Design Explication Of Robert Frost

Robert Frost's Design Robert Frost outlines an ironic and disturbing situation involving a flower, a spider, and a moth in his poem "Design". The poem's text suggests the possibility of an absence of a god, but does no more than simply beg the question, for Frost's speaker does not offer the answer. By examining the events of the poem in the first stanza and the speaker's annotative second stanza, we

An overdone theme throughout literature and art is the struggle between ourselves and the overbearing weight of reality. However, Robert Frost’s poem, “Birches,” is one of the best examples of the message through his use of symbolism and diction in the speaker’s train of thought. Frost creates a flowing conversation on the reality of how much control one can possess in their existence versus the illusion of complete control. By utilizing purposeful symbolism and diction, Frost brings relatability and subtly to the power struggle contemplated in “Birches.” Symbolism is a major component of Frost’s style and more often than not, his poems allude to a common, yet significant, issue of human existence.

Robert Frost’s poetry is in between the lines of modern poetry and 19th century works. In most of his poetry, he uses simple meter and verse. Frost believed that the form of a poem showed the context, therefore his poems were written in simple form to show conversation and interaction in most cases. Also, he believed that the writer and the thinker be set apart. In a 1932 letter to Sydney Cox, Frost explained his conception of poetry: “The objective idea is all I ever cared about. Most of my ideas occur in verse.... To be too subjective with what an artist has managed to make objective is to come on him presumptuously and render ungraceful what he in pain of his life had faith he had made graceful.” In this, Frost is showing the need of two directions in poems, the artist point and one from the emotional point, which he establishes in most of his works.

Robert Frost takes an interesting approach in his short poem entitled, "Design." In the poem, Frost questions if there is a designer of life or if things just occur randomly. Frost believes that if there is indeed a designer of life, the designer produces both evil and good. Moreover, Frost considers that perhaps good could actually be evil if one is looking close enough, if so, the nature of the designer in the poem is contradictory. Frost 's "Design" mastery in the poem is that its meaning is enhanced by its form, rhyme, and its imagery and connotations.

justified my conclusion as to one of the reasons why I liked Frost‘s poem so much.

Poet, Robert Frost, in his poem, “Design,” delineates a spider’s meal atop a medicinal flower. In “Design,” Frost questions the nature and existence of God, whether or not the world is harshly meaningless or coldly calculated, through his use of literary allusions, personal point of view, and contrasting imagery.

`Both poets use structure as a way of reinforcing and supporting the meaning of their poems. Frost uses much long winded description at first and then he brings the poem to a sudden end before the reader has really even grasped what has actually happened. This is a metaphor for the boy’s life as his life was happy and innocent until it was brought to a short and quick end. Wilfred Owen uses structure as a metaphor as all

The subject of Robert Frost’s “Design” is simply about life and death, but the theme here is touching upon the question of God’s role in the design of nature and the world around us. The poem is more on the dark side from the way he describes the main characters – the white spider, the heal-all flower, and the moth – and the way he starts to question why everything went the way it did. Was it just a random occurrence or does God actually make terrible things, like the spider killing the moth on a flower, happen?

     (lang/style) Frost’s poetry is deceptively simple but there is a deep mysterious underside which is very interesting. His craftsmanship, understanding of meter and form, his use of imagery, metaphor, psychology, religious connection, and understanding of man/woman and man/universe are what set his works

In the poem “Design'; by Robert Frost, the classic use of the color white, meaning innocence and purity is turned around. Instead of giving this color to wholesome, pure objects he gives them to objects that are the reverse, which are death, darkness and unholy objects.     

In his poem “Design,” Robert Frost constructs a compelling relationship between the natural and supernatural worlds, proposing that creation is governed by the “design of darkness” (“Design” 13) and was constructed with intention by a divine, omnipotent hand. He seems to posit that this premeditated design is the only plausible explanation for the violent, survivalist motivations directing the actions of what he considers to be inherently innocent beings (in this case, the predatory spider and the moth on which it preys). To illustrate this belief, the poet introduces and develops a trilogy of distinct, yet interrelated, dichotomies throughout the poem: that between light and dark, innocence and evil, and life and death. Frost achieves this

Frost is an interesting poet because he began writing at a crossroads of two centuries so his writing contains elements of both traditional late 19th century Romanticism and early 20th century Naturalism so his style blends the two with an accent of local color. When he first started writing Frost was heavily criticized but his reputation started to build in England after his mid-40's. During that time, Frost seemed to have gained an insight through which there was a deceiving ease to his writing and the true nature of Frost could now be readily found in his works, "The development of a poem seemed to Frost to have a life of its own, beyond the poet's will and effort. Its most precious quality will remain its having run itself and carried a way the poet with it. The first way of seeing the poem involves mainly the initial thrust of mind into matter and the second the consequences of that influx of energy and intention, or the process that is triggered by

There once lived a fellow named Robert Frost, who was one of the greatest poets of the 20th century. In the year 1874, Robert's life began in San Francisco. He lived there for eleven years with his family until his father died. When that happened, Robert, his mother, and little sister all moved to Massachusetts. There, Robert went to high school and graduated top of his class. He went on to complete only one term at Dartmouth College, and after that, two years at Harvard University. After leaving college, Robert worked as a farmer and later as a factory worker for a short time. Next, he taught English at Pinkerton Academy for four years. Mr. Frost’s wrote many poems, one of which is called The Tuft of Flowers, is one of Frost's earlier works. Accordingly, the focus this essay will be analyzing that poem and comparing it with another Robert Frost wrote. There are two parts of this essay, analyzing the first poem using four elements of poetry: theme, imagery, sound, and symbol, and the second part is a comparison of the first another written by Frost, Acquainted with the Night.

There once lived a fellow named Robert Frost. In the year 1874, Robert's life began in San Francisco. He lived there for eleven years with his family until his father died. When that happened, Robert, his mother, and little sister all moved to Massachusetts. There, Robert went to high school and graduated top of his class. He went on to complete only one term at Dartmouth College, and after that, two years at Harvard University. After leaving college, Robert worked as a farmer and later as a factory worker for a short time. Next, he taught English at Pinkerton Academy for four years. Mr. Frost’s wrote many poems, one of which is called, The Tuft of Flowers, which also happens to be one of Frost's earlier works. Accordingly, the focus this essay will be analyzing that poem and comparing it with another Robert Frost wrote. There are two parts to this essay, analyzing the first poem using four elements of poetry: theme, imagery, sound, and symbol, and the second part is a comparison of the first another written by Frost, Acquainted with the Night.