Desert Places Poetry Analysis

Robert Frost's 'Desert Places' is a testament to the harrowing nature of solidarity. By subjecting the narrator to the final moments of daylight on a snowy evening, an understanding about the nature of blank spaces and emptiness becomes guratively

Frost further points out that the stretch of woods being viewed is very rural. This is made possible by the reference to the location between the woods and frozen lake. In closing the final sentence of the second stanza Frost reiterates the fact that this occurs on “the darkest evening of the year” stating the darkness of the mood.

Self-discovery is often accompanied by internal metacognitive dialogue due to its ability to allow individuals to re-evaluate their outlook on life and develop a better understanding of the world. Frost’s ‘Stopping by Woods’, his 1922 lyric poem provides a pre-eminent example of an internal monologue. Use of first person present tense language allows for the reader to relish the quiet splendour of the dark woods and ponder, if only for a moment, the allure of escaping indefinitely from the exhausting world of people and promises. The confronting and emotionally significant discovery of the persona’s morbid attraction to oblivion is conveyed through the furtive tone in the first stanza “He will not see me stopping here/ to watch this wood fill up with snow” suggesting a feeling of delight that may be associated with the deep, dark woods. Potent connotations of the words ‘dark’,

Robert Frost takes our imagination to a journey through wintertime with 
his two poems "Desert Places" and "Stopping by Woods on a Snowy Evening". These two poems reflect the beautiful scenery that is present in the snow covered woods and awakens us to new feelings. Even though these poems both have winter settings they contain very different tones. One has a feeling of depressing loneliness and the other a feeling of welcome solitude. They show how the same setting can have totally different impacts on a person depending on 
their mindset at the time. These poems are both made up of simple stanzas and diction but they are not straightforward poems.

Frost uses a multitude of poetic devices, including metaphors, irony, symbolism, hyperbole, and personification “Proclaimed the time was neither wrong nor right. to vividly reinforce the desolation in the mind and the surroundings of the speaker. The uncertainty of the time in the end is a reflection of the uncertainty in the duration of isolation that the speaker would have to continue to endure. In conclusion, this poem displays the transition into night figuratively as the author experiences a broken heart. I have been one acquainted with the night.” (V,2 ). This is a beautiful and dark poem that describes the somber emotions that an individual endures after a separation. This poem can be relatable to anyone as we all have experienced some type of sorrow. Hopefully after experiencing something of this nature we can see the bright lights after being acquainted with the

     Last stanza of the poem talks about the emptiness that is so overwhelming that even when Frost looks up to the sky, all that he could see or feel is still loneliness and emptiness. But then Frost mentions that the emptiness or loneliness that he fears the most isn’t the one that exist on

Robert Frost's deeply-rooted beliefs in nature influence him to view death positively. Through enticing images of solitude

Robert Frost had a fascination towards loneliness and isolation and thus expressed these ideas in his poems through metaphors. The majority of the characters in Frost’s poems are isolated in one way or another. In some poems, such as “Acquainted with the Night” and “Mending Wall,” the speakers are lonely and isolated from their societies. On other occasions, Frost suggests that isolation can be avoided by interaction with other members of society, for example in “The Tuft of Flowers,” where the poem changes from a speaker all alone, to realizing that people are all connected in some way or another. In Robert Frost’s poems “Acquainted with the Night,” “Mending Wall,” and “The Tuft of Flowers,” the themes insinuate the idea of loneliness

one dead, turned to their affairs. A sense of defeat was also perceived as Frost simply uses the

Robert Frost’s poetic techniques serve as his own “momentary stay against confusion,” or as a buffer against mortality and meaninglessness in several different ways; in the next few examples, I intend to prove this. Firstly, however, a little information about Robert Frost and his works must be provided in order to understand some references and information given.

“Acquainted with the Night” by Robert Frost dramatizes the conflict that the speaker experiences with the outside world, which has rejected him, or perhaps which he has rejected. The poem is composed of fourteen lines and seven sentences, all of which begin with “I have.” Frost’s first and last line, “I have been one acquainted with the night,” emphasizes what it means for the speaker to be “acquainted with the night” (line 1; 14). The speaker describes his walk in the night as journey, in which he has “walked out of rain—and back in rain” and “outwalked the furthest city light” (line 2-3). Through the depiction of the changing weather conditions, Frost signifies the passage of time, perhaps indicating that the narrator has been on his journey for a lengthy period of time and has traveled through many cities. Furthermore, the imagery of the rain at night creates a forlorn atmosphere in the poem.

Poetry is a literary medium which often resonates with the responder on a personal level, through the subject matter of the poem, and the techniques used to portray this. Robert Frost utilises many techniques to convey his respect for nature, which consequently makes much of his poetry relevant to the everyday person. The poems “Stopping by Woods on a Snowy Evening’ and “The mending wall” strongly illuminate Frost’s reverence to nature and deal with such matter that allows Frost to speak to ordinary people.

Witnessing constant disappearance, yet remaining to seem like the depiction of complete normality. Deafening silence engulfs all surroundings, on its way to eventually evoking insanity. The smell of cold, dry air freezes over all breathing pathways, caging in the ribs, preventing the ability to inhale and exhale, leaving behind the taste of metal as a reminder of a chaotic state of mind. Mentally trapped in chosen solidarity, Robert Frost, William Shakespeare, and Elizabeth Bishop were able to express their hidden despair through poetry. Frost having experienced major loss in his life, Shakespeare lying to himself to cope with his actions, and Bishop constantly masking her pain while in the eyes of the public. In “Desert Places”, “When my love swears she is made of truth”, and “One Art”, the author’s use connotative diction to weaken the severity of their personal issues.

Frost’s use of alliteration, personification, and imagery definitely conveyed the speaker’s attitude towards the woods. The reader believes Frost wrote about the woods to show how peaceful and calming it is in an isolated place such as the woods. Most people live in crowded neighborhoods or over-populated places, but living in a secluded area decreases the stress of others outside their household. Because of how isolated the woods are, they can worry about themselves compared to worrying and stressing on the outside

“Poetry is when an emotion has found its thought and the thought has found words,” Robert Frost once said. As is made fairly obvious by this quote, Frost was an adroit thinker. It seems like he spent much of his life thinking about the little things. He often pondered the meaning and symbolism of things he found in nature. Many readers find Robert Frost’s poems to be straightforward, yet his work contains deeper layers of complexity beneath the surface. These deeper layers of complexity can be clearly seen in his poems “ The Road Not Taken”, “Fire and Ice”, and “Birches”.