Dennis Kelly Dna Play Analysis

Each element gave the stage a different feel that matched every scene , complementing each brilliantly. The only element that lacked for me was lights, although very bright ; in my opinion the reoccurring blue wasn't the best option. I feel if the lighting designer would have had more warmer colored lights against the already vibrant set pieces, it would have made the stage pop more. But one thing i did particularly fancy, were the costumes the characters wore and how they fit each character. Each character's’ costume showed the dichotomy between the personalities and tastes of each individual. For example Ilona played by Jane Krakowski was dressed in a scarlet / pinkish dress with a high slit up the left side; showing her seductive character type. Meaning when i saw Ilona on stage, I immediately knew who i was looking at . Lastly the sound effects included , like the door jingle sound or The bike bell , added to the whole idea of being inside and outside of a retail building. These effects gave the stage an outdoorsy feel , drawing you in , giving the audience illusions of really being in 1930’s

They followed the steps on how to get an audience attention when telling a story or doing a presentation. First, they told us what they are going to do which was to kill the king, and how they are going to do it, and lastly why they did it. One thing I found really successful was even though the play was really comical the actors were able to keep the storyline in a way that I could understand. The show kept me on edge, it kept me wondering what craziness is going to happen next. Although the show was really comical it also had a lot of life lessons that I learned. Firstly, one thing I learned from watching the performance is that” Once a traitor always a traitor.” In the show, there was a guy that plotted a coup with a soldier so they could overthrow the king so that soldier “ “captain Bondure” could take over. In the end, the traitor ended up betraying the soldier and stole the crown. The second thing I learned from this performance is never let anything bring you down no matter what the circumstances are. In the case of Ubu Roi, the princess lost her dad. Then her mom died right in her hands while they were on the run hiding in a cage. She never gave up on her idea to revenge her families’ death.

The rocks symbolized that there was a piece of the mountains with them and that every time they stepped out the door they could feel and see the freedom that they would get if they endured. “They also represented inevitable forces.” This being that no matter how much they disliked what had happened to them there was nothing that could change it. The rocks where going to stay where they were put for as long as they are told to do so. Even if they wanted to be a part of the mountain they were told that they

Our performance was effective because of how clear and straight forward it was, even though it was mime. The audience where aware of the setting and it being around a dinner table due to the two chairs being opposite each other with a ‘table’ in the middle, the audience where aware of which characters were which as we characterised the roles very well. For example, Anna was very giggly and hyper, contrasting Catherine’s formal demeanour and John and Maureen were a typical married couple. We used physical theatre for the oven and the stairs, which was stylistic and different for the audience to see, this fit in with the overall style of the lay as most of the stage directions involve physical theatre as in ‘The Brussels Sprouts Scene’ “the whole of this scene is performed stylistically with people frantically changing roles, playing scenery, properties and characters”. The use of thought tracking helped the audience to figure out which character is which. The use of gestures was also used, Maureen slapped Anna’s hand instantly giving away her very paternal and motherly role as Maureen. Our scene was effective also because the crackers being pulled apart in itself is representing the family being pulled apart for many reasons not just the economy, but the toll Catherine’s anorexia takes on the whole Dunbar family in different ways. Looking at Bleu’s group I could definitely see how they marked the moment: the tempo

The first chapter, “The Art of Staging” claims “Staging in fiction involves putting characters in specific strategic positions in the scene so that some unvoiced nuance is revealed.” (Baxter 13) This includes the character’s standing positions, their proximity to each other, specific gestures and facial expressions, which give the reader more insight to the scene and the characters without explicitly saying so. This goes hand in hand with the setting of the atmosphere where atmosphere sets the dominant tone or the mood of a story. The atmosphere can be in reference to the setting or the characters themselves. Here, the reader is to read between the lines. The key to this is using a lot of detail which is crucial to providing the information.

The scenic design in this play was extraordinary, and I could tell there was a lot of effort put into it. In this play there was a stairway towards the back of the stage. It brought in a new way for the actors to enter/exit the stage. I thought this was very creative idea that was easy to move on, and off stage if needed. There were many scenes that had the moon and the stars in the background. I loved this because it showed the audience when it was night time. I also love looking at the moon and the stars, I feel it creates a very romantic atmosphere. There were times the setting was inside a house or a pub, and then there were times that the setting was outside like the war scene, and the balcony scene. I

The rock symbolizes the violence and power which unfortunately is displayed when Roger brings Piggy to his death. As a typical example, in both fictional and nonfictional books, a rock can symbolize strength and power. Since this rock is red this colour is known to represent blood and violence. Roger feels powerful as he stands on the ledge with Piggy. "High overhead, Roger, with a sense of delirium abandonment, leaned all his weight on the lever" (Golding, 180). When the rock lands it not only hit Piggy but it also broke the conch shell. Up until that point, Piggy and the conch had been two of the few representations of civilization and life on the island. However, when the rock causes both of these living things to seize to exist, all order

In Module/Week 8, you will write a 1500-words (about 5–7-pages) essay that addresses one of the plays from the Drama Unit.  A minimum of six citations, including the primary source and at least five secondary scholarly sources, is required for this assignment.  Before you begin writing the essay, carefully read the guidelines for developing your paper topic that are given below.  Review the research paper Grading Rubric to see how your submission will be graded. Gather all of your information, plan the direction of your essay, and organize your ideas by developing a one-page thesis statement, outline, draft, and bibliography for your research paper.  Format the thesis statement and the outline in a single

The structure of the play was an arena stage. Which were the circular stage, and the audience surrounding the stage. I like the set up of the arena stage opposed to a proscenium or the Karl C. Bruder Theater because with an arena stage the characters are in the middle and

Moreover, the use of prehistoric metaphoric images is directed at the audience to help them better embrace and value a new concept or idea. Some speakers use metaphors because they are a figure of speech in which a word or phrase that ordinarily designates one thing is used to designate another, thus making an implicit comparison, as in "a sea of troubles" or "All the world's a stage" (Shakespeare). In one particular part of the speech, personification is given to the rock, implying that it be capable of "cry out". It gives the figment of your imagination that the rock is conversation to the person and informing them that it is there for the individual to use as "ground" to place on, but not as a guard. The rock says that he is here to help struggle, but not to conceal the person from their

There is no theatre without an audience. The audience is as much a part of the playmaking experience as the artists—so how do we incorporate them more actively into what we do? We must work with them – and I’ve learned, in so doing,

In the words of Gay McAuley, “for an activity to be regarded as a performance, it must involve the live presence of the performers and those witnessing it…” (McAuley, 2009, cited in Schechner, 2013, pp.38). This statement recognises the importance of both the actor and the audience for something to truly function as a performance. In addition, Lloyd Llewellyn-Jones highlights the significance of the theatrical space and how it can influence an audience stating that “on entering a theatre of any kind, a spectator walks into a specific space, one that is designed to produce a certain reaction or series of responses” (Llewellyn-Jones, 2002, pp.3). The relationship between actor, audience and theatrical space is no less important today than it was at the time of theatre during the Spanish Golden Age and the creation of Commedia dell’arte in Italy. Despite being very close geographically with theatre thriving for both in the same era, sources that explore the social, cultural and historical context of these countries and the theatre styles will bring to light the similarities and differences. This essay will analyse the staging, the behaviour of the audience as well as the challenges the actors faced, and how this directly influenced the relationship between actor, audience and theatrical space.

What do you consider to be the most successful stage effect and language techniques used to create dramatic tension in Act 2, Scene 2?

The lighting of any production is the most important part in my thought. the lighting puts you in the mood that you have to be in, in order to fully understand that part of the show and to actually live it like they do. For example, when they were in the park and it was raining, they had their umbrellas, and the background effects of rain made it really seem as if it was raining in the theatre. The lighting was always focused on every part of the stage, especially on those who were the main parts in that scene.

Shakespeare has a difficult task entertaining the rowdy Elizabethan audience, especially during the exposition of the play, which sets up the entire plot. The audience needs to be engaged and invested in the play, otherwise many of the Elizabethan audience would throw food and furniture on stage or vandalize the theatre in response. Shakespeare employs a variety of techniques throughout the exposition of the play in order to do this, by creating tension between characters, introducing scandalous plots and unresolved issues right at the beginning of the play leaving the audience waiting for an answer. This essay will explore Shakespeare’s techniques and methods of engaging his Elizabethan audience.