Demanding Obedience to Show Who's in Control: Angie Chau's Quiet as They Come and Guy De Maupassant's The Olve Grove

In The Perils of Obedience, Stanley Milgram introduces us to his experimental studies on the conflict between one’s own conscience and obedience to authority. From these experiments, Milgram discovered that a lot of people will obey a figure in authority; irrespective of the task given - even if it goes against their own moral belief and values. Milgram’s decision to conduct these experiments was to investigate the role of Adolf Eichmann (who played a major part in the Holocaust) and ascertain if his actions were based on the fact that he was just following orders; as most Germans accused of being guilty for war crimes commonly explained that they were only being obedient to persons in higher authority.

He asked these questions to find out why his mother doesn 't want to join the noble cause. In doing so, Nguyen thoroughly displayed his willingness to help fight the Communists. This passion stemmed from his adoption of American patriotism, which perpetuates the notion that Communism should be eradicated. This patriotism sets the foundations as something for him to become attached to as an American. However, his parents’ views about the fight conflicted with those of Nguyen. His mother objected by saying, “The war’s over” (53). Committed to being a pacifist of the Vietnam War, she showed disinterest towards the cause. His father takes a different stance by saying , “The war may be over ... but paying a little hush money would make our lives a lot easier” (53). Nguyen’s father neither denies nor confirms whether the war is over. However, the fact that he is not fully supporting the cause against Communism meant that his father also disagreed with Nguyen. Seeing his parents’ reluctance towards the war effort caused Nguyen to be outraged. The parents’ pacifist position challenged Nguyen’s dedication to being a patriot. As such, he doubts where he truly stands on this subject matter.

The streets of Ho Chi Minh City are beautiful around the summer time, but my favorite city was Huế, the city of cheap eats. My siblings and I have never been to Vietnam before, so it was an experience for all of us. As we were sitting down in a restaurant, looking at the menu, an old lady came up to us to take our order. My mother used to order for my brothers, so she ordered for them. When the lady looked at me, waiting for me to give her my order, all I could do was point at the picture on the menu and give her a smile. The look on her face was clear displeased. “She was born in America. She doesn’t know Vietnamese,” my father quickly told her, apologizing for my lack of knowledge. I felt embarrassed, lowering my head whenever she came near us. It was not my fault that I did not know my native language, but it was not my fault entirely for being able to learn it all these

Unfortunately, Vietnamese Americans make up only a small percent of the total American Population today. There are many stereotypes associated with the Vietnamese, but the truth is, we really know very little about their culture. After the Viet Nam War, many Vietnamese citizens immigrated to the United States to escape political Prosecution and poverty. Faced with a variety of obstacles and

In the book The Monkey Bridge by Lan Cao, income and social status prevent Mai and her family from all being together in the United States. On page 227, her mother Thahn writes in a letter to Mai, “How could i have told you that Baba Quan, the man I call Father, is a Vietcong from whom i am still trying to escape?” This quote shows that because Mai’s grandfather Baba Quan was a Vietcong, he wasn't able to come over to the United States during the war to be with his family because little did Mai know at the time, her grandfather was apart of this war that caused them to flee. During the early stages of Thahns life and the income that lacked thereof in her family, Baba Quan had to go to drastic measures in order to pay rent. “...my father, your

The leader of this communist introduction and development in Vietnam was Ho Chi Minh. Ho Chi Minh, born Nguyen Tat Thanh, grew up with a passion for freeing his country of the French. Ho Chi Minh worked hard on his French when his tutor told him, “If you want to defeat the French, you must understand them. To understand the French you must study the French language.” Ho Chi Minh’s patriotism developed mainly from his Chinese-language instructor, Hoang Thong, who was anti- French himself. Thong believed that losing one’s family was worse than losing one’s country. Ho Chi Minh’s first involvement against political action came on May 9, 1908 when he joined a peasant uprising as a translator. Attempting to translate in the front of the crowd, he was beaten and forced to hide at his friend’s house at night to prevent being arrested. In the following years, Ho Chi Minh yearned to go overseas; he said to journalist Anna Louise Strong, “The people of Vietnam, including my own father, often wondered who would help them to remove them the yoke of French control…I saw that I must go abroad to see for myself. After I had found out how they lived, I

In 1975, the ‘Fall of the Saigon’ marked the end of the Vietnam War, which prompted the first of two main waves of Vietnamese emigration towards the US. The first wave included Vietnamese who had helped the US in the war and “feared reprisals by the Communist party.” (Povell)

Discrimination is contagious in a way, and Pham himself displays a variation of it. When he is traveling abroad he shows his own form of discrimination against his own heritage, separating himself with an us versus them mentality; “Mortified by the Vietnamese’s behavior and equally dismayed that I feel an obligatory connection to them, I sink deeper into my seat, resentful, ashamed of their incivility” (Pham p. 64). As a Vietnamese American, or viet kieu, he is not fully accepted by Americans or by native local Vietnamese. In this instance, he is associating with his Americanized upbringing and is critiquing himself in a way that diminishes the value of the Vietnamese and also himself. Pham displays this “us versus them” separation

He claims himself as a businessman, not a poet. “I am just a businessman, not a poet. It is the poet who is supposed to see things so clearly to remember.” (29) The businessman does not meticulous as the poet but Unlike poetry, being businessman has to be straightforward and supposes to see a whole picture not as details-orient as poetry does. He states that he feels uncomfortable with Mr. Hương, Mr. Chinh’s cousin, because Mr. Hương expresses extreme Vietnamese cultures. “Huong struck me as being of this tradition — as surely his father must, too, for this is how an otherwise practical people learns an attitude such as this.” (33-34). He feels uncomfortable when Mr. Hương expresses the custom Vietnamese manners and does not say indirectly truth when Khánh’s ask what happens with Mr.

For centuries Vietnam had been under Chinese rule. The Vietnamese people were an oppressed society and were exploited by the Chinese. Forced labour was brought upon the Vietnamese people, and there were many tyrannical Chinese governers along with constant demands of tribute for the Chinese rulers. There had been many revolts by

In the book The Quiet American Phoung, the beautiful Vietnamese girl caught in a love triangle with an American spy and a war correspondent, is seen as a commodity, something to be bartered, without actually taking her feelings into consideration. She is treated as a delicate victim who needs saving by the men in the book but although it seems like Greene is portraying Phuong as nothing more than an object, he means for her to represent much more than that. Greene’s portrayal of Phuong as an object represents the treatment of the Vietnamese people in the hands of the Americans. She is meant to be symbolic of her country, both men, American and British want to possess her, much like the war raging in Vietnam.

The subject of my interview is a 68 year elderly Vietnamese man named Minh “Bi” Ngo. Mr. Ngo has white long hair, a medium long white beard and a distinctive mole on the bottom of his left eye and a thick Vietnamese accent. He was born and raised in Vietnam on April 3rd, 1947. He is also a widow who is currently living with his daughter in Westminster, Orange County. Originally, Mr. Ngo was from the city of Buon Ma Thuot in the province of Dak Lak, Vietnam. He then immigrated to Falls Church, Virginia where he began his new life in the United States. At the time of the interview, Mr. Ngo looked very exhausted yet grateful at the same time. I had the opportunity to meet Mr. Ngo through his daughter, who is a friend of my cousin. I conducted the interview on the afternoon of September 24th, which lasted for two hours. During the interview Mr. Ngo shared with me his experiences during the Vietnam war, his times in the Vietnamese Reeducation camps, his immigration to the United States, and his involvement in the Vietnamese community today. As the interview continues on, I began to comprehend a little bit more on the way it was back then and how the common folks

In his business life, Fong See was very successful and he dressed like a business man in his three pieces tailored suits like most successful American business men did. Both he and Letticie had an eye for Chinese antiques. He sold antiques to American people and even rented out pieces of Chinese furniture to film studios for movies. His antiques is what made him wealthy and in return he was accepted by American society. American’s accepting a non-American into their society was unheard of at that time, however because Fong See became wealthy, he used that to his advantage. The things he did in business and publically was all done, so that American society would accept him and embrace him as if he was one of their own. Fong See would make trips to China to buy Chinese

Hitler once stated “He alone, who owns the youth, gains the future.” This means that whoever is in control of the youth will control what is going to happen, because the youth are the future. Anthem by Ayn Rand demonstrates that Dictators are all powerful and will do anything to keep that power.

Power and control are common concepts that are often at the heart of human ambition and desire. They are also at the center of expectations for men by socially constructed male gender roles. Power and control are key aspects that drive motivations and achievements, but can prove to be oppressive if enforced on others. Clarice Lispector and Gene Luen Yang provide their own perspectives of the influence of power and control on the development of identity through the exploration of gender and race, respectively, in different cultural settings.