Desdemona's Argumentative Essay

When Desdemona questions Emilia about the whereabouts of the handkerchief, Emilia claims to know nothing about its disappearance. After Emilia witnesses a heated argument between Othello and his wife, Emilia tells Desdemona that her husband is simply jealous. Even though she betrayed her best friend, Emilia remains by Desdemona’s side for the rest of their

Emilia contributes to the characterization of both Iago and Desdemona. Emilia enters the play in Act II, Scene i when she and the party arrive in Cyprus. Iago speaks to her rudely and treats her disparagingly in front of the others; “Come on, come on! You are

Furthermore, she realizes that she has played an unintentional part in the tragedy by following Iago’s request to steal Desdemona’s handkerchief. It has all been a plot by Iago to destroy Othello, and this is finally revealed to everyone, including Emilia (Kennedy and Gioia, V. II. 179-182, 187-189). To see Emilia come to full awareness is to see first the emotional breakdown caused by this revelation, and then to see it begin to build, as she shows heartbreak, guilt, awareness of betrayal, and recognition of supreme cruelty on the part of someone she has trusted with her life. She finally speaks with the words, “Villainy, villainy, villainy!” (Kennedy and Gioia, V. II. 197), knowing she has to persuade everyone of Desdemona’s innocence. Recognition again occurs in Act V Scene II when Emilia hears Othello mention the handkerchief, after he has killed Desdemona: "With that recognizance and pledge of love / Which I first gave her. I saw it in his hand; / It was a handkerchief, an antique token / My father gave my mother" (Kennedy and Gioia, V. II. 221-224). At the same time, the attending visitors and soldiers, who have been called into action by Emilia’s cries in Act V, Scene II, are also realizing the truth of these terrible events. The reversal occurs as Emilia discloses that it was she who stole Desdemona’s handkerchief, “She give it Cassio? No, alas, I found it, / And I did give’t my husband” (Kennedy and Gioia, V. II 236-237). Immediately Othello knows that

In Othello, Act IV, scene ii and iii, Emilia, Iago’s wife, reveals her opinion about relationships to the reader as she attempts to comfort Desdemona. She indefinitely believes that many men, as well as women, are frequently guilty of deception and betrayal of their partner. By this part of the play, Othello’s suspicions of Desdemona’s unfaithfulness have greatly increased, and he begins to accuse her of cheating on him. When Desdemona persistently denies his accusations, Othello becomes enraged. He sarcastically asks for her pardon and claims that he took her to be the “cunning whore of Venice” (Act IV, scene ii, line 88). Desdemona is heartbroken by her

For years, Scientists have been trying to find ways to help prevent so called concussions in the sport of football. They have not had huge success but have had little gain in ways to help prevent them. The NFL has been the target for the cause of concussions. Even though it is the players who cause them on one another. Concussions can be very minor to very severe. Although there is no cure for concussions scientist believe they will eventually find a way to cure them.

Since 1971, the United States has been on a war against drugs. Yet four decades and one trillion dollars later, we are still fighting this war (Branson). All that we have to show for this war is drugs running rampant and tons of citizens incarcerated. Mandatory sentencing for minor drug offences should be overturned due to overflowing prisons, damaging families, and the scare tactic it was created to be has failed.

Desdemona after hearing Othello’s story feels pity for him and realizes he is a sensitive man. She completely devoted herself to him because she truly loves this man with all of her heart. Emilia, on the other hand, see men as superiors and her husband as such, as well as her provider. They have a highly poor relationship. They are a secretive, deceiving couple.

Rome wasn’t built in a day, and neither were the accounts of history that glorify Roman Empire. Virgil crafts a very carefully worded and cautiously selected version of Roman history, that glorifies Rome and its deeds, atrocities and achievements alike. The catalogue of events, functions as a version of history or propaganda that supports and reveres the Roman Empire. The retelling starts with humble beginnings, “... licked her wolf pups into shape with a mother’s tongue” (Virgil 1062). It then follows with the beginnings of Rome as a city, then as a republic and finally as a fierce empire. Virgil traces an idyllic history of Rome, that glosses over any details that do not bring glory to the empire, and in doing so creates a propagandic version of events.

Coupled with Emilia’s obedience to Iago, his ploy can finally convince Othello of Desdemona’s unfaithfulness. Emilia does not agree with her husband, Iago very much, but she does obey him when she has the opportunity to do so. However, Emilia picks up Desdemona’s handkerchief, with no thought, only that it will please her husband, “what he will do with it /heaven knows, not I; /I nothing but please his fantasy,” (OTH.III.III.297-289). Subsequently, this handkerchief may not have much meaning to Emilia at this moment, but once she finally discovers the truth about her husband, she immediately accuses her husband of being a villain, and dies by his hands. Correspondingly, Emilia is also loyal to her husband, to such an extent as to lie to Desdemona about where her handkerchief has gone. As Desdemona worryingly searches for her handkerchief, Emilia denies knowing where she could have lost it, and suggests a different reason for Othello’s uneasiness, “I know no madam… /Is he not jealous?” (OTH.III.IV.14, 20). Emilia knows where the handkerchief has gone, but remains silent because her husband, Iago has told her to. As a result of Emilia’s loyalty Iago does not need to worry about others discovering where Othello’s handkerchief

The death of Desdemona was not the fault of Emilia, nor her actions who arguers believed lead to Desdemona’s murder. Othello, a Moor, is a recognized hero that saved Venice from an enemy invasion. One of Othello’s soldiers, Cassio, is promoted to become second in command. Unfortunately, one of Othello’s main soldiers, Iago, is still positioned at his usual rank and becomes jealous. Iago’s hatred leads him to get revenge on the Moor for overlooking Iago for the higher position.

From the very beginning of the drama anyone can see the love Emilia has for Desdemona. Emilia is always there whenever Desdemona needed her the most. Emilia has shown her loyalty towards not only to Desdemona but to Othello as well. Desdemona and Emilia get closer when Desdemona starts to have issues with Othello. Emilia is always there to listen and to give advice to young Desdemona whenever she needs it the most. All though, Emilia does one act of dishonesty towards Desdemona by taking her handkerchief which Othello gave to her. Emilia does try to regain her loyalty by revealing her husband’s intentions towards Othello and everyone else. Once she did it was too late, Othello already had killed Desdemona for falsely accusing her of being a “whore.” Even though, Emilia finally cleaned her best friend’s name it was too late to bring Desdemona back to life. As any best friend would do she sacrificed her own life for Desdemona. Her husband, Lago, kills her by stabbing her in the back for revealing his true intentions. Emilia can finally rest in peace knowing that she cleaned her best friend’s name and that they will be together in the afterlife.

William Shakespeare’s exploration of unhealthy love reveals Desdemona’s role in Othello, originating in a female character, exacerbating masculine domination. a spawned by a female character,. Desdemona invites Othello’s abuse through ignoring his rage, ultimately illuminating the power of her blindness. In opposition, Emilia refuses to ignore the rage of her husband and Othello. Thus, through her unwillingness to endure abuse she becomes the foil that defines the role of Desdemona.

In addition, Emilia proves her underrated intelligence by standing up for what she believes is right. Desdemona, Othello's wife, and Emilia's relationship grows because of her great loyalty towards her. At the end of the play Emilia stands up for Desdemona because Othello kills her. She explains Desdemona's true love for him and would never do anything to hurt him, which proves Desdemona's innocence. Not only does Emilia stand up for Desdemona, but she also voices her opinion to Othello. Emilia shows no fear standing up to Othello to prove to him that his wife has always been faithful. At first Othello finds it implausible but then Emilia says, "Thou art rash as fire, to say that she was false. O, she was heavenly true!" (Shakespeare V: ii, 165-166).Women are looked at in Othello as unintelligent and unfaithful, but Emilia changes that stereotype by standing up to the men. From the start Emilia and Iago's relationship always seemed rocky. Emilia's confidence in herself shows that she is not afraid to stand up to her husband. Emilia realizes the danger she puts herself in when she stands up to Iago. In order to make things right, she does whatever it takes, even if that means ruining their marriage or taking her life.

In addition, Emilia is unwittingly responsible for Desdemona’s death because she is remains silent. The two women often talk about their husbands to one another; in spite of it Emilia doesn’t talk about Iago’s behavior toward her. Unlike Desdemona who declares, “Alas the day! I never gave him cause,” she suggests that Othello behavior toward her is unexplainable because she has not been unfaithful to him (3.4.157). Desdemona also reinforces Emilia to give her a reason as to why Othello is behaving this way; instead Emilia illustrates silence when she says:

She is then disowned by Barbantio with no further words directed to her by him but is referenced as a liar and should be kept on watch for her conniving ways by him towards Othello. Which then begins Shakespeare’s in depth writing on Othello and Desdemona’s relationship where she is as “a child to chiding” (4.2.119-120). Not even a moment after her father leaves Othello commands Iago to tell his wife, Emilia, to tend to Desdemona as a babysitter. Irony occurs within (2.1.169-171) where Desdemona challenges Iago and stands as an independent woman for Emilia objecting to his conclusion, that women no matter how beautiful or intelligent play the same “foul pranks”. However, as Othello’s jealousy and rage arises throughout the play it seems as her character has to fight even harder to breathe under his control; symbolic for her death of suffocation. Desdemona is a gentle women living under her love’s control with no power to object even if she had opposed this type of controlling relationship. As a higher class woman she had more power and respect over other women characters such as Emilia or Bianca, but is this dominance enough to feel in control of oneself? It is believed that Shakespeare added the 2 other