Desdemona as a Victim in the Tragedy of Othello, the Moor of Venice by William Shakespeare

In Shakespeare's Othello, Othello's pride prevents him from finding the truth, eventually leading to his demise. Initially, Othello and Desdemona are deeply in love, despite her father's disapproval of their marriage. However, when Othello promotes Cassio instead of Iago to Lieutenant, Iago has his revenge by convincing Othello that Desdemona cheats on him with Cassio, destroying the marriage between Othello and Desdemona. Othello grows to meet his downfall when his trusted friend Iago causes him to think that his wife Desdemona is unfaithful.

The society in which Othello takes place is a patriarchal one, where men had complete control over women. They were seen as possessions rather than being just as equally human and capable of duties performed by men. All women of the Elizabethan were to obey all men, fathers, brothers, husbands, etc. Which leads me to the most reliable and trustworthy character of Desdemona, whom goes through many trials just to satisfy her love. Shakespeare brings the thought of Desdemona into the play by Barbantio, her father, “It is too true an evil. Gone she is.\...Oh, she deceives me\ Past thought! …” (1.1.163)(1.1.168-169), whom has just found she has taken off with Othello and firstly suspects they have been hitched. Shakespeare gives reader the

In Shakespeare’s play Othello, one of the main character’s Desdemona possesses the most essential symbol and object in the play, a handkerchief. The handkerchief appears in Act III of the play and is a particularly important part in the plot of the play. It helps weave the entire story together. The handkerchief symbolizes Othello’s love and trust to Desdemona and Desdemona’s marital fidelity to Othello.

“Othello” begins in middle of an argument between Roderigo and Iago. Desdemona and Othello’s wedding is the main topic of their argument. Desdemona is a Venetian beauty who is treated as a possession of her father, Brabantio, but by marrying an outsider Othello, she goes against the tradition of venetian custom which she is expected to marry a rich man to maintain her family’s honour. Iago reports Brabantio that his daughter is being stolen by Othello. “Awake! What ho, Brabantio! Thieves, thieves!” (1.1. 76). This quote depicts how unmarried women were treated back in 16’s century. However, while everyone in the play thinks that Othello has stolen Desdemona to marry him, Desdemona speaks herself to prove that she truly loves Othello. “That I love the Moor to love with him” (1.3. 246). Also, she even asks for her permission to go to Cyprus with Othello because she can’t stand the thought of remaining at home, which doesn’t have any adventure. There is a comparison between her social class and her

As Othello came to his breaking point, desdemona foreshadows her own death and he lets jealousy take over. When Othello can’t dismiss his suspicions of his wife being unfaithful any longer he starts to lose his morality . After confronting Desdemona of her “crimes” he decides to carry out his overall plan to end his trues loves life. When he realizes the grave mistake he had made by taking an honest Desdemona's life he can no longer live with himself. Othello decides the only way to right his wrong is to take his own life.

Othello insults and strikes Desdemona in public and Desdemona being horrified by these actions says that “I have not deserved this” (4.1.241). Desdemona finds Othello to be incorrect in his actions and she expresses her feelings to Othello. This proves Desdemona to be ahead of the time the play was written since unlike other women Desdemona defends herself and her beliefs strongly. Therefore, Desdemona is shown as an all-around powerful woman.

Shakespeare's “Othello” is a tragedy written about a black lieutenant and his terrific outcome. Being manipulated by the villain Iago, drives him to kill his own wife. Othello is responsible for Desdemona's death because he allowed Iago to manipulate him, he didn't trust Desdemona and strangled her while she slept.

The tragedy of Othello, written by William Shakespeare, presents the main character Othello, as a respectable, honorable, and dignified man, but because of his insecurities and good nature, he is easily taken advantage of and manipulated by his peers and alleged friends. The dynamic of Othello’s character significantly changes throughout the play. The contrast is most pronounced from the beginning of the play to its conclusion, switching from being calm and peaceful to acts of uncontrolled venomous rage. Othello’s motivation in the play appears to be his love and concern for his wife Desdemona, which ironically, ends up being his downfall in the end.

Shakespeare mocks society’s extreme measures by suggesting death as the sole option for Othello when he fails to understand that Desdemona may not fit female stereotypes. Without the ability to label her, Othello fails to “assert Desdemona’s chastity and corruptibility simultaneously” and “murders Desdemona to redeem her from degradation” (Neely). The characters, like many people, struggle to alter views that have been so firmly pressed into their minds. In this way, Shakespeare negatively comments on humans’ inabilities to see beyond what society tells them and to comprehend truths unique to a specific person rather than his gender roles. Shakespeare uses the characters Desdemona and Othello to display how people become accustomed to the gender identities that society defines for them. Therefore, both characters, as depicted by their deaths, fail to understand each other personally as individuals instead of as the stereotypical man or woman that is being presented.

Othello believes that Desdemona is his possession, an object in his life which is supposed to show he honour and reputation as a man, therefore the belief that Desdemona has broken that honour and nobility forces Othello to destroy her.

At this time, Othello has killed Desdemona and has forever ruined his own life. By her trying to stop the madness, her husband, who is still filled with hatred and jealousy, kills her.

Desdemona is portrayed as a very inquisitive women, whom loves to explore the things and people outside of her class. She fell in love with Othello because of her curious nature and being attracted to his acts of bravado. Her intentions are sincere; however her curiosity in this act is seen as folly. She asks her cousin Lodovico about his arrival and informs him of Cassio’s dismissal. This angers Othello as she is praising another man, taking a persona of being proactive about him. For Othello this concludes that she is disobedient and has dishonored him - to put her in place, he resorts to violence:

It is here that the audience begins seeing a different identity of Othello. Who was once regarded as so valiant and courageous, was now beginning to show signs of severe insecurities dealing with matters, most importantly, such as his lack of experience in love and marriage causing shadows of doubt over his confidence in himself and his ability to be loved by and worthy of someone like Desdemona. Desdemona, although not intentionally, seems to be the reason for all the unrest in Othello. This is an instance in the play when irony shines it's smiling face upon Shakespeare's most tragic characters. Othello feels truly happy with the presence of Desdemona in his life (Act II.1, 181-187):

Iago’s line after Cassio’s exit which is shown above presents Desdemona and Cassio as two characters that have something to hide from Othello. Desdemona is presented as a victim at this point. This is because Iago has embedded a sense of doubt in Othello’s mind about Desdemona. Having said this, Desdemona partly contributed towards her victimisation by promising to talk about Cassio to Othello and doing just that. Desdemona says the line “to suffer with him”. By “him” she is referring to her friend in need Cassio. For Desdemona to say the word “suffer” to Othello in relation to Cassio’s sadness indicates a strong sense of passion which holds them together. This could make the audience feel uneasy for Desdemona because her lines are building more tension. This is also dramatic irony because Desdemona is unaware of the trouble her constant mention of Iago is doing to Othello. One of the things that make up a tragic victim is loss. The character Desdemona losses her handkerchief.

Othello’s tragic flaw can be viewed as jealously which ultimately leads to his downfall. When Othello is manipulated by Iago to believe that Desdemona is having an affair with Desdemona, Othello does not change from his good person mentality. However, Othello carries out with the plan for murder for which he believes is a fine reason to end Desdemona’s once previous life to preserve her innocence. Othello is the tragic hero within the play titled after him and because of his title, because of this Othello, the Moor of Venice follows one of Aristotle’s requirements.