Desdemona The Moor Of Venice

/ [Duke:] If you please, / Be't at her father's. / [Brabantio:] I'll not have it so. / [Othello:] Nor I. / [Desdemona:] Nor I" (I.iii.254-262). Even in time of war, Othello's and Desdemona's love holds true. They cannot stand living apart for a long period of time. Brabantio also knows that Desdemona will only show her loyalty to Othello, so he would rather have her away with Othello than home with him. Much later, Othello and Desdemona again show each other their love. Othello plans revelry for the evening in celebration of the defeat of the Turks and in celebration of his marriage to Desdemona. Once the celebration begins, Othello leaves Cassio on guard and departs to consummate his marriage: "Come, my dear love, -- / The purchase made, the fruits are to ensue; / The profit's yet to come `tween me and you" (II.iii.9-11). Othello only wishes for the best from his new marriage with Desdemona. He shows no sign of any desire for anything bad to happen. Othello's and Desdemona's marriage stays free of problems because their love for each other stays strong.

Desdemona’s family majorly influences her identity. In many cases Desdemona’s father expresses his opinions and it changes how she sees herself, and how others see her. When Desdemona falls in love with Othello, Brabantio (Desdemona’s father) is shocked. Brabantio believes that Othello has stolen and enchanted his daughter into loving him and expresses this thought to the Duke. Brabantio tells Othello “O, thou foul thief, where hast thou stowed my daughter? Damned as thou art,

The society in which Othello takes place is a patriarchal one, where men had complete control over women. They were seen as possessions rather than being just as equally human and capable of duties performed by men. All women of the Elizabethan were to obey all men, fathers, brothers, husbands, etc. Which leads me to the most reliable and trustworthy character of Desdemona, whom goes through many trials just to satisfy her love. Shakespeare brings the thought of Desdemona into the play by Barbantio, her father, “It is too true an evil. Gone she is.\...Oh, she deceives me\ Past thought! …” (1.1.163)(1.1.168-169), whom has just found she has taken off with Othello and firstly suspects they have been hitched. Shakespeare gives reader the

She tells him a flat out lie, but again, with good intentions. Desdemona loves Othello and did not want him to get angry. She thought she had just misplaced the handkerchief, and that she would soon find it, but if she told Othello she had lost it, he would become furious.

The play begins with the introduction of the confident and well-respected general of the Venetian army, Othello. This version of Othello is calm, brave, and fairly unaffected by any racial prejudices against him. He speaks with great sophistication and respect to others, which indicates both his intelligence and rationality. When he elopes with Desdemona, the

“Othello” begins in middle of an argument between Roderigo and Iago. Desdemona and Othello’s wedding is the main topic of their argument. Desdemona is a Venetian beauty who is treated as a possession of her father, Brabantio, but by marrying an outsider Othello, she goes against the tradition of venetian custom which she is expected to marry a rich man to maintain her family’s honour. Iago reports Brabantio that his daughter is being stolen by Othello. “Awake! What ho, Brabantio! Thieves, thieves!” (1.1. 76). This quote depicts how unmarried women were treated back in 16’s century. However, while everyone in the play thinks that Othello has stolen Desdemona to marry him, Desdemona speaks herself to prove that she truly loves Othello. “That I love the Moor to love with him” (1.3. 246). Also, she even asks for her permission to go to Cyprus with Othello because she can’t stand the thought of remaining at home, which doesn’t have any adventure. There is a comparison between her social class and her

determine as to which one will win, so that is why one cannot exist without the other. However, there are some whose emotions are unbalanced, which causes them to near towards one side more than the other one ­­ and many times the side a lot of people prefer to lean on is evil. Shakespeare’s play O​thello​is set in 16th­century Venice and Cyprus. Othello, a noble black general from the Venetian army has secretly married Desdemona, daughter of Venice senator Brabantio. Othello chooses inexperienced Cassio to be his lieutenant, while he decides to give the ensign position to Iago, a malicious but very experienced man who, with his stealth and knavery, will ultimately ruin almost everyone’s life since for a long time, he was desiring the position of lieutenant just like Cassio. At the end of the play, Othello, Desdemona, Iago’s wife Emilia, and his sidekick Roderigo die due to his revenge against Cassio, for obtaining the position he wanted and Othello, for being the man who he hates the most. The play ends with Iago being told that he will be punished and tortured for his actions. However, despite the fact that Iago is punished at the end of the play for doing all of the malicious things he did, he still manages to wear down Othello’s relationship with Desdemona, get Cassio demoted from his lieutenancy, and cause Othello to show his cowardness by

Shakespeare's point in Othello the Moor is that each individual has a destiny and fate is central in the lives of his characters.  Othello, a great warrior, is the lead character and the target for attack from a disgruntled soldier, Iago.  Iago plots with the aide of his wife, Emilia, to plant subtle notions of jealously in the case of Othello's expedient marriage to Desdemona.  Othello loves Desdemona and the same is true for Othello, but Iago successfully destroys the trust between the couple with a scheme in which Othello is unable to control his jealousy.  There are several other characters that Iago uses to set his plan into motion such as Roderigo, Bianca and Cassio.  Cassio is not so much a willing participant in the scheme of the play as he is a scapegoat (or object of irrational hostility; Webster's Dictionary, 652) to pin the entire plot on.  It is known that Emilia's character becomes crucial to the plot, as she is the most essential character to her husband's crusade to destroy Othello and Desdemona.

The fear of interracial marriage in Venetian society is used by Iago in an attempt to alienate Othello. Othello himself acknowledges the fact that interracial marriage is frowned upon and that racism still applies to him despite his position. A common attitude in Venetian society is that black men and women are inhuman and animalistic in nature; Iago capitalizes on this idea in order to aid his plan of antagonizing Othello. Brabantio, Desdemona’s father, is a prime example of the attitude of Venetian society as a whole, in the sense that he “loved” Othello as long as he remained a servant of Venice and would rather Othello not intermingle amongst the Venetian society. Initially Brabantio “oft invited [Othello]” to his home and “queston’d [him] the story of [his] life”, showing an admiration and sincere interest for Othello’s

Her silence causes Othello to become in rage with his wife this leads us to believe that Emilia is a liar. Although Emilia doesn’t intentionally lie to Desdemona she fails to tell her that she took the handkerchief as a token to win praise from Iago. This causes conflict between Desdemona and Othello just as it is the reason for Othello’s jealousy.

In Shakespeare’s Othello, Othello and Desdemona’s marriage was doomed from the start. They did not start well; their marriage was controversial because of their race and Othello’s failure to follow proper etiquette while he was courting her. However these issues could have been overcome with time. The biggest problem is Othello’s attitude to Desdemona. Othello’s model of Desdemona prevents him from considering her a person. He thinks of her instead as superior to himself in every way, to the point that she is a god. Her race, beauty, and status make her godly in his mind. She becomes untouchable in Othello’s mind, and he begins to distance himself from her. Because Othello thinks of Desdemona as “Alabaster”(5.2.5) he will never consider

When Brabantio has finally located Othello, with torches on another street in the middle of the night, the senator exclaims loudly his right of ownership: “O thou foul thief, where hast thou stow'd my daughter?” With the Turkish campaign against Cyprus in motion, the Duke of Venice scarcely has time for Brabantio’s protestations. Furthermore, the duke recognizes Desdemona’s right to marry whomever she prefers. In exasperation the senator disowns his Desdemona, not permitting her to stay at home while Othello is away at Cyprus. So she goes with the ancient and Emilia.

The language and literary techniques used in William Shakespeare's Othello enrich the settings, plot, characters, and themes. Othello is a complex tragedy about good versus evil, loyalty, love, sexual jealousy, appearance versus reality, and intrigue, told in a first person point of view. The play takes place during the Renaissance in Venice, Italy and in Cyprus over three days. It is written in blank verse, usually unrhymed iambic pentameter. The protagonist, Othello, is a Moor well respected by senators for his valiant service in war and married to Desdemona, a Venetian woman. The play is entitled Othello and the plot and action encompass him, thus supporting his position of

Othello’s tragic flaw can be viewed as jealously which ultimately leads to his downfall. When Othello is manipulated by Iago to believe that Desdemona is having an affair with Desdemona, Othello does not change from his good person mentality. However, Othello carries out with the plan for murder for which he believes is a fine reason to end Desdemona’s once previous life to preserve her innocence. Othello is the tragic hero within the play titled after him and because of his title, because of this Othello, the Moor of Venice follows one of Aristotle’s requirements.

Shakespeare explores more than just excessive, impetuous love in portraying the Moor. Othello has been prepared for his role as a jealous, murderous husband from the beginning of the play because his love for Desdemona is suspicious. Othello immediately discloses that the love he and Desdemona share derives from his stories of war, which are strong and heroic: "She loved me for the dangers I had passed/and I loved her that she did pity them." (1.3.168-169). He explains to Iago, "But that I love the gentle Desdemona/I would not my unhoused free condition/put into circumscription and confine/for the sea's worth." (1.2.25-28). Othello tells Iago that sea treasures could not make Othello surrender his love for war and nothing could make him surrender his love for Desdemona. This shows that the power Othello derives from war describes the powerful quality of his love. It seems doubtful that the love Othello has for violent "feats of broil and battle" can be used to describe his love for Desdemona who is "of spirit so still and quiet that her motion/ blushed at herself," without compromising the safety of love (1.3.131, 1.3.96-97). In fact, when he returns from suppressing the Cyprus revolt, he calls out to Desdemona, "My fair warrior!" (2.1.180). Although Desdemona has fallen in love with Othello by listening to his "travailous history", stating that she is a "fair warrior" does not seem to be the next logical step in