Designing A Remake Centric Film Festival From A Project Essay

This open letter is directed at the directors of Horror films. This letter will discus the over used gimmicks and the lack of creativity on their part. It will be written in a conversational way with the use of pathos of how these movies are faulty with a touch of humor, and rhetorical questions to emphasize certain points of my discussion of this topic. I will also use ethos through my time as a film fanatic who is passionate on all that is film especially horror film which is my favorite film genre, and is the largest genre with so many subgenres within it that have the ability to use so much imagination. I have crafted this conversation to be directed towards the directors of horror films with the use of film lingo that is used for this genre, movie examples they should look at, and a deep analysis of what and how this problem cause movie of today to lack in appeal.

Studios know that if a movie does well the first time, it is likely to do well the second time and even the third time. King Kong is no exception. Producers can presume that the glory of the original will pass on to the remake since audiences hope for that feeling again. Whether the movie is better or not doesn’t matter. Audiences will go to see King Kong over the years because the remakes are associated with the original.

The foundation of horror genre was set by monsters that not only haunted your dreams but also conveyed rich themes found deep beneath the surface. Vampires are considered a symbol of seduction and sophistication while Frankenstein monsters represent misunderstanding, oppression, and rebellion. Some of the strongest symbolism is found in standard films of the horror genre does not come from the frequently updated relics. Utilizing fear and horror as mechanisms for subtext, social commentary, and symbolism, George Romero created a new horror genre, one that scares and shines just as much as great horror classics. Romero’s Night of the Living Dead revolutionized the once stagnant zombie film and made into something unstoppable, still to this day zombie movies rake in millions of ticket sales at the box office while remaining culturally relevant.

Movies have been around for over one hundred years, and they have changed quite a lot from the beginning to now.

The appreciation for horror and thriller films goes a long way in order to scare their viewers. There is no denying the attraction of being frightened by the many forms that fear takes. This is no different in such movies like The Shining and The Amityville Horror. They carry a familiar presence about them. An alluring presence which makes these motion pictures classic to this day. Even though these films grow in age, they never cease to grab onto the darkest terrors of the human imagination. While, Director Stanley Kubick’s The Shining and Director Stuart Rosenberg's The Amityville Horror both contain themes of renewal , The Shining is superior

The woman who takes her top off first always dies first. This trope of horror films, started around the time of the Friday the 13th series, has become ingrained in our conscious so much that it has become almost a ritual for movie-goers to expect it. Before that, a popular trope was the mad scientist, playing God. Horror has always been built on tropes and archetypes, a storytelling ritual performed both by creators and their audience. The origins of the horror film genre can be traced back to the early 19th century, to literary pieces such as Bram Stoker’s Dracula and Mary Shelly’s Frankenstein (Belton 280). The Bride of Frankenstein and The Cabin in the Woods serve as an interesting contrast between classic and contemporary horror, highlighting not only how the genre has changed, but also how much of their deeper meanings have remained the same.

John Carpenter’s Halloween is an example of what a great film composer can achieve with any budget. When it comes to film genres, Halloween has to be one of the greatest examples of what a horror movie is. Throughout the film, many of the story elements can easily be seen contributing to the idea of what makes a film fit in the horror genre. There are many horror films that stray quite far from the basic idea of what a horror film usually is; however, Halloween is a great example of classic horror. Typically, horror films have a set of basic guidelines or expectations that can be seen portrayed; such examples of what is to be expected in a horror film would be the presentation of a ‘monster’ or something that violates the natural world in a perverse way, something that is unknown, or that a monster is unintentionally unleashed, and the film takes place in creepy setting or suburban neighborhood/summer camp (slasher sub-genre). In Halloween, Carpenter brilliantly matched his film to the genre guidelines of horror. The variety of ways he did this can be seen in the presence of an unknown being which extends human knowledge, introduce the killer into the story by an accidental release from a facility, and depict the sub-genre horror being a slasher film.

These two films are by far noted as Horror legacies that have influenced not only the cinematic realm of existence, but also culture as a whole that clearly visualizes

When dealing with horror, supernatural fiction one famous author comes to mind. Stephen King known for writing classics first published legendary debut novel, Carrie, in which was later turned into two captivating films. Carrie is a horror, tragedy novel released on April 5th, 1974 which was set in the future year of 1979. Then around 2013, director Kimberly Peirce decided to remake Carrie pulling more influences from the novel, than to its older remake by De Palma in 1976. Though the film is very accurately close to the novel itself.

From the late 1960’s to the early 1970’s Spain rose as one of the leading countries to dominate the horror film genre. Struggling under a brutal and confining dictatorship for much of the 20th century, the horror genre of Spanish cinema took awhile to come together. During the difficult and challenging days of General Franco’s regime a limited series of horror films were produced, mainly for the English market. In the later years under Franco, hundreds of horror films were released. All were identified for their violence, eroticism, and unrestrained cinematography. Recently, 21st century Spanish horror films, such as The Devil’s Backbone and The Others, tell chilling ghost stories that go beyond horror genre and successfully mix suspense, horror, and coming of age techniques, during the harsh wartime, using sound, lighting, editing, and innovative camera work.

Horror genre is one of the most likable genres of all times. In this essay I’ll have a look at a specific type of horror movies called ‘slasher’ films. It appears in 1960s with Alfred Hitchcock’s

After a successful re-launch last year, the MIFF Traveling Film Festival will be returning to Ballarat for a weekend showcase at the Regent Cinemas from Friday 18th to Sunday 20th this month. It showcases some of the best in current cinema from around the world as well as providing a platform for talented local filmmakers.

It’s All Ogre Now is proud to present our lineup proposal for this years Belden Village Film Festival. Our line up includes a great variety of movies, all showing examples of our theme. The theme of our movie lineup is “It’s what’s on the inside that matters not what is on the outside.” Meaning that when people look at you and you look at other people the first thing noticed is almost always their appearance. Instead of focusing on appearance, this doesn’t make up a person, focus on who they are on the inside and watch their actions instead. This will give you a much greater understanding and idea of who the person is. Don’t base your opinion of someone off of their appearance like the characters in these movies start of by doing. Learn

For the first time in a long time, movies were loved again. The Godfather (1972) and Jaws (1975) forced the American people to run from their homes right into their local movie theater. For example, when The Godfather came out in the early ‘70s it was the first step into the huge movie insurgence of its time. The film literally rewrote the gangster

Just take the Broadway show, Cats, which is one of the longest running Broadway shows to date. Some may not know this but they made a movie on Cats and it did terrible. Rotten Tomatoes, a renown critic site, only rated it as 20%. But just take Shakespeare’s plays which still are performed today even though they were made centuries ago. Plays will still be continued to be remade and replayed over and over again until people finally get bored. Movies however can be played but it can’t be remade with new actors or with a twist. Just take the reboot of Ghostbusters with a female cast and many people were disappointed at even the idea of a reboot.