Fauves Attributes In Art

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The colour attributes could be separated into three parts: hue, saturation and luminance. In the colour theory, the hue refers to the colour of images, while saturation describes the intensity (purity) of the hue (Steven, 2013). The saturation is thus identified as the intensity of colours in artworks which is ranged from pure colour to grey. A single colour is purer as the saturation increases, while the saturation decreases as the colour goes paler. The aim of this assignment is to describe and analyse the Fauves paintings, an artistic genre which speaks highly of saturation more than hue or luminance, as saturation could better express their personalities and feelings.

The Fauvism was founded in 1905 in France by twentieth-century modern artists. Unlike the others, the Fauvism could be absolutely deemed as a unique genre as it does not have special theory and principle yet is promoted by large numbers of artists in a short period (Freeman, 1990). This artistic style is in favour of creating a strong effect of paintings through bright and colours by announcing emotional expressionism. The Fauves absorbs the essence of Oriental and African arts, then crease a unique simple and sparse prospect on purpose. One of the most famous painting works named The Creole Dancer (as shown in Fig.1), painted by the greatest artist of the Fauves, Henri Matisse, is presented below and is to develop a demonstration of how saturation interferes differently (Roger, 2009).

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