Des Garcons : Innovations Towards A Different Types Of Fashion?

The 1920’s fashion was a period of liberation, change, and even more importantly a movement towards the modern era. Fashion in the 1920’s varied throughout the decade but one could see the noticeable change from the previous fashion statements and eras. At the start of the decade, women began emancipating themselves from the constricting fashions by wearing more comfortable apparel. As women gained more rights and World War I forced them to become more independent, flappers came to be, mass-produced garments became available, and artistic movements increased in popularity, one can see how the fashions from the roaring twenties characterized the time and redefined womanhood. (1920s clothing 1)

Looking back on history men’s and women’s roles haven’t always been divided; both genders were needed to work and provide and until the fourteen hundreds, they wore the same clothing. Men’s fashion developed to show the reality of their bodies with apparel such as tights, while women’s bodies were accentuated in tight bodices. Bordo shows us that as men’s clothing became more comfortable and utilitarian their role in society followed suit. Men today are supposed to be active; they are workers, the penetrators, the ones in control. Advertisements in the essay show us men continually portrayed as “rocks,” aggressively facing the camera or actively working. When women appear, they are simply to be gazed at and admired for their beauty. The images of men acting coincide with society’s standard of men being the

Fashion has been a prominent aspect of a woman’s life throughout time. Women of different times and cultures have turned the routine of picking out clothes and putting together different ensembles into a sort of art, or a way to express and promote themselves. Many women also see fashion as part of their identity, or a way to manipulate the way people see them. What a woman wears can drastically change the way society views her - it can increase her chances of getting a job, or make her gain respect (or rejection) from her peers (Sika n.p.).

More than ever, the male can express more liberalism through their physical appearance. Even the closely related “new man” of the nineties was constricted in garment choices: “The clothes worn by the models are assertively masculine and often emphasize a broad-shouldered and solid body shape” (Nixon 314). Much unlike those of Suistudio, the models used were portrayed in a masculine manner by the clothes they wore and not by their bodies themselves. Although the earlier was intended to combat the over-sexualization of women in advertisements, the men used are still the prime candidates of today’s masculinity. Today, along with women, men are

We usually pay more attention to the inner core of human beings, but clothing is not simply an outfit that covers out bodies—it indeed delivers a strong message to the society. A particular style of clothing marks the fashion of an era or a culture, but sometimes there is more historical context and material politics behind it. Clothing is not superficial; it represents identity and dignity of a group of people. According to Miller’s “Why Clothing is not Superficial”, clothing gives us “such dignity, glamour and refinement”, and they “actually were what made us think what we think we are” (Miller). It sometimes may have a unique appearance but it could be a powerful challenge to the public memory and hegemonic forces.

World War II meant a decline in the economy and refraining from luxuries. The demand for supplies was a key factor in helping America win the war. Therefore, civilians were forced to sacrifice their nonessentials, with clothing and beauty products being the most difficult for women to eliminate from their lives. Therefore, women made efforts to keep fashion alive, even if it required endless creativity and thrifty tactics. Looking back on the war and how it sparked innovation and creativity, is shocking. Very few people would have expected the fashion industry to survive through World War II, let alone sky-rocket and change the way women dressed forever. Although women’s fashion was expected to fall along with the economy of World War II, the under-funded industry overcame the economic crisis against all odds. First, the pressure to conserve materials for the war guided women toward a more thrifty wardrobe. Secondly, women who took over the workforce changed their fashion styles for the sake of safety and practicality. Lastly, Cosmetics were re-designed to boost morale and allow women to express their femininity to counteract the masculine and man-like duties that women fulfilled during the war.

The political and economic crisis of the 1930’s strongly affected the way women dressed. The harsh situation in the country forced them to abandon fancy trends (in clothing, accessory, beauty department) in favor of the simplicity. Women quite often looked up to the glamorous Hollywood movie stars for fashion and beauty inspirations. However, the upcoming war stripped them of this sole way to escape the grim reality of day-to-day life. The hard times that emerged at the end of the 1930’s with the upcoming war on the horizon translated into simple and practical clothing.

The fashion industry is rapidly growing and constantly generating new fashion trends almost weekly. Fashion for some may seem ridiculous and unnecessary; but fashion is not just a meaningless usage of article of clothing or farcical materials sew together for coverage. There is more to fashion than meets the eyes, fashion is precious and significant. It is a reflection of self-image, it speak the ream about who we are and how we review ourselves. Not only is fashion the reflection of self-image but also the reflection of our history as Coco Channel have said, “Fashion is not something that exist in dresses only. Fashion is in the sky, in the street, fashion has to do with ideas, the way we live, what is happening.” Fashion

Change is a theme that is ever-present in our culture and society. Often this change is reflected in the dress of its people. From the fashionable silhouettes of the 1920’s to the colorful 60’s, hip-hop look of 90’s up to the modern twist of today, social change and change in fashion has, in theory and practice, been linked. According to ask.com, Fashion can be defined as a prevalent style by a particular group at a particular time, and, therefore, may be linked to a specific cultural and historical context in which there is general acceptance of a given style or look

Clothing today is seen as easily assessable and creative, but that was not always the case. We are lucky to live in such a modern world of clothing. Over the course of time, the development of clothing has changed drastically as well as the style.

One factor brought to a different and she or he grew to become a men's clothing designer, which describes her current innovative utilization of textiles and modern designs. Women’s clothing came later, together with shoes. Each piece she designs has clean lines and straightforward elegance.latest designers-is among these “cool” people.

During our life we construct many different identities of who we want to portray ourselves as to the rest of society; fashion plays a vital role in generating who we are. With the ideas from Storry and Childs they state that “the way that we dress can either serve to confirm or to subvert various facets of our identities, such as our gender,

Fashion has been around ever since ancient times, since the time of the Romans, it survived the world wars and is yet today a business with rapid changes. Fashion started off as an art form, a way for the riches to show their social status with unique and innovative designs that only they could afford. It was a way to separate the social classes of the society. In this paper I will include the creator of haute couture, and how the following designers developed couture, as well as having leading names in today’s ready-to-wear industry. The list is long, but I chose to focus on the three most important designers of the modern fashion industry.

What is avant-garde and how does it fit into South African contemporary fashion design? In order for one to determine if you are for or against avant-garde, and specifically in relations to South African avant-garde, one must first define

The Years between the 1950’s and 1960’s was an explosive time in fashion. The 50’s represented an out coming of the new generation. People began to gain their own personal style and appearance, influenced by films and singers (“Vintage Fashion”). Their styles incorporated leather, jeans, corduroy, and the ballet shoes for the girls. Men’s wear began to drastically change. Men would wear a leather jacket, with jeans that narrowed at the bottom, and a simple t-shirt (Peacock 210-211). This was the first time in history that jeans were not just worn by the working class but by all men (“Brief History”). The man’s lust for flesh grew during this time, so women’s skirts began to get shorter and the bikini was invented. Clothes were made to glorify the female body and emphasize every curve. It wasn’t until the Barbie doll was created in the late 50’s that young girls began to have a separate fashion from their mothers. Young girls would wear sweaters with full skirts or pants