Della Robbia Blue Character Analysis

A Streetcar Named Desire by Tennessee Williams is a play about a woman named Blanche Dubois who is in misplaced circumstances. Her life is lived through fantasies, the remembrance of her lost husband and the resentment that she feels for her brother-in-law, Stanley Kowalski. Various moral and ethical lessons arise in this play such as: Lying ultimately gets you nowhere, Abuse is never good, Treat people how you want to be treated, Stay true to yourself and Don’t judge a book by its cover.

Arthur Miller and Tennessee Williams are each widely considered to be two of the most illustrious and groundbreaking modern American playwrights, and their signature work -- Death of a Salesman and A Streetcar Named Desire – respectively, are also their most tragic pieces. Miller’s Death of a Salesman is, ultimately, a play focusing on the tragic consequences of Willy Loman’s unwavering belief in the American dream and its associated progress and success, where he is tragically too human, believing the values that matter in family are equally important in the world of business. Similarly, Blanche DuBois in Tennessee William’s Streetcar feigns her appearance and refuses move on from her past life of luxury, holding onto and creating new desires

Tennessee Williams’ ‘A Streetcar Named Desire’ is set in the ‘Roaring Twenties’ when America was going through a great deal of change in the order of society. The three main characters; Blanche DuBois, Stella Kowalski and Stanley Kowalski jostle claustrophobically in a small apartment, set in Elysian Fields in New Orleans, Elysian Fields is an ironic name as it evokes the sense that the apartment is heaven, when in reality it is very much the opposite. Stella and Blanche are sisters, but during the course of the play, we notice very clearly that Blanche is stuck in the in the Old World of plantations and inequality, with very large social divides. In contrast, Stella has almost seamlessly evolved to live in the New

“Stella has embraced him with both arms, fiercely, and full in the view of Blanche. He laughs and clasps her head to him. Over her head he grins through the curtains at Blanche.” (Williams 73) A Streetcar Named Desire written by Tennessee Williams exemplifies the theme of a struggle to attain happiness. The play not only portrays this theme in its characters and setting, but through the literary devices of Foil, Imagery, and Intertextuality. Williams took great care in applying each of these literary device techniques to the theme as he presents an intriguing contrast between Blanche and Stanley, vivid images both animalistic and broken, and imploring the use of the Odyssey to further

In his plays, A Streetcar Named Desire by Tennessee Williams uses different ways to show in the play of social realism. It show each of individual character and focusing on how particular way of viewpoint contrast with men, and the perspective of looking at women. The play explores struggle of two character Stanley and Blanche, between appearances and reality which made the play’s plot more affected reality. Throughout this play, it show the symbolize of the gender roles and the power of men over women in the 1940’s in New Orleans.

‘A Streetcar named Desire,’ is an interesting play, by Tennessee Williams. The character 'Blanche DuBois' is created to evoke sympathy, as the story follows her tragic deterioration in the months she lived with her sister Stella, and brother-in-law Stanley. After reading the play, I saw Blanche as the victim of Stanley's aggressive ways, and I also saw her as a hero in my eyes.

“A Streetcar Named Desire” is not only considered to be the best play written by Tennessee Williams but is also arguably one the greatest plays ever written. The play has a very Shakespearean sensibility with a southern twist while also having an original complexity woven throughout the entire body that became unique as William’s signature artistry. The most important attributes of the play is the construction and motivation of the characters, the juxtaposition of illusion and reality, as well as the relationship between the dialogue and stage directions. The play’s characters are ultimately defined and driven by their gender identity and sexuality, hence the title “A Streetcar Named Desire”. This is evident in the number of

Tennessee Williams was a thriving playwriter with many of his ideas coming from actual events in his life. Growing up with a father that was an alcoholic and known for gambling led him down the same path (Parry 304). In the play “A Streetcar Named Desire”, Blanche, who is trying to get away from her erroneous past goes to New Orleans to visit her sister Stella. Seeing that she is in a place where no one knows her, she hopes to make a new life for herself. During her visit, Blanche clashes with Stella’s husband Stanley and the biggest difference between them would be the way they were brought up. When Stanley starts to figure out that Blanche has a shady past, he is on a mission to uncover her past and expose her for who she really is. This makes things very hard for Stella because Stanley and Blanche see each other as enemies and they both are trying to get her away from the other. Throughout the play many disturbing issues will arise. Alcohol is brought up in the play approximately thirty-two times and violence around twenty-four (Williams). Tennessee Williams brings awareness of the characters through alcohol and violence to create a dynamic downfall into the mental state of Blanche.

Throughout Tennessee Williams’s play, “A Streetcar Named Desire” one can learn a large portion about his personal life. In the play the character, Blanche has a mental illness the same as his sister Rose had in her lifetime. Blanche’s ex-husband was also homosexual and he made the point to say that he left her for a man and Williams himself was also a homosexual. Tennessee chose for the story to be based in New Orleans, which was a crumbling town at the time and Williams was living a crumbling life, due to he was battling depression. In his plays a reader can see that he has different views than most men of his time, he developed many of these views due to his travels throughout his life. ““Streetcar” tackled themes of desperation, sexual

In Tennessee Williams’ 1947 play, “A Streetcar Named Desire,” Stella and Stanley Kowalski live in the heart of poor, urban New Orleans in a one-story flat very different from the prestigious home Stella came from. This prestige is alive and well inside Stella’s lady-like sister, Blanche Du Bois. Over the course of Blanche’s life, she has experienced many tragedies that deeply affected her, such as the death of her gay husband, the downward spiral in her mental health that followed, and most recently the loss of her wealth and therefore social status. She constructs a proverbial lampshade to mask her pain and to control the last part of her world that she is able to, the image she projects into the world for herself and others to see. The

Harold Mitchell or Mitch is the best friend and old war buddy of Stanley Kowalski, he is shown to have little confidence but a big heart. Mitch is a lost soul, he was in love to a girl who passed away. He’s been looking for a new romance ever since the audience first see him within the play, he wants to find love before his mother passes away. His actions to seduce Blanche were noble at first, but afterwards we see his selfish motivations

In the opening two scenes of ‘A Streetcar Named Desire’ by Tennessee Williams, the audience has its first and generally most important impressions formulated on characters, the plot and the mood and tone of the play overall.

Tennessee Williams’ A Streetcar Named Desire does not employ a variety of dramatic techniques to challenge the audience to explore the idea that the security offered by relationships can decline into a struggle for dominance. Rather, Williams’ uses said techniques to challenge the audience to understand how personal deterioration can lead to the decline in relationships, not through struggles for dominance, but through struggles for the basic conservation of said relationships. This is because the relationships portrayed in A Streetcar Named Desire only provide the illusion of security, seen through the relationship between Stella and Stanley, but provide no real guarantee of security. This concept is effectively explored through Tennessee

The play “A Streetcar Named Desire” by Tennessee Williams is a story of taboos from the 1950’s. The story begins with the arrival of a young southern belle named Blanche DuBois at her sister’s house in New Orleans. Blanche is forced to relocate there as her father and grandfather squandered what money they had left, to the point of losing of their home estate Belle Reve. As the play continues Blanche develops a relationship with Stanley’s friend Mitch. The addition of Stella’s husband Stanley, Tennessee Williams creates a catalyst to the taboos he desires for his story. As the play continues the stress of the new people and locations force Stella and Stanley to commit Blanche into a mental ward. In the play “A Streetcar Named Desire” Tennessee

Tennessee Williams's legendary play A Streetcar Named Desire presents the audience with a multitude of diverse characters and complex, intertwined relationship between those characters. The character that stands out as being the most essential and complex, however, is Blanche DuBois. Blanche looms as the sole character to look past the simplicity of life and long for something beyond her daily mundanity, and all other characters in Streetcar are contrasted against her to help illuminate some quirk of their humanity. In addition to these contrasts, Blanche also provides an interesting character study due to her inability to accept reality and her semi-anachronistic nature.