the upper class is neat, tidy, and welcoming; this is Jekyll’s half. The side facing a dimmer and more dangerous street is dark, looming, and mysterious; similar to Hyde’s

Jekyll and Mr. Hyde, Stevenson uses very rich diction so that his audience can visualize every detail of the setting and characters. In Dr. Lanyon’s letter to Mr. Utterson describing how he came to know of Dr. Jekyll’s deception and secrets, he also describes Mr. Hyde. This was the first time in the novel that Mr. Hyde was descriptively described. The diction Stevenson used influenced not only the visual aesthetics of the reader but several themes and gives the reader foreshadowing. Dr. Lanyon first describes Mr. Hyde’s clothing as “enormously too large”, and goes into further detail by observing that his pants were too long for him and were “rolled up to keep them from the ground” and “the collar sprawl wide upon his shoulders” (Stevenson). Dr. Lanyon’s description also foreshadows the truth behind Dr. Jekyll’s secret because Dr. Jekyll was described as a large man, “a large, well-made, smooth-faced man of fifty” (Stevenson). Mr. Hyde’s description also included Dr. Lanyon’s surmise that “there was something abnormal and misbegotten in the very essence of the creature” (Stevenson). In the last chapter, the letter from Dr. Jekyll to Mr. Utterson, the audience gets a sense of shame and understanding from Dr. Jekyll. Stevenson’s diction strongly influences the reader’s perception of Dr. Jekyll’s letter. His use of words like “morbid sense of shame,” “driven to reflect deeply and inveterately on that hard law of life,” and “shed a strong light on this consciousness of the perennial war among my members” (Stevenson), imply the emotional impact that Dr. Jekyll’s experiments had on

At the time Stevenson was writing the novella, people were very judgmental of those who looked different. Back then, these 'deformed' people would have been shut away. These reactions from the late 1800s had a huge influence on the attitudes that Stevenson's characters had towards Hyde in the book.

“All human beings are commingled out of good and evil.” Robert Louis Stevenson was no fool when it came to understanding the duality of human nature evident within mankind. In his novella, the Strange Case of Dr. Jekyll and Mr. Hyde, Stevenson is able to explore his interests concerning the dark, hidden desires that all human beings are guilty of possessing. In his story, a well-respected professional by the name of Dr. Jekyll experiments with the idea of contrasting personalities and successfully undergoes a physical separation of such identities—one which would soon wreak havoc upon his very existence. As a result of his success, Edward Hyde is born. Hyde, characterized as a miniscule and terrifying, apelike figure from the start,

Throughout the whole course of the novel, readers can identify an unbreakable connection between Hyde and animalistic images as he was shown to be big, awkward and childlike. This kind of figure is regarded by Stevenson as parts of human nature. It also expressed Stevenson’s repression towards hypocritical society during Victorian times.

This gives the impression that Hyde is a monster than comes out only when it is dark and nobody can see him. Whatever he is, he cannot be called human. In Victorian England, if a person looked ugly, criminal-like or ‘giving an impression of deformity’ they were considered to be ugly and criminal-like inside to. If you imagine a person reading this story when that was what was thought, the description of Mr Hyde would instantly label him as the bad character.

Utterson is what would be considered as the perfect European gentleman. A prominent lawyer who was well respected in his community and is now trying to protect his long-term friend, Jekylls’ reputation from the mysterious Mr. Hyde. There are few instances in the novel when Mr. Utterson is taking walks with Mr. Enfield, but they do not gossip, or otherwise speak ill of those closest to either of them, especially Utterson, as if they were of blood relation.[5] Although he investigates what seems to be an unrealistic series of events, he chooses to not believe it and to continue looking for an explanation. And just as Utterson avoids the reality of what he may have discovered, as inconceivable as it may be, so too does European society prefer to deny the existence of an uncivilized acts of inhumanity, no matter how essential these acts may be.[6]

The dual character combination of Dr. Jekyll and Mr. Hyde is one of the most well-known in literature and is arguably the most blatant example of duality Stevenson uses to try and get the theme of The Strange Case of Dr. Jekyll and Mr. Hyde across. The dual personalities Dr. Jekyll possesses are stark examples of the animalistic and civilized sides of man that inherently resides in all men. The virtuous Dr. Jekyll serves as a portrayal of the more rational, human side of man. When Mr. Utterson attends Dr. Jekyll’s dinner party he paints a picture of a quintessential Victorian man when describing Jekyll’s appearance, “well

Imagery plays a key role in the exploration of Dr. Jekyll's double character. Stevenson's use of imagery intensifies the plot and its relationship between good and evil (Rollyson 1863-1864). For example, Hyde is described as "apelike" and "like a monkey" while Dr. Jekyll is portrayed as handsome and elegant with "proper stature" (25-26, 38). This example indicates a "reverse evolutionary process" and confirms Jekyll's disastrous attempt to interfere with the order of nature (Page 763). In general, Hyde is illustrated as animalistic, ugly, and deformed mainly to conjure an evil opinion of this character. However, the physical description may be more than simply symbolic. "During the Victorian era, many believed in physiognomy," which was the belief that one could judge a criminal from his or her physical appearance. Hyde is depicted as a vampire who "feeds on the very life of his victims" (Abbey, et al. 327). ."..[Hyde was] drinking pleasure with bestial avidity from any degree of torture to another, relentless like a man of stone" (33). This vampire image suggests the way in which indulgence of evil eats away man's capacity for goodness. Lastly, Stevenson chose ideal names to suit and describe the personalities or actions of his characters. Just as Hyde hides in Jekyll, "Je kyll" hides in "Jekyll." In French, "Je" means I and "kyll" probably