By acknowledging its sexist, gendered iconography, Hans Christian Anderson’s, The Little Mermaid (1836) subsequently establishes itself as a particularly damaging fairy tale to impressionable child readers. Through the use of recurring images of dehumanization, sacrifice, and the tension of naturality versus artificiality, Anderson’s text promotes the deprivation of female individuality, in favor of a domineering male power. The work ultimately serves to degrade the readers’ abilities to develop the “necessary skills for equality” that contemporary Feminism advocates (OED).
Images of dehumanization exploring the deprivation of female individuality and the text’s overall impairment to children’s understanding of equality are primarily apparent through the Little Mermaid’s lack of a soul (Anderson par 20). Specifically, just as a “soul” is by definition, “the essential, immaterial part of a human being,” by articulating that the Little Mermaid does not have one, it alternately communicates that she is not inherently a person but something undeveloped and lesser (OED).
Likewise, by having to rely on the Prince in an attempt to get a soul, this process leads to the Little Mermaid’s objectification and loss of personal agency. For instance, this relationship renders her from a place of power as a Princess and into the image of a sort of prostitute, who has no voice, and must entice the Prince’s affections with only “(her) form” and other body languages (Anderson The Little Mermaid). In this way, the Little Mermaid becomes the same image of the statue in her garden that she idealizes—something formed as an imitation of a person but, with no accessible complex nuances of character (Anderson, The Little Mermaid). She does not even have a name, the demonstration of one’s unique identity linguistically. Instead, the text chooses to represent the Little Mermaid through a title that highlights only her physical appearance (Anderson, The Little Mermaid) (OED).
As such, these images are problematic because they aid in concretizing a distortion of gender dynamics to the deficit of female power. Notably, they do this with the idea that, where men are born with the intrinsic qualities of personhood, girls must prove—often
When examining The Little Mermaid from a feminist perspective, it becomes clear that the little mermaid is a misogynistic tale that glorifies a woman’s dependence on men and the objectification of women.
“Oh, fairytales, where desperate, naïve girls sacrifice everything for their so-called prince charming”. The realities of these childhood classics are controversial, sexist, and dark, yet, it’s also adored by millions of young girls around the world. Cinderella, an often sugar-coated story, is a great example on how sexism and gender stereotypes prevail in literature. The Grimm Brothers touch on a variety of devices, from characterization to symbolism, all revealing the inequality in not only fictional literature but our real-life society as well. A feminist literary critic will interpret these controversial themes and apply their beliefs of equal rights into the study of the Grimm Brother’s Cinderella.
The Little Mermaid is an example of how woman were seen in society. In the fairy tale, women are characterized by appearance rather than personality by both men and women. The little mermaid mentions “But if you take my voice, what shall I have left?” (Anderson 226). In this quote, the little mermaid believes that she cannot just be herself to win the prince’s heart. The prince also looks at women the same way because of how he talks to the little mermaid. He asks her, “You’ve no fear of the sea, have you, my dumb child?” (Anderson 229). He treats her as if she is still a small child just because she cannot speak. The tone helps shape the whole story into a feminist piece. Anderson relays the moral of
There are a number of fairytales, either from Grimm’s Brothers or Hans Christian Anderson, that portray numerous social issues that we still face in modern days. Social issues could include racism, equality between men and women, and ethnocentrism. These are social problems we face daily, and we have yet found solutions to eliminate\ the plentiful social issues. As said, fairy tales and children’s book always show hidden messages on problems that humans face every day. A very famous short story, which is known also by its movie, has an abundance in social issues that people face to this day. This short story is called “The Little Mermaid”, by Hans Christian
In the story, “The Little Mermaid” there are demonstrations that describe what a heroine is. A female character that is noted for special achievements represents the heroine in a story. Therefore, the youngest mermaid “Little Mermaid” represents the heroine throughout the story. The Little Mermaid is a mystical creature that longs only to seek the handsome prince she laid eyes on. “Once she became human, the witch said she could never become a mermaid again” (Anderesens 185). This is an example of how the Little Mermaid chose to do something incredible and dangerous just to accomplish something she only dreamt of. Not only is the Little Mermaid the heroine of the story, but she also exemplifies other archetypal characteristics. An
Disney directly exposes the idea that young girls should make their main goal in life to find their prince charming, fall madly in love, and live happily ever after. Making young girls’ aspiration in life revolve around finding a man of their dreams “transfix[es the] audience and divert[s] their potential utopian dreams and hopes through the false promises of the images [Disney] cast[s] upon the screen” (22). Disney tells the audience that women need a man to be happy. Disney presents the idea that women are dependent on me. Just like in The Little Mermaid, Ariel goes as far as surrendering her voice, to a witch named Ursula, and abandoning her family in order to be with her prince. Ariel also trades in her life as a mermaid, drastically changes her body, and sacrifices her greatest talent all in order to win her prince. Disney sends the message that girls need to give up their talents and lives in order to be with a man. Disney suggests that a woman’s main priority is her lover, no one or nothing else. Disney effectively portrays women in a negative way, depicting them as weak and needy. No attempt to break the stereotypical gender roles of women are evident however, these stereotypes are growing as Disney instills this image of women in the minds of viewers.
In the film The Little Mermaid by John Musker and Ron Clements, a theme that continually portrays itself is how woman are seen in society. In this film, women are defined by their appearance instead of their inner-self or personality by men and women. It also displays that woman are not treated fair. This is expressed in the film through multiple song lyrics and scenes. Ariel, the little mermaid, experiences many occasions where woman in a society are seen differently than men. In the film, Ariel was given an option to live under the sea and live life under the rule of her father, or be on land with her Prince Eric. Although this is clearly not laid out, a man figure is always above Ariel and could convey an idea that
Growing up watching Disney movies you never notice how sexist they really are. I always watched The Little Mermaid, but watching it now is very different. When you are younger you just watch things because you like them, you do not necessarily understand them. As you get older you realize what you were really being taught. Walt Disney’s movie The Little Mermaid displays a lot of sexism and displays how society should see women and how women should act.
From the moment the world introduced us to television, we have been bombarded with images of fantasy and “happily ever after’s.” Perhaps the most well known corrupter of reality lies within the Disney franchise. Disney’s, The Little Mermaid, follows a typical fairy tale format in which all goals and dreams are achieved. Its counterpart, however, moves to the beat of a different drum. Hans Christian Andersen’s, The Little Mermaid, portrays a more serious plot much different from Disney’s loveable adaptation. One may conclude that the most these two stories have in common is their titles, but a deeper theme runs throughout both of these fictional plots. Despite these two stories’ conflicting agendas and the
“The Little Mermaid” by Hans Christian Andersen is one of the worlds most cherished fairy tales. Through the years, this story has inspired its fair share of different adaptations and spinoffs, as well as intertwined itself in popular culture. Although it is widely considered a children’s story today, upon close examination, we can find various elements of literary devices and themes, all of which provide the seasoned reader with a deep connection to the story. To honor the tradition of story-telling, it is essential that a short summary of the story be given.
Hans Christian Andersen’s story, “The Little Mermaid” talks about a girl who saves a young man from drowning and falls in love with him, and she later learns that the young man she saved was a prince. In this world women believe that they are not capable of doing nothing or being nothing without a man in their lives. Disney’s film, “The Little Mermaid”, by Ron Clements and John Musker, present a version that makes an appearance for children, so it is harder to catch on where a woman needs a man in her life whether it is her father or a husband. In the Disney film the director makes the mermaid (Ariel) look so vulnerable and weak for a young woman. Women now these days say that they were made to believe that they have to depend on a man because they will not make it without them. In the story the author made it seem like all women cannot do want they want or that they are limited to do and say certain things because they are women. Women grow up to believe and to think that they need a man because that is how many men and society made women and young girls look like. So, part of this faulting it the men because they beliefs are that women cannot do what they do or that women and young girls belong at home to behave right and look pretty for the men. Andersen is a good example of Feminist and Gender criticism because women should believe that they can make it without having to rely on a man. Women should start believing that they are as equal as a man whether it’s at a job, relationship, at home, and in society because we are not meant to be looked at as a fragile and weak woman, we are supposed to show everyone that women should be equal to men on all types of levels. Andersen examines representation of gender, dependence, and cultural stability to explore notions of equality in gender.
A little girl sits on the floor with her gaze fixed on the television screen in front of her, watching magical images dance before her eyes and catchy songs flow through her ears. Even though she had seen it at least twenty times before, she still loved The Little Mermaid just as much as she did the first time she watched it. As she watched it, she longed to be a beautiful mermaid with a curvy body and wonderful singing voice like Ariel. She longed to be saved by the handsome Prince Eric, and fall in love and live happily ever-after like Ariel did. In today’s society, women strive to achieve equality between the sexes. Despite the tremendous steps that have been taken towards reaching gender equality, mainstream media contradicts these
Whether it’s making a woman be the evil antagonist, or the impossibly perfect protagonist, Disney does not treat women well. Watching The Little Mermaid from an informative standpoint is almost frightening -- to think that this is the way the most beloved children’s entertainment company treats a film directed to girls. In this film, Disney presents Ariel as a beautiful, slim girl. She seems perfect; she’s a princess! As this film goes on, Disney goes to show women that, no matter how perfect they are; it’s still not enough, and they need to change to fit the needs of a man, and be accepted by everyone.
My research paper focuses on how the 1989 Disney film, The Little Mermaid, objectifies the female characters' value and bodies within the film's music, rhetoric, and imagery. I analyze direct examples in which the male characters, King Triton and Prince Eric, impose misogynistic and sexist attitudes towards the female characters, Ariel and Ursula, which may ultimately idealize women as weak, submissive, and objects of sex. This is a problematic theme to perpetuate within classic films viewed by all ages simply because these ideas are vital in sustaining women’s social maltreatment and demonization within society. Because the audience of this paper includes my fellow colleagues and highly skilled and trained professor, I present it in an academic
Many believe that Ariel is a bad role model for children, especially young girls who look up to Disney Princesses. Many of these people believe that she changed her body for a man, and that no young girl should be taught to do the same. Many people think that the little mermaid is one of the least feminist princesses created by the Disney company, but unfortunately, these views are incorrect, and have weak supporting evidence. Ariel was anything but an anti-feminist, and actually was an advocate for women’s and mer-people’s rights. The little mermaid is the youngest (only sixteen at the time) in her family. While she may be little, but she made a big impact in her world, and is still making an impact on the world around us today.