Dehumanization In Joseph Conrad's Heart Of Darkness

"The horror, the horror!" Kurtz exclaims prior to his last breath of life on earth. In those final moments, Kurtz was able to say something so true about the whole mess of human life. A life dominated by the fittest, perceived differently through each human eye, and full of judgement lacking understanding of all sides. The various ways the world is viewed causes many problems amongst its people. Whether they are about racism, wealth, or even common sense, conflicts are still subject to arouse. Why? The answer to this is not yet clear because of its complexity and endless variables. Yet what is clear is that it ties into two other aspects-prejudice and social

    Literature is never interpreted in exactly the same way by two different readers. A prime example of a work of literature that is very ambiguous is Joseph Conrad's, "Heart of Darkness". The Ambiguities that exist in this book are Marlow's relationship to colonialism, Marlow's changing feelings toward Kurtz, and Marlow's lie to the Intended at the end of the story.

During the Holocaust, German Nazis slaughtered Jewish people and held them prisoner as well. While they were held captive, the Jewish people were often dehumanized. Dehumanization is defined as the process of depriving a person or group of human qualities. Throughout the book Night by Elie Wiesel, there is many examples of dehumanization, like taking away personal identities, starvation, and being forced to watch others be murdered that helped Adolf Hitler achieve his ends.

Reification refers to the categorization of people based on those anxieties from fears around conceptions of self-worth and status. Anxiety, a basic component of humanity, is recognized by its feeling of dread rather than its causes. Reification of others is born out of reification of oneself (Weisband, “Social Groupings”). It reduces the freedom and choices available, and it assumes that one is too stagnated to change, especially in comparison to others. This denies that all human freedom is similar. In denying the situatedness of the human condition, people develop the desire to create the uncreatable, and thus they reify themselves to confront anxieties over their own situatedness. As the freedom they have is not what they want, this leads to self-reification, self-contempt, self-denial, and self-disgust (Weisband, “Reification”). It is the beginning of hatred. The reified “self” judges the self in discipline. Similarly, the logic of illogic starts with reification, which develops feelings of supremacism which lead to racism, then racialization, then, finally, spatialization (Weisband, “Rwanda and Nativism”). These reflect the different modes of cultural development that rationalize self-contempt, self-rejection, and denial of self-worth. It represents the beginning of doctrines that aim to explain stereotypes, prejudice, and other forms of hatred (Weisband, “Social Groupings”).

Language is arguably the most powerful tool in the world. Humans form certain stigmas to certain groups and is generally unintentional. Things like stereotypes are a common thing in our society. Even a name connected to a certain race, brings certain allegations about that person, may it be negative or positive. These negative allegations about a group of people eventually leads to prejudice. Prejudice can have enormous power over whole groups of people, like the social stigma of the Communist party. The author of this essay Gordon Allport graduated from Harvard College in 1919

    Joseph Conrad's Heart of Darkness is full of oppositions.  The most obvious is the juxtaposition of darkness and light, which are both present from the very beginning, in imagery and in metaphor.  The novella is a puzzling mixture of anti-imperialism and racism, civilization and savagery, idealism and nihilism.  How can they be reconciled?  The final scene, in which Marlow confronts Kurtz's Intended, might be expected to provide resolution.  However, it seems, instead, merely to focus the dilemmas in the book, rather than solving them.

There is an abundance of literature in which characters become caught between colliding cultures. Often, these characters experience a period of growth from their exposure to a culture that’s dissimilar to their own. Such is the case with Marlow, Joseph Conrad’s infamous protagonist from ‘Heart of Darkness’. Marlow sets off to Africa on an ivory conquest and promptly found himself sailing into the heart of the Congo River. Along the way he is faced with disgruntled natives, cannibals, and the ominous and foreboding landscape. Marlow’s response to these tribulations is an introspective one, in which he calls into question his identity. This transcending of his former self renders the work as a whole a

In Joseph Conrad’s novel Heart of Darkness, the cultural collisions illustrates the struggles Marlow experiences as he questions the nature of evil in humanity.

What makes Joseph Conrad’s Heart of Darkness more than the run of the mill adventure tale, is its moral complexity. By the end of the novel, we find a protagonist who has immense appreciation for a man who lacks honest redemption, the mysterious Mr. Kurtz. It is the literal vivaciousness and unyielding spirit of this man, his pure intentionality, which Marlow finds so entrancing and which leaves the reader with larger questions regarding the human capacity. Therefore, Heart of Darkness is profoundly different given its character complexity and ambiguous narrative technique which ultimately deliver home a message of the complex motivations and capabilities of mankind.

"Restraint! I would have just as soon expected restraint from a hyena prowling amongst the corpses of a battle," comments Marlow as he questions why the hungry cannibals aboard his steamer hadn't gone for the white crew members (Conrad 43). "The glimpse of the steamboat . . . filled those savages with unrestrained grief," Marlow explains after recalling the cries of the natives seeing the steamer amidst a brief fog lift (Conrad 44). "Poor fool! He had no restraint, no restraint . . .a tree swayed by the wind," speaks Marlow of a slain helmsman amidst an attack by tribal savages (Conrad 52). "Mr. Kurtz lacked restraint in the gratification of his various lusts," says Marlow a few moments after he tells of his first glimpse of

Inherent inside every human soul is a savage evil side that remains repressed by society. Often this evil side breaks out during times of isolation from our culture, and whenever one culture confronts another. History is loaded with examples of atrocities that have occurred when one culture comes into contact with another. Whenever fundamentally different cultures meet, there is often a fear of contamination and loss of self that leads us to discover more about our true selves, often causing perceived madness by those who have yet to discover their own self.  Joseph Conrad’s book, The Heart of Darkness is a story about Man’s journey into his self, the discoveries to be made there and about

In Joseph Conrad's Heart of Darkness, the attempt to define the cultural line leads to the corruption, greed, and evil of the white man.  Even when

Joseph Conrad’s novella, Heart of Darkness, effectively exposed the racism that was common during his lifetime. Through the harsh behavior and word choice of the characters and narrator, Conrad displays the uncivilized treatment of nonwhites that occurred during the period of colonization. Edward Garnett, an English writer and critic, summarized the plot of Heart of Darkness as being “an impression… of the civilizing methods of a certain great European Trading Company face to face with the “nigger” (145 Heart of darkness backgrounds and Criticisms). Conrad use of harsh language and terrifying situations, which were based off of his own experiences, capture the audience’s attention and helps them see the cruelty of the European

Heart of Darkness is written by Joseph Conrad and published in 1899. It is a novella written in the early modernism literary period.

The two major themes of Heart of Darkness are the conflict between “reality” and “darkness,” and the idea of restraint and whether or not it is necessary. Conrad’s passage describing the restraint of the hungry cannibals exemplifies both themes:  It describes how reality shapes human behavior, and contrasts the characters of Kurtz and Marlow.  “Reality,” as it is used here, is defined as “that which is civilized.”