Dehumanization In Franz Kafka's Metamorphosis

In our interactive Oral we discussed about Franz Kafka’s Metamorphosis, through point of time and place matter, the relation to the society, the culture and experience and the technique in the work, I learned about the society oppressive expectation can lead an individual to loss in identity

     I have chosen The Metamorphosis as my subject for this paper; I will take a close look at how the death of Gregor Samsa opens the doors to understanding the story. I will give examples of irony through Gregor’s metamorphosis and how this irony brings together the conclusion of the story. Through his death we see the truth behind his parents, which in it’s self is ironic. It is difficult to pinpoint one specific thing to write about in the story; there are just so many things that can be brought to light. If I happen to lose sight of my topic bear with me, there is just so much to be discussed in the novella.

In Franz Kafka's Metamorphosis, Gregor’s life dramatically changes with the event of his transformation to a bug. His family is not in full acceptance of what has become of him and Gregor begins to lose himself. He had once been the provider for his family and now it is as if his family reproaches him for his inability to take care of them. Gregor wants to again have a role in his family yet recognizes that his family would be better off without him and dies. There are several situations that Gregor experiences that makes him lose all hope. From Maslow’s hierarchy of needs it can be be seen that Gregor loses his humanity including the essential needs to humans such as his safety, his desire to be successful, and his desire for affection from others. The desire to feel love from his family and their rejection is the final event that leads to his depression and at the end to his death.

Everyone has people they depend on. People that he or she knows will always be there when they’re needed. But what happens when those people just don’t show up or just all of a sudden stop caring? The feeling of loneliness can break down a person’s character and reduce him to a shell, or in this case and exoskeleton, of who he once was. We can see this in The Metamorphosis by Franz Kafka. When Gregor Samsa finds himself transformed into a giant beetle-like creature, what he needs more than anything is the love and support of his family, but he disgusts them. They shut him up in his room so that no one can see him. They are ashamed of him, and quickly forget that he was part of their own flesh and blood. All that they can see is the monster that appears on the on the outside. Gregor’s sister and parents betray his love for them and leave him feeling lonely in the most terrifying and desperate time of his life.

Gregor maintains submissive personality and does not defend himself. Gregor’s physical change into a bug is the only aspect of him that changes. Gregor continuously allows himself to be abused. Upon Gregor’s transformation, he is unable to go to work. Therefore, the chief clerk visits Gregor to force him to come to work. Gregor remained locked in his room and would not leave for work. So, the clerk became extremely impatient. The frustrated clerk divulges into a cruel and demoralizing speech. He maliciously accuses Gregor of hiding because of unethical involvement in cash receipts. Later, Gregor’s family and the clerk become restless and want to see Gregor. The door to Gregor’s room is unlocked to open and reveal Gregor in his insect form. Gregor’s family and the clerk react with horror. The clerk and Gregor’s mother run away from him in fear. Gregor’s father grabs a stick and a newspaper and dashes toward Gregor, herding Gregor back into his bedroom with prods and fierce language. Gregor injures himself badly while trying to fit back through the doorway. Gregor’s door is slammed shut behind him and he his left alone, frightened and injured, in his room. The events subsequent to Gregor’s transformation exhibit his passive nature. Clearly such passivity was not useful to Gregor.

Throughout their discussion, Covino and Jolliffe present many possible definitions of rhetoric. However, I believe they capture one if its major features when they state, “rhetoric might be understood as the study and practice of shaping content.” They expand upon this definition later in the text, explaining that rhetoric involves first, the speaker or author being knowledgeable about the particular field their text addresses. Second, it involves assembling and rearranging this knowledge in a form that will be most coherent to one’s intended audience, while being able to influence their audience’s ideas and perceptions; they refer to this process as knowledge-making. Understanding one’s audience is hugely implied here, which I believe is essential in the art of rhetoric. Another important component of rhetoric they address is its contingency. Similar to the ideas of the New Critics, such as Cleanth Brooks, Covino and Jolliffe

All lives revolve around decisions and instances from ones past. In A River Runs Through It (1992), director Robert Redford uses this idea and applies it to a true story of two brothers from Montana, Norman and Paul Maclean (Craig Sheffer and Brad Pitt, respectively). Based on the autobiographical novel by Norman Maclean himself, River uses Maclean’s metaphysical beliefs about life and nature to present its many themes. Using a longing score, various film devices, and a story line involving themes of youth, loss, and the pitfalls of pride, Robert Redford crafts a film about the beauty of the past.

In the beginning of the novella, Gregor undergoes a transformation. Many readers view his transformation as he turns into a bug because of the way Kafka describes Gregor. Kafka may have been undergoing a transformation of his own. Kafka dealt with many issues growing up such as self doubt, issues with his father, and eventually, health issues. Like Kafka, Gregor deals with issues with his father and within himself and begins to feel less and less like himself as the novella continues. He awakes from his sleep to ask himself, “What’s happened to me (Kafka, 3)?” With the conflicts Gregor has with his family, especially his father, he begins to feel unwanted and unappreciated. Gregor also feels that he is becoming less sensitive when that used to be one of his main traits as a human (Kafka, 24). Seeing that Gregor is losing his sensitivity, that shows that he is truly losing himself since he is losing one of his main traits. Feeling less like himself, Gregor becomes more distant with his close

Kafka describes the tedious, murky and muggy environment that foreshadows the decomposition and fall of Gregor’s life. When Gregor opens his eyes, he finds himself changed into a grotesque vermin or an enormous insect, an insignificant creature. Gregor does not scream. He does not panic at least not until he worries about going to work, that a gigantic insect doesn’t need to bother showing up for work doesn’t cross his mind. It seems as though Gregor accepts his fate so willingly. With this striking opening, Kafka sets his mystifying psychological fantasy in motion. Kafka’s diaries and letters point out that he considered “Gregor’s fate no worse, or better, than that of any person.” The prior life of a traveling salesman vs. the one-room Gregor occupies, as an insect are both lives of solitude. Kafka wrote that “the cares we have to struggle with every day” are emotional anguish. Kafka lived a sad life. He was persistently haunted by the oppressive image of his father. This could be clearly seen in Gregor’s attempts to get out of the bed. But, since his door was locked, he would need to call for help, which he does not favor. This shows Kafka’s fear of his father. He would rather lay on the bed forever than call his father to help him. Kafka’s fear estimated here as Gregor’s fear

When Gregor inexplicably becomes an insect his family is primarily worried about how this will affect them, and their financial security. The morning Gregor awakes as a ‘monstrous vermin' is the first day he has missed work in five years; his family's immediate concern is for Gregor's job. His father begins to admonish him before he can even drag himself out of bed. When Gregor hears his sister crying at his door he thinks, "Why was she crying?? Because he was in danger of losing his job and then his boss would dun their parents for his old claims?" This is very significant to their relationship; he considers himself close to his sister, but feels her emotion spent on him is related to money. Gregor has been the sole breadwinner for years; working at a job he abhors only to pay his fathers debts. The family leads an extremely comfortable life of leisure; the father sits at the kitchen table and reads all day, the sister wears the best clothes and amuses herself by playing the violin, and all even take a mid-day nap. Gregor is extremely pleased and proud to provide them with this lifestyle; however, his generosity is met with resentment by his father and indifference by his sister and mother. Once the family grew accustomed to this lifestyle they no longer felt the need to be grateful, "they had grown used to it, they accepted the money, but no particularly warm feelings were generated any longer." At one point Gregor is deeply

Kafka was critical in bringing the new outlook on modern culture and particularly on modern man. Franz Kafka studied the modern man in the face of contemporary culture, and how he was steadfast in retaining his spirituality and identity, and gravitate towards authenticity and happiness. However, Kafka saw how the dehumanizing forces of industrialization and capitalism in the post- the WWI Europe posed a challenge to the modern man. Modern culture can be viewed tolerating and open to all. To Franz Kafka, modern culture coupled with technology is fast changing, and man has to maintain his self-consciousness in order not lose his spirituality and identity amidst these changes (Wintle pp. 708-710). Hence, as modern culture changes with the changing technology, religions are poised to change too, which presents fears to a man about losing his spirituality and identity upon embracing the modern culture. Interestingly, Kafka was mystical in his writings, with a keen interest in themes such as metamorphosis, existential and identity. If we look at “The Metamorphosis,” we can view the idea of how the dehumanizing effects of capitalism and industrialism are indicated within the writings. Kafka contends we become dehumanized with buying power and working too much. The transformation of Gregor seems to indicate a denial of responsibility to the changing forms of society’s conventions and values.

Gregor is not only isolated from his family but also neglected as well. First, As stated before Gregor was never really loved in his family his father was had a negative influence on him. “With a hostile expression his father clenched his fist, as if to drive Gregor back into his room” Mr. Samsa almost barely comes out a compassionate character here. His reaction to Gregor's condition is aggression, rather than patience or sympathy. Second, His father even attacks him multiple times. The second time he was attacked by his father it was a serious enough wound to be life threatening. Gregor is unable to prevent this injury and obtain any sort of remedy; the family doesn’t seem to care at all, and he is at their mercy. Next,

The most fatality in human nature is greedy and selfish. Human is known for neglect, or throw things away when it becomes nonfunctional. Franz Kafka analyzed psychological human behavior beyond the fiction story in his literary work. The reader experiences a deeper meaning of suppressed desires which are stored in our unconscious mind. Protagonist Gregor get transformed into a monstrous bug, and it seems fantasy story at first glance, but if you dive deep into the Metamorphosis, it reveals the dilemma of human’s unconscious mind as suppression of desires. The equation of human relationship changed, people show up their frustration, ready to give away nonfunctional existence.

During the time that Gregor was forced to live out the remainder of his existence in his now prison like room, many family matters occur. For one his younger sister whom he is used to taking care of now trades places with him as far as roles in responsibility go. She now after years of good loving and nurturing feels obligated to repay Gregor for all his years of dedication. Since Gregor in his current metamorphosed state cannot do his every day activities, she sees to it that he is feed and his room is kept clean though she personally finds it hard to look at him for undisclosed reasons. While she is doing this it is interesting to see how much utter disgust and loath his father looks at him with, and not for just physical reasons either. This after years of

Although his thoughts and emotions have remained human, his physical human characteristics have mostly disappeared. The next morning, after Grete slams the door on Gregor, he wonders whether she’d “notice that he had left the milk standing, and not for lack of hunger, and would she bring in some other kind of food more to his taste?” (107). Gregor wishes to be accepted by his family in his new form and hopes that Grete will directly display her sympathy, claiming that he would rather starve than have to ask her. Grete accepted Gregor the most out of his family members, yet as time went on and they started working, they moved on from Gregor and ignored his desire to be fed. It is clear that Gregor has become very sickened by his family’s lack of acceptance and “At