Delta Blues, And Southern Blues : The Origin Of Blues Music

Johnny B Goode has the chord progression of 12 bar blues. The song includes a guitar, drums, tenor vocal, bass and piano. The guitar techniques used in this song are bending notes, pull offs and slides. The piano fills on a blues scale. Chuck Berry doesn’t use many vocal techniques; it is all the same sort of tone. The texture is thick, playing as a melody dominated homophony but the intro is monophonic with the guitar alone. The song uses lyrics that are repetitive “Go Johnny Go”. The guitar uses little riffs in this song. The time signature of the song is 4/4.

In the song, “Blue Moon of Kentucky” the instruments that are used are mandolin, steel guitar, upright bass, and a fiddle where as “Walkin’ Blues” had a strum that anticipated guitar styles of R&R. A guitar sound was used in both songs but in the “Walkin’ Blues” there was a twist as mentioned earlier. They both deliver to a certain audience in a vocal style with a strong pulse (Walkin’ Blues).

This week we learned about many genres of music, some similar some different. The two genres I want to compare and contrast are Rock and Blues. When you hear rock music, you picture electric guitars, amplified sounds, and complex styles of play. But if you take a deeper look you would probably be surprised to learn that rock would not even have existed without simple 12-bar forms, antiphonal textures, or “walking bass lines” used in much blues music. Though Rock and Blues are distinctly different they have a lot of similarities that most likely go unnoticed. Rock and Blues were developed at almost the same exact time around the late 19th century. Blues originated from African American folk music and like Blues, rock music style can also be

“When first entering in America, British folk music was distinguished by three-chord tunes, sparse instrumentation (with some fiddlers), mostly male performers, improvisation, the singers’ sporadic shouts (Scottish “yips”), Christian themes served up in hundreds of hymns, and a secular collection of songs that told stories, generally about love and lost love, using metaphor and symbol to tell those stories” (Allen 101). By the late nineteenth and early twentieth centuries, British music changed and became Americanized. Vocal harmonizing slowly evolved, and fiddlers were accompanied by those who played banjo, an African American opening. “Tambourines and “bones” (tapping out rhythms using pork rib bones) were a minstrel show contribution” (Allen 102). When African Americans were forced into slavery and brought to North America in the 1600s, they brought their own musical traditions and sounds. Slaves who were on the Mississippi River Valley delta soil developed what will later be introduced as blues music. On the plantations, slaves greatly changed British American hymn singing. They took non-religious British American songs and turned it into their own forms of music that followed their culture and taste of music. Blues emerged in the early twentieth century at the same time country music became settled from its folk roots. Blues music talked about the indifferences African American slaves were going through at that time. “The blues voiced human

Darius Rucker, a Charleston, S.C., native, describes his musical influences growing up in the south, “You could hear R&B, rock ’n’ roll and country on the same station, that was where it all started for me, being able to flip through the channels and never really hearing about what label something was” (Reverb).

“3 O’Clock Blues” follows the conventional lyrical structure of most twelve-bar blues (AAB, with no distinguishable chorus).

Blues is a music genre originating in Africa .This genre emerged with the introduction of African people as slaves to America's south. Slaves were employed in poor conditions in the cotton fields before the Civil War. Making music meant avoiding the pain for them. People think Blues music is slow and smooth because the lyrics of the Blues music always includes depression, loneliness and anger.

The blues have deep roots embedded within American history—particularly that of African American history. The history of the blues originated on Southern plantations in the 19th century and was created by slaves, ex-slaves, and descendants of slaves. They were created by individuals who endured great hardship while performing endless hours of arduous labor and blues served as a form of escapism. To these individuals, songs provided them with the strength to persevere through their struggles. Blues songs depicted individuals who persevered in the face of adversity. They were symbols of hope to those squandering in the depths of oppression. In relations to the blues, every song has a story behind it and within every story, there is something to be said. Blues artists, through their struggles, detail how they overcame hardship and laughed at the face of oppression. They defied the rules and in doing so, showed African Americans that they too are beacons of hope for the hopeless. The best blues is instinctive, cathartic, and intensely emotional. From irrepressible bliss to deep sadness, no form of music communicates more genuine emotion than that of the blues. Like many bluesmen of his day, Robert Johnson applied his craft as a lonely traveling musician on street corners and in juke joints. He was a lonely man whose songs romanticized that existence. With Johnson’s unique vocal style, haunting lyrics, and creative guitar techniques, Johnson’s innovation embodied the essence of

The roots of modern american rock and roll music, are firmly planted in Africa. As the native Africans were torn apart from their family’s and brought to the new world their lives were immediately and drastically changed forever. Finding themselves immersed in a completely new environment with a foreign culture, they thankfully persevered and carried on with their own traditions and most importantly to this paper, musical ones. Most American slaves originated from Western and Central Africa. The West Africans carried a musical tradition rich with long melody lines, complicated rhythms (poly rhythmics) and stringed instruments CITATION. The West Africans music was also strongly integrated into their everyday lives. Songs were preformed for religious ceremonies and dances and music was often a

Robert Johnson’s “Cross Road Blues” (Crossroads) released in 1937. Robert Johnson is a legend, known as a figure in defining the foundation of the birth of Blues. His blues style was also very influential in the shaping of Rock and Roll. Before his young death at the young age of 27,

A single source of blues music cannot be traced, but Ma Rainey is rightfully credited with introducing it to the world. Hence the reason she was dubbed as “The Mother of the Blues”. During an interview in the 1930s, Ma told musicologist John Work, that she heard what would be called blues, for the first time around 1902. She was in a small town in Missouri working a show at the time, and one morning a local girl came into the tent singing about a man whom had left her. This new style of soulful music drew in Ma Rainey so much she later had the girl teach her the song. Rainey performed the song as an encore in a show soon after, earning a special place in the show, and marking the start of her career (Jas Obrecht Archive).

On the other hand, Blues were basically from work songs of African Americans slaves at the time. “It is a native American music, the product of the black man in this country, or, to put it more exactly the way I have come to think about it, blues could not exist if the African captives had not become American captives”(pp.17), said Jones and Baraka. In Jazz – A History, Frank Tirro wisely analyzes and explains the relationship between the unique background and

Charley Patton is known as the father of the delta Blue. His official year of birth is unknown but is speculated to be between 1887, 1891. He wasn’t born in the Mississippi Delta however, his family moved there and he spent much of his life there. I believe his Blues came from the fact he was of mixed heritage having black, Cherokee Nation and certainly not in the dominant whit culture. His family moved to the Dockery Plantation which was renowned for its favorable treatment of it sharecroppers and lenience on the musical indulgences of its residents. At the Dockery Plantation, Patton and other gave birth to the Delta Blues. He learned from a man named Henry Sloan who played what is viewed as an early Blues style. He influenced many other artists at the Dockery plantation including younger protégé‘s like Robert Johnson and Howling Wolf. Although Patton as of diminutive stature, he had a gritty, growly voice of a much bigger man which is said to have influenced the distinctive raspy voice of Wolf.

The blues is a musical style of feeling, a style about playing what comes from your heart. It came from work songs, field chants, spirituals, field hollers and revivalist hymns from the African American communities. Blues is associated with the sad times

     The Blues musical move was prominent during the 1920s and '30s, a time known as the Harlem Renaissance. Blues music characteristically told the story of