Descent From The Cross

The art piece that I selected for my analysis is called The Triumph of Divine Love by Peter Paul Rubens. The artwork is an oil painting on canvas, circa 1625. This piece of art was commission by Isabella Clara Eugenia, Infanta of Spain and Portugal. The Triumph of Divine Love was one of eleven art pieces in a series portraying the Eucharist cycle, an important issue in the Catholic-Protestant strife. Its purpose was to aid in the Catholic Reformation and the artwork was to be displayed at the Convento de las Descalzas Reales in Madrid. (Ringling Museum n.d.)

The Purpose of the paintings of the “Last Supper,” by Ugolino di Nerio and Leonardo da Vinci, were to portray the betrayal of Jesus Christ by of one the twelve apostles, as they are having the last meal. Jesus Christ mentions to his apostles that there is going to be a betrayal amongst them. All twelve apostles had mixed feelings of anger, fear, and surprised. Later on, it turns out that Judas, one of the twelve apostles, had told the authorities about Jesus so he can be arrested then later crucified. The paintings show a dramatic scene after the claim by Jesus Christ. The paintings give us insight to get the reader interested in the painting of “The Last Supper,” how the cultures that produced those paintings change the way we paint today, and how both paintings influenced the Renaissance era.

The Last Supper by Leonardo is very different to Tintoretto’s representation of the same incident. The last supper is one of the most important occurrences which took place in the Christian religion such an important event that many have seen the need for the event visually recorded through art the two most famous of these representations are by far Tintoretto’s and Leonardo’s works. The Last Supper by Leonardo was created during the renaissance period and is a simple symbolic work with little emotion. Tintoretto however chose to represent the event in a surrealistic manner to give full impact; A way in which was typical of the art period in which he painted the work, the

Both of the paintings by Michelangelo are excellent examples of Renaissance era art. These two paintings are the Last Judgment and the Sistine Chapel ceiling. The ceiling was worked on from 1508 to 1512 and shows many themes common throughout Renaissance art. One of the most prominent is the stunning realism in both pieces. Despite there being hundreds of figures is both pieces each is extremely realistic. There’s a huge stress on the human figure in this painting and they look as though they could be real people. There’s also a fair amount of perspective, although this isn’t one of the most important parts of the paintings.

Tintoretto’s Last Supper has a very similar symmetrical composition to Leonardo da Vinci’s painting of the same subject.

The art that impressed me in the Getty Center is “Holy Family with Saints Anne, Catherine of Alexandria and Mary Magdalene” by Nosadella (Giovanni Francesco Bezzi).When I entered the room of this art, this is the first artwork attracted towards itself, probably the reason I went to Venetian art with big expectation of it will be beautiful among all Italian ones. The vibrant colors and contorted poses make this painting more vivacious. The sitting figures are from left is Virgin Mary holds infant Christ, Catherine of Alexandria and Mary Magdalene. The standing figures are Saint Anne and Joseph. On the right upper corner, two unknown baby angels are enjoying the scene of adoration below. All the characters are drawn like a pyramidal shape on left to give space so that angels can fly in the upper right in a distance from the main scene. The painting has mostly made of basic colors such as blue, yellow and red and those are plain colors. It doesn’t have much elaborate work on trying different colors or trying fine textile work, but giving different shades of same color adds more look. This painting great for distant admiration .Since the painting is oil on panel, applying paints on different layers is possible until getting the desired color. This painting technique gives artist more flexibility unlike fresco, which has time limit to apply paint and hard to correct the mistakes. The next attractive feature of this painting is body movements. The artist has

The first work is the center panel of the Merode Altarpiece by Robert Campin in 1425. It is titled The Annunciation and is a Flemish painting. The second work is a fresco by Fra Angelico entitled Annunciation. It was made in 1440 in Florence, Italy. The Merode Altarpiece is considered early fifteenth century Flemish art while Annunciation is considered Early Renaissance art. The subject of both of these paintings is the

The Last supper represents the first celebration of this sacrifice that is now a key part to every mass. That is why it was so important to show Jesus twice in these paintings.

The work of art that I have chosen to write about, is the Three Miracles of Saint Zenobius (1500-10). This painting is part of a bigger collection that depicts scenes from the life of Saint Zenobius. It’s sister pieces are spread out in different parts of the world, such places as, London, Dresden and New York itself. The painter of this entire collection is Sandro Botticelli (1445-1510) and he belongs to the Early part of the Renaissance. It is worth to note, that Botticelli was taught by Filippo Lippi. Fra Filippo Lippi was a prominent artist of his time and he painted his work with great color and as well with a narrative quality. Botticelli himself made a name for himself by his artistic style and to his contribution to painting the frescoes of the Sistine Chapel and even though his most notable work of art was the Birth of Venus that was created eighteen years prior to the Three Miracles, this piece of work takes a different approach than his other paintings. The painting itself resembles the Scenes from the life of Saint John the Baptist (1490/95) and it could be said that Botticelli was inspired by it.

The two main characters in the painting display elegant mannered poses and all the figures appear arranged in rather unnatural poses. There is a small scene at the foot of the Saint Catherine and Christ figures. This is thought to be the Christ child with the Virgin Mary and grandmother, Saint Anne. Below these two scenes are three smaller bordered scenes. The central one depicts two enemies reconciled by an archangel and the outer ones show Saints Michael and Margaret fighting demons. All these images show the triumph of good over evil, with the middle characters shedding their weapons and embracing. All these small pictures support that the painting was commissioned by Arigoi di Nero Arighetti to celebrate the end of a feud.

The Holy Trinity by Masaccio was a painting done in approximately 1428. It is a

Most forms of Catholic Baroque art are assertive and, as intended, assault ones senses. The evolution of religious art from the uniform composition characteristic of the Italian Renaissance through the evolving Mannerism in to the bold and striking Baroque was striking to say the least. The stylistic changes from Da Vinci's The Last Supper to Tintoretto's version in the 1590's bear a perfect example of this transition. The point of view in Da Vinci's was central and allowed for a

On the left we have Caravaggio, The Conversion of St. Paul, 1600, and on the right we have Georges de la Tour, Magdalen with the Smoking Flame, 1640. These two paintings represent major movements within art such as the influence of artists on one another, and the approach of religious paintings during the seventeenth century.

I have been greatly impacted by all of the artists, styles, and types of art we have talked about so far in Art History I. We have looked at sculptors, paintings, architecture, and prints with varying styles, from a numerous amount of artists. While I am intrigued by mostly all of what we have studied, The Last Supper paintings catch my eye the most. Many artists have successfully completed paintings of The Last Supper including, Tintoretto, Paolo Veronese, and Leonardo da Vinci; however, da Vinci was the first, original painter of The Last Supper. My favorite Last Supper painting definitely has to be the one by Tintoretto. Tintoretto’s Last Supper painting truly represents various key aspects of art; from the usage of colors and shadows, all the way to the numerous groups of people taking on various different tasks.

Portraits of the Madonna and Child depicting Mary holding the infant Christ provide a recurrent image in art throughout the ages. In prevalent portrayals over the span of centuries, artists reflect a wide diversity in their representations of the iconic duo. In particular, two works found in the National Gallery of Ireland in the early Italian Renaissance gallery, The Virgin and Child, Saint John the Baptist and Prophets by an unknown artist (1325-1450) and The Virgin and Child by Paolo Uccello (1435-1440), highlight the transition between Byzantine and early Renaissance paintings of the Madonna and Child, particularly in relation to subject matter, composition, material, style and meaning. Although each of these paintings of the Madonna and Child depicts the same Christian iconography of Mary and Jesus, their differences in composition and style influence their meaning, with each painting reflecting the individual artist who painted it and the different time period during which it was created.