Depicting the Difference Between Reality and Illusion in ‘A Streetcar named Desire’ by Tennessee Williams and ‘The Great Gatsby’ by F.Scott Fitzgerald

Blanche’s financial decline, illuminating her vulnerability, links to Aristotle’s theory that the tragic heroine must fall, allowing the audience to relate to her. Her insecurities – “I won’t be looked at in this merciless glare!” stereotypically reflects the insecurities women feel about their appearance and age. The uses of imperatives and exclamatory sentences suggests Blanche’s obsession over her appearance, a flaw leading her to dismiss her true identity. Her inability to avoid drink and her compulsive lies, demonstrated in her frequent references to Shep Huntleigh’s letters, makes her a more authentic woman than Stella, who is described by Williams as the “gentle, mild and contented one”. Blanche’s loss of identity, dominated by her homosexual husband’s suicide, exacerbates her solitude – “The boy-the boy died. (She sinks back down) I’m afraid I’m – going to be sick!” The fragmented, repetitive speech Blanche uses illustrates her guilt and pain, whilst the physical act of “sinking” highlights the extent of her regret, giving a sense of foreboding for her downfall. Her guilt is also exacerbated by the implied physical act at the end which shocks the contemporary audience, who would not sympathise with homosexuals, evoking pity and reinforcing that “Streetcar” is a tragedy for Blanche.

The reader may view Blanche as someone who tried to escape her sordid past in Laurel and wanted to start a new life with her sister, yet due to the continuous investigations from Stanley, was unable to do so. Stanley reveals Blanches’ lies and deceits, commenting on them as her ‘same old act, same old hooey!’ This tells the reader that his research of Blanches’ past is way of stopping her from finding a new life. Blanche attempts to redeem her life by finding love with Mitch, yet Stanley again reveals to Mitch that she was not ‘straight’, resulting in Mitch not wanting to be with her and also contributing to her fate. Stanley, after mercilessly divulging all her truths and bringing her to the edge of her mental capacity, rapes Blanche which brought about her final collapse. The reader may view Stella as someone at blame for her sisters’ fate, as though she shows some moral support of Blanches’ situation and listens to what she has to say, Stella continuously throughout the play neglects to notice Blanches slow mental deterioration and ignores Blanches’ outcries and incessant need for attention. Stella chooses Stanley over Blanche, despite her warnings about him being ‘volatile, violent and sub-human which represents not

It was not just her self that put her in the lime light of being a victim; it is also her new change of environment and people. Stanley is Stella's husband; he is described to be very masculine and aware of his sexual magnetism. “Strongly, compactly built”. He is mostly at ease with people however, if they lack loyalty and affection to him, he will bully them. Especially women, as he believes them just to be easy conflict. It is seen in scene 3 that Stanley has little respect for women. “I said to hush up!” This is addressed to his wife who is seen emotionless and impassive in this play. As for Blanche how is fussy and at edge, she would be very effected by the crude attitude that Stanley presents and so tries to hysterical take Stella away from her husband. Stanley does not forget of this act of interference and makes him all the more determined to be rid of Stella’s “charity case”. The real reason for Stanley’s bulling is that Blanche immediately received all Stella’s attention. “How about my supper huh? I’m not going to no Galatorires’ for supper” This made Stella dominant in power over Stanley and Blanche, something Stanley was not used to. “I put you a cold plate on ice”.

Tennessee Williams uses the constant battle between illusion and reality as a theme throughout his play A Streetcar Named Desire. Many use illusion to escape the reality they are living in. This theme is present in all of his characters in different ways.

In many instances, Gatsby showed signs of selflessness. But, if the reader were to dig deeper into the roots of the story, they will be able to see that under the kind acts and good deeds, Gatsby’s intentions were always selfish. After the car scene, Tom, Jordan, Daisy and Nick returned to Daisy and Tom’s house. As Gatsby waits outside of the home, Nick, unknowingly, asks Gatsby whether or not Daisy was driving. Gatsby replies saying, “Yes, but of course I’ll say I was” (Fitzgerald 143). When Gatsby took Daisy’s place in the murder of Myrtle, although seeming kind-hearted, his only reason for this was to earn Daisy’s love and to impress her. Gatsby has somewhat put up an image of himself to be the pure and almighty man that deserves Daisy more. Meyer Wolfshiem, Gatsby’s business partner, mentions to Nick of Gatsby’s chivalrous actions towards women saying, “Yeah, Gatsby’s very careful about women. He would never so much look at a friend’s wife” (Fitzgerald 72). Although Meyer Wolfshiem’s comment on Gatsby about him being a gentleman, and how he would never look at another man’s wife, Gatsby proceeds to exceed all expectations and have an affair with Tom’s wife, Daisy Buchanan. Yes, some might say his only reason for doing so was out of true love and destiny but, in either case, it was morally wrong. In every action that Gatsby commits for Daisy, his selfishness secretly hides beneath it, shading itself from light so no one will approach the real man that lurks behind the curtains of self pride.

Everyday people create false realities to live in a world that they want. They lie to themselves and others only to find in the end that they are drowning in the reality of a situation. In F. Scott Fitzgerald’s book, “The Great Gatsby,” the concept of illusion versus reality is a leading cause of the failures and issues that most of the characters face. Their emotions and mentalities ran high in the book leading them into a whirlwind of illusion rather than reality. Their inability to grasp what was not real and what was is ultimately the reason for their downfalls.

While studying F. Scott Fitzgerald’s novel The Great Gatsby, I began to understand the various interpretations of the American Dream based on Fitzgerald’s portrayal of the Dream through his

Desire is prominent in Stella and Stanley’s relationship; Stella is drawn to Stanley because he has a strong male sexuality and he is drawn to her because of her traditional feminine sexuality. Stanley abuses Stella, and when Blanche finds out she is perplexed. Stella explains that, “there are things that happen between a man and a woman in the dark—that sort of make everything else seem—unimportant.”(1.4). Stella and Stanley stay together because they use sex to smooth out their disputes. Stanley views sex as an important aspect in marriage (Panda ). He views women as sexual objects; Williams gives an insight on Stanley, he says, “[Stanley] sizes women up at a glance, with sexual classifications, crude images flashing through his mind”(1.1). Stanley ends up raping Blanche at the end of the play; thus causing Blanche to lose her sanity. Although Blanche’s husband is only mentioned a few times in the play, the audience is able to see that his own sexual desire leads to his

Stella, too, is a major character who lives in a world of hopes and fantasies. Stella’s tears over her sister as Blanche was taken away at the end of play reveals that Stella’s fantasies have been crushed by Stanley’s brutality. Stella calls her sister, “Blanche! Blanche! Blanche!”(142) , as if she does not want to let go of her sister. In spite of the fact that Stanley tried to justify and to relief her, Stella knows that something acquitted and abandoned had banished. She knows that her happy and humble world and her sister’s hopes had gone. Through her fantasy world, she thinks she could keep her sister for ever, but fantasy does not always work and makes life appear as it should be rather than what reality is. Also, Blanche imagines the doctor as a gentleman who is going to rescue her from a life that she imagines it as a life that does not want to accept her. Blanche finishes the play by saying, “Whoever you are—I have always depended on the kindness of strangers” (142). Blanche’s irony is demonstrated for two reasons. First of all, the doctor is not a gentleman; he came to take her to a mental health care. Second of all, strangers are not kind to her; they are kind only for trade of sex. Instead, they feel sympathy for her for creating a world where she is the victim. Blanche never perceives stranger’s kindness as something that people take advantage of. Instead, she thinks that Stanley is the one who does not treat her well, although he wanted

Daisy, like her husband, is a girl of material and class at heart, and Gatsby being her escape from a hierarchist world. Daisy has just grown up knowing wealth, so in her greedy pursuit of happiness and the “American Dream” Myrtle Wilson died, Gatsby's heart and life were compromised, without claiming responsibility on her part. Daisy was “by far the most popular of all the young girls in Louisville...” (116) Jordan says, describing early affections between Daisy and Gatsby. She goes on to say, “...all day long the telephone rang in her house and excited young officers from Camp Taylor demanded the privilege of monopolizing her that night.” (116) . Daisy was a fancied girl who has Gatsby tied around her finger, Jordan explains that he was looking at Daisy “...in a way that every young girl wants to be looked at some time...” (117). Daisy, abusing Gatsby’s love for her uses it to create security and protection, greedily and selfishly allowing him to take the fault. While Daisy’s beautiful, alluring traits turn her into an innocent, naive flower, she plays the ultimate villain.

Blanche’s unexpected arrival at the entrance of the play is what stirs an even bigger monster in Stanley. Upon her entrance, she immediately causes trouble due to her and Stanley’s differences. Blanche is a southern belle from a very wealthy background. She is very proud of being brought up in the upper class while Stanley is proud that he lead his own life through the working class. This makes him a very rude and animalistic man with a lower level of education. Even their first conversation

Blanche deals with many issues the loss of loved ones, the loss of the family estate, the inability to deal with reality, rejection from others, and the rape by Stanley. Blanche has also become independent and assertive which is not the typical norm of a southern woman. She has been forced into a world she is not prepared for. Because of this Blanche begins to live in her own world, her own little fantasy. She also uses alcohol and sexual promiscuity to escape from the loneliness she has endured since her husband’s death. Williams shows us through the way Blanche speaks to the paper boy;

Growing up, Americans begin to form dreams, or goals,based on where they want to go in life. These dreams may change over time, or remain the same, but they are always the focus of an American’s life. However, there comes a point in life when you must decide whether to continue chasing your dream or to face reality and give up and illusions you may have about your life. The plot of two American-based stories, “Sunset Blvd”, directed by Billy Wilder, and The Great Gatsby, by F. Scott Fitzgerald, revolve around this conflict of illusion, or dreams, against reality and facing the facts of life. Both “Sunset Blvd” and The Great Gatsby ultimately side with illusion and dreaming over reality, a decision which becomes solidified by the closing scenes in both tales, and the death of a main character.

Blanche sees Stella’s relationship as abusive and therefore impractical. Blanche’s world is driven by fantasy and believes that she and Stella should be with men that are of higher class but this fantasy is far from reality. Stanley provides a realistic and secure future for Stella, as does Steve for Eunice and this is something that they value more than fantasy and perfection. Blanche, subconsciously needing a man to be fully content, does not accept reality and because of this, she allows her reputation and later her life to be

Gatsby does not belong to his own class and he is not accepted by the upper class, therefore he becomes an exception. Because of disappointment of being looked down upon and impossibility of accept by the upper class, he has nothing left except his love, which is also his “love dream”. Gatsby’s love for Daisy has been the sole drive and motive of his living. Gatsby’s great love is also the root of his great tragedy, because he is desperately in love with a woman who is not worthy of his deep love. Fitzgerald offers Gatsby with the spirit of sincerity, generosity, nobility, perseverance, and loyalty. All his good natures can be seen