Desiree's Baby Classism

In the very beginning Desiree was left on a stone pillar at the Valmonde estate; it is also here that Armand Aubigny sees her and falls instantly in love with her. The stone pillar is a symbol of firm, forced male dominance in a patriarchal society. It is how men were of superior to anybody else. Desiree grew into a beautiful and gentle-hearted young woman and soon found a wealthy suitor asking for her hand. This young suitor was Armand Aubigny. He had known of Desiree’s past but was in love and did not care. Armand Aubigny’s character in this story was racist and despicable but the young bride was in love and looked past his faulty character.

"Desiree's Baby" is Kate Chopin's most well-known short story and most anthologized piece of work. The story takes place in southern Louisiana and her writing reflects her Creole-French descent. Chopin begins the story with a descriptive quote, "when she reached L'Abri she shuddered at the first sight of it, as she always did. It was a sad looking place...Big solemn oaks grew close to it and their thick leaved, far-reaching branches shadowed it like a pall" (185). The preceding quote gives the reader an eerie feeling and foreshadows an unpleasant ending to the story. Throughout "Desiree's Baby," Kate Chopin uses symbolism to convey her themes of racial prejudice, unequal gender roles, and

In the short story, “Desiree’s Baby,” Kate Chopin exposes the harsh realities of racial divide, male dominance, and slavery in Antebellum Louisiana. Although written in 1894, Chopin revisits the deep-south during a period of white privilege and slavery. Told through third-person narration, the reader is introduced to characters whose individual morals and values become the key elements leading to the ironic downfall of this antebellum romance. As Chopin takes the reader through the unfortunate circumstances and unexpected twists of Desiree’s life, a Southern Gothic tale emerges. While Armonde is Chopin’s obvious villain, one should not assume that the other characters are not antagonists themselves, as

Sometimes the hardest thing for an individual to do is taking a stance against the culture they live in, and sometimes the people who take the stance are underappreciated. Sadly, this is story of a talented writer named Kate Chopin; who took a stance against her environment with her writing, most notably in her short story, “Desiree’s Baby”. Chopin’s short story “Desiree’s Baby” uses the themes of naturalism, realism, and the usage of irony to expose the hypocrisy of racism.

If Desirée were actually black in the Antebellum south, she would know these things from early childhood. Desirée disappears “among the reeds and willows that grew thick along the bank of the deep sluggish bayou; and she did not come back again” (404). Desirée’s disappearance is not only her physical departure from L’Abri; it is the disappearance of the white woman that was Desirée. And none of these circumstances is decided by biology, but by what Marxists refer to as a “struggle for power between different social classes” (Gardner 145). Chopin is delivering a message that power transcends race.

Desiree’s decision to take the life of her child and her own is motivated by a desire to protect her son from the situation he has been born into and her own somewhat selfish inability to envision a new life. Desiree had an outlet from the hellish atmosphere on the plantation in the form of her loving mother, Madame Valmonde, who offered asylum and support in a letter that instructs Desiree to return home with her son (Chopin 418). She chose to ignore this olive branch because it simply did not compute with her that a life existed outside of her marriage with Armand and thus she chose death for both herself and her child (Korb). Desiree’s demise is rooted in the fact that her unknown familial ties made her completely helpless and unable to provide proof that she was indeed not a part of the African American race further illustrating the power of familial status that existed at the time and its ruthlessness towards those who were considered lowly people.

These insights are on the topic of Chopin’s view of feminism. Chopin portrays Desiree as a very virtuous and woman. However, Armand Aubigny is portrayed as an individual to be feared and not a very likeable character in general. Armand falsely accused Desiree for the blackness in their baby, as he knows well that he “belongs to the race that is cursed with the brand of slavery” (Chopin 632). In the heated argument between Armand and Desiree, Desiree pleads to Armand that she is not black and is white to which Armand rudely responds “As white as La Blanche’s” (Chopin 631). Furthermore, Chopin’s portrayal of the other women is positive with no glaring character flaws in Mme. Valmondé and Armand’s mother. Valmondé is described as a loving mother to the orphaned Desiree. Furthermore, her loving attributes are highlighted as she asks Desiree to return home. Overall, in “Desiree’s Baby”, the description of the female is much more positive than that of the male as portrays the respectable characters of Desiree and Aubigny who are contrasted with despicable characters like Armand.

Yet it is not until Armand believes that Desiree is black that he fully dominates her simply by thinking that he is superior.  At this point, “when he spoke to her, it was with averted eyes, from which the old love-light seemed to have gone out” (317).  Armand feels that he is too superior to Desiree to devote his full attention to her.  Since he no longer expresses his love for Desiree, she feels further pushed into a slave-like position in the relationship, and, “was miserable enough to die” (318).

Desiree?s words show that her life depends on the race, notions, and social class of her husband and consequently, she feels obligated to obey his every desire. Desiree is presented as vulnerable to whatever Armand wants and tells her to do when she says, ?Do you want me to go?? (177). Desiree displays through her actions that in many ways, her happiness only comes from pleasing her husband. Therefore, Desiree must decide whether to live completely separate from Armand, or to live with him in constant fear and unpleasantness. Desiree achieves personal freedom and independence from Armand when ?she disappeared among the reeds and willows that grew thing along the banks of the deep, sluggish bayou; she did not come back again? (177). It is not even an option and is unheard of that Armand, being a male holding a respectable background, could possibly be black. Consequently, Desiree feels compelled to leave because she wants to please him. When Desiree decides to kill herself and her child, she shows that she is sensitive and vulnerable to her husband?s thoughts and actions.

First, Desiree’s identity changes constantly throughout her life. In the story, Desiree goes from being abandoned and having no identity, to being taken in by a loving family, to taking the identity of Armand’s wife, and then back to having no identity. Having taken on so many identities clearly affects her at the end of the story when she decides to kill herself because of her inability to try to find a new identity and see life outside of Armand. One quote that shows an identity change is, "Desiree, truly belongs nowhere. Found abandoned in front of the gates to the valmonde plantation," (Essays 3). As a child Desiree was abandoned and had no identity, but when she was taken if by that

“Desiree’s Baby” provides insight into the application of the hypodescent rule in plantation-era Louisiana, depicting individuals of mixed race who are marked and assigned to the subordinate social group. In her short story, “Desiree’s Baby,” Kate Chopin addresses the practice as it was applied to the “one-drop rule,” the notion that an individual with white complexion may be deemed black by society given the presence of any African ancestry. Desiree, the story’s protagonist, is eloquently placed at the intersection of the two races, victimized in order to highlight the flaws and inadequacies of the rule. Desiree’s ultimate removal from white society and possible death may indicate a text working to criticize racial prejudice; however,

Kate Chopin’s “Désirée 's Baby” was set in the days before the abolition of slavery, at a time when the ownership of another person was not only acceptable, but also economically impactful in the south. It was normal to see big plantations owned by whites and tendered by black slaves. We see all of this and more in “Désirée’s Baby”. One of the characters, Monsieur Valmonde finds an abandoned baby one day while out riding. His wife, Madam Valmonde, does not have a child of her own so she takes the baby in and names her Désirée. Madam Valmonde and her husband, Monsieur Valmonde raises the child, until she is old enough to become married. Her attractiveness and especially white skin attract Monsieur Armand Aubigny, a plantation owner, and they immediately become married and have a child. Désirée and Armand both originally associate themselves with the white class, but once the plot unveils their black heritage they are faced with uncertainty, and ultimately their lives become meaningless and not worth living. Throughout the story, Kate Chopin uses symbolism to convey her themes of racial biasness and social ladder in a society. The characters and the setting in this short story help provide the readers with more understanding of how racially charged our society was at that time.

Desiree's life is full of indescribable and pitiful events; first, she was lift alone when she was a baby, nameless and no one knows who her family are - this generally refers to the personality of a woman which is, metaphorically, has no presence in the society. Moreover, throughout the story no decision is made by her but

In the very beginning Desiree was left on a stone pillar at the Valmonde estate; it is also here that Armand Aubigny sees her and falls instantly in love with her. The stone pillar is a symbol of firm, forced male dominance in a patriarchal society. It is how men were of superior to anybody else. Desiree grew into a beautiful and gentle-hearted young woman and soon found a wealthy suitor asking for her hand. This young suitor was Armand Aubigny. He had known of Desiree’s past but was in love and did not care. Armand Aubigny’s character in this story was racist and despicable but the young bride was in love and looked past his faulty character.

Kate Chopin’s Desiree’s Baby is a short story about a girl named Desiree who is abandoned, then adopted into a wealthy family. Young Desiree soon grows up and falls in love with a slave owner, Armand,with whom she conceives a son with only to discover that her child's appearance consists of African descent characteristics. Chopin narrates the issues of oppression and loss of identity during a historical period of time through Desiree’s character. Derek Foster and Kris LeJeune's critique, focusing on the feminist standpoint of Desiree’s Baby, attempts to demonstrates how Desiree’s act to flee into the bayou is her first accomplishment of independence.